Over the last few months I have been watching a lot of old, and even new TV. Recently, I have been working on a project and haven’t had enough time to sit a watch a movie.
From the late 1950s I have seen Naked City; From the 1960s I have seen Mission: Impossible, Mannix and Star Trek (all done by Desilu, by the way); From the late 1980s: Star Trek, TNG and from the 1990s a bit of Law and Order.
While watching the Ian Fleming series from the BBC, I realized how dramatically TV production has improved since I was a kid.
TV almost immediately killed the movie serials and “B” movies. But it didn’t necessarily put those companies out of business; they went over to the weekly series, TV. For example, the Superman TV show was produced by the same people who did the Superman serials. And it looks it!!! With Naked City and Superman they did not yet know the “power” of residuals and that making a series that would last could mean millions of dollars.
Naked City boasted that it show on location in NY, but this was because they didn’t have the money to pay for sets. Well, they often had one or two, but very cheaply done. Yet it worked. It was the forerunner of Law and Order, which looks so much more elaborate.
Compare the first two version of Star Trek and you see a major leap forward in next gen.
With inflation it is impossible to compare the costs of a show in real terms. Star Trek got about $180,000 an episode, nearly 20 years later, the Next gen got 1.2 million. Shot by the same studio at the same time, but on a different network, Mission and Mannix got 20% more than Star Trek, but all three shows were losing money for the studio. At that time, reruns of shows did not usually occur until it was cancelled, so there was NOT an additional revenue stream. So money was NOT pumped into these shows. (A few long running shows did have reruns, but they changed the name of the show. In concurrent reruns Dragnet became “Badge 714;” The Danny Thomas Show adopted its original name, “Make Room For Daddy” and Gunsmoke became “Marshall Dillon.” But these were exceptions.
By the late 1980s, movie studios began producing most TV shows and they knew that the real money was in returns. Production values increased as independent stations, which was looking for content, increased in number. By the mid 1990s, cable became a big player.
Cable, a washed with cash, consistent revenues not built on advertisers alone and dealing with adult audiences seemed to have pushed the quality of TV. It is a surprise for some to learn that cable TV shows do much better on DVD than broadcast shows. Simply, it is because no everyone has cable and they buy or rent more of these. Of course not only do broadcast TV and cable often “share shows” including Law and Order, but they have so many revenue streams now.
So I was impressed with the production values of the Ian Fleming series, and SHIELD and NCIS. We have come a long way, baby both in sound and vision.