madfloyd
New member
Thank you so much, Bhodi!
+ 1. Professional gear is built for accuracy, neutrality and resolution, and mechanically to be robust and fit for purpose, not for those qualities we audiophiles prize such as tone/timbre, harmonic richness, naturalness, sound staging etc.Maybe time to retire the Mogami? I did two decades ago.
+ 1. Professional gear is built for accuracy, neutrality and resolution, and mechanically to be robust and fit for purpose, not for those qualities we audiophiles prize such as tone/timbre, harmonic richness, naturalness, sound staging etc.
I don't disagree, but I don't find it easy. For example, here's what I have in my arsenal:
Source interconnects (all XLR): MIT Oracle MA-X (rev 1), Transparent Reference XL, Burley, Mogami AES (digital cables used for analog on a suggestion from Gary of Genesis)
Preferred is the MIT (deep clear bass, clean treble). The Transparent is rolled off in the extremes and is grainy to my ears.
Preamp->amps (30 feet): Transparent Reference XL (RCA), Burley XLR, Mogami XLR
Preferred for musicality is the Transparent but there are issues with this cable: grainy artifacts in the upper mids, rolled off highs
Speaker cables: MIT Oracle Matrix SHD 90
Bought these to clean up the muddiness that I had with Transparent Ref XL (when I had Wilsons) and sold them.
Nobody is going to lend me a pair of 30 feet XLR cables to try, mostly because nobody has a pair. I can purchase a pair of MIT, but that scares me because you have to specify low/high impedance (no switch for that distance) and if I change amps I'm screwed.
I'm experiencing nasty highs that I feel like I've narrowed down to either the amps, speaker cables or the speakers, so an amp change in my future is possible. I bought the Mogami as just something to try (and tide me over) because I could hear the Transparent single ended cables picking up grunge whereas any XLR seems to have a lot less noise. The Mogami are much better than the Burley (Pass Labs' own brand of cables).
Nobody is going to lend me a pair of 30 feet XLR cables to try, mostly because nobody has a pair. I can purchase a pair of MIT, but that scares me because you have to specify low/high impedance (no switch for that distance) and if I change amps I'm screwed
Is that TA MM2 level or the earlier version? Something is amiss if you're hearing grain in the TA????? I might complain more about it being somewhat dynamically compressed, something they have supposedly addressed in the Gen V model.
I don't think MIT will build you a 30' pair of interconnects with anything other than the impedance locked on low. I had a 27' pair of Oracle MA-X SHD built a couple of years ago and they said low impedance for that length was all they could build.
Madfloyd, 30 feet of most cable will roll off highs.
Albert ... I did same thing. Bought 3 outlets, 2 gold and 1 Rho ---- digital gets Rho and amps get gold.
These outlets replaced FIM outlets. I'm very pleased with the sound. Well worth the investment IMO.
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I don't mean to wet blanket this direction; but in the last few months Furutech has released their 'NCP' versions of the GTX-D (R) duplex outlet. to my ears it is clearly a level above the GTX-D (R) outlets that I had.
http://www.furutech.com/2015/11/18/12066/
a thread where I describe my experience.
http://www.whatsbestforum.com/showt...7-Furutech-GTX-D-NFC-(R)-outlets-this-morning
if you are wanting the best. these are that.
and further; Furutech also applied the NCP tech to their top-of-line male and IEC plugs for power cords. which I had installed to at least as significant performance upgrade.
http://www.whatsbestforum.com/showt...s-this-morning&p=377221&viewfull=1#post377221
it's too bad this stuff matters so much; but no doubt it surely does.