madfloyd
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- #81
Madfloyd, This is precisely the quote that caught my attention in the review. IMO, that would be a very good thing, as I have always found MIT lacking in those areas. The other thing is that in my experience, MIT cables play with phase and those different "poles of articulation" settings radically alter the sense of space, tonality and imaging. So as far as "recording space" goes, with the top MIT cables, it can be what ever you want it to be. Quite an effect, IMO. I preferred the lowest setting in all of my MIT speaker cable auditions.
"Body, tonal balance, soul, musicality," all of those things can be adjusted through careful speaker and seating positions, in my experience.
Sorry, back to the M Project topic....
Peter, them's fightin' words! I totally disagree with the notion that MIT 'plays with phase'. Unless I misunderstand the poles of articulation tech, all the switch is doing it connecting/disconnecting more poles that are articulated for high frequencies, allowing you to tune it to your taste. More high frequencies affect the perception of sound stage. It's no more an 'effect' than Transparent cables boosting the midrange at the expense of frequency extremes.