Recommend amps choice(S) for:
Abyss AB - 1266 Phi CC
and
Stax SR - 009S.
Thank you
Eleven XIAUDIO Broadway
Recommend amps choice(S) for:
Abyss AB - 1266 Phi CC
and
Stax SR - 009S.
Thank you
I try to listen to as many headphones as I can at the various shows. I always liked the Audeze LCD-3, and preferred it to the newer LCD-4 and X. Stax were always good, as well as some of the HiFi man headphones. I really do like the combo of the Chord DAVE with the Focal Utopia headphones. To me, that’s a “lost in the music” type of experience.
Comfort is so important for headphones as everyone knows. Some of the best sounding headphones are sadly also some of the most uncomfortable to wear long term. It’s hard to find that right balance.
I haven’t found a lot of IEM’s I fancy yet. Still listening though.
Hi thanks. Any idea about LCD3 vs LCD2?I try to listen to as many headphones as I can at the various shows. I always liked the Audeze LCD-3, and preferred it to the newer LCD-4 and X. Stax were always good, as well as some of the HiFi man headphones. I really do like the combo of the Chord DAVE with the Focal Utopia headphones. To me, that’s a “lost in the music” type of experience.
Comfort is so important for headphones as everyone knows. Some of the best sounding headphones are sadly also some of the most uncomfortable to wear long term. It’s hard to find that right balance.
I haven’t found a lot of IEM’s I fancy yet. Still listening though.
Get a listen to a Stax 009, 009S, or 007 (or even L700) with the HeadAmp Blue Hawaii SE (and obligatory great source), at a quieter time, if you haven't already. Stax are really at a disadvantage in show/meet settings because 1. they are just so much more OPEN than even other open headphones (no barrier to ambient noise), and 2. the demands for truly high-end electrostatic amplification are so much more difficult to satisfy, exacerbated by the fact that you may be tempted to raise the volume to combat a high-ambient-noise show/meet setting. The really, really great amps are typically on very short supply, even at big meets. The Blue Hawaii SE is really a large cut above most other electrostatic amplifiers (including Stax's current offerings), and it is the most likely of the "great amps" to appear at a show. A Stax 727 just sounds like mush by comparison.I try to listen to as many headphones as I can at the various shows. I always liked the Audeze LCD-3, and preferred it to the newer LCD-4 and X. Stax were always good, as well as some of the HiFi man headphones. I really do like the combo of the Chord DAVE with the Focal Utopia headphones. To me, that’s a “lost in the music” type of experience.
Comfort is so important for headphones as everyone knows. Some of the best sounding headphones are sadly also some of the most uncomfortable to wear long term. It’s hard to find that right balance.
I haven’t found a lot of IEM’s I fancy yet. Still listening though.
My friend was telling me he loved his 009’s today. I have to hear those.
Get a listen to a Stax 009, 009S, or 007 (or even L700) with the HeadAmp Blue Hawaii SE (and obligatory great source), at a quieter time, if you haven't already. Stax are really at a disadvantage in show/meet settings because 1. they are just so much more OPEN than even other open headphones (no barrier to ambient noise), and 2. the demands for truly high-end electrostatic amplification are so much more difficult to satisfy, exacerbated by the fact that you may be tempted to raise the volume to combat a high-ambient-noise show/meet setting. The really, really great amps are typically on very short supply, even at big meets. The Blue Hawaii SE is really a large cut above most other electrostatic amplifiers (including Stax's current offerings), and it is the most likely of the "great amps" to appear at a show. A Stax 727 just sounds like mush by comparison.
I am recklessly in love with Stax headphones given amazing amplification (now a T2, which I upgraded to from a BHSE). It competes with my big 2ch rig some days. Just sold my Utopias - great headphone which I really enjoyed, but easily eclipsed in all ways by a top-tier Stax setup.
The amplifier quality is a much bigger deal with electrostats than it is with other headphone types. I should be considered part of the transducer. I harp on the amp issue a lot, but it's only because as a rabid enthusiast/hobbyist, the good stuff truly blows me away.
I'm quite fond of the two in my signature.
My friend still has an R10 that he just can't seem to let go of, even though they sell for crazy money these days. He had 3 at one time, including "bass heavy" and "bass light" variants - a true fanatic! I owned one in the past, too. Between us we've had 5 different R10 units I think. I thought the last "Amazon special" models sounded best. Awesome soundstage, great natural tone, and simply amazing for large scale classical/orchestral music. Biggest soundstage I've heard from closed cans, but they were pretty leaky. Unfortunately, even the "bass heavy" variants lacked the slam and guts necessary for rock, especially hard rock and metal. Not a complete "all genre" headphone, and its detail retrieval has been exceeded by some other top cans.
This friend really loves the HD800 with ECP Audio amps. The ECP gear has a very smooth, analog sound. I think he likes the HD800/ECP setup a bit better than his R10; it's certainly a better all-around setup (though I've yet to warm up to the HD800 - I still like the Qualia 010 much better). But his top favorite setups are still Sennheiser he90 Orpheus headphones into a T2 amp, followed by 009 into T2 (I reverse this, and prefer the 009 over Orpheus). I think the Qualia 010 beats MDR-R10 too, but the Qualias are incredibly polarizing for good reason.