Listening to the Göbel room
The closest term remains
fairytale-like, in the sense of enchantment. Fairytale-like, here, means a listening experience placed in an area to which the ear is little accustomed. A rare condition, generated by the synergy between Göbel and WADAX at the highest levels, with Vitus Audio providing control, authority and reserve.
The sensation was that of a system capable of bringing every sonic event into an ordered, silent, temporally still space. The blackness between the notes had a central role. It was a base of silence that allowed the music to emerge with a clarity different from the usual. In a show, where the environment, the flow of the public and installation times always condition listening, this level of inner quiet had a particular value, even beyond the usual.
The Divin Monarque provided real scale, pressure and stability, with a physical presence that bordered on ideal perfection. The WADAX source, in the Reference Level VIII configuration, seemed to act above all on time, focus and continuity of the message. Vitus Audio held the entire system with authority, giving the sensation of an almost infinite reserve. The result came from the sum of the three brands, but also from the coherence with which Oliver Göbel had built the entire chain.
The Göbel Divin Monarque
The Divin Monarque must be read as a new step in the Divin line. Göbel presents them as a conceptual derivation of the Divin Majestic, brought into a single-cabinet format, more manageable than the absolute reference of the brand. They remain loudspeakers of extreme scale, with almost two metres of height, 380 kg per side, a front panel with thicknesses up to 105 mm, cabinet in resin-composite materials, internal reinforcements, Helmholtz resonators and a dedicated waveguide for the AMT tweeter.
In the room this architecture translated into a sense of continuous presence. The great mass became speed and perfect temporal alignment. The loudspeaker worked as the terminal point of a broader system, where digital source, amplification, cabling and power supply followed a single logic. It is precisely here that the room took a different direction compared with many ultra high-end demonstrations: the impression was that the system aimed at the greatness of the sound and at its internal, intimate and temporally absolute organisation.
saw this on another Forum today from a person from Rome Italy