jdandy
New member
- Thread Author
- #41
Dan...Thanks. Extremely happy with the performance of the Suder A810. I have since added A820 Transfoless cards in which effectively dropped the gain a little but the output resolution is astonishing. Myles put me onto the Opus 3 samplers recently so I have got the tape bug now!
I think moving the Revox B77 MKII into the studio sounds like a plan especially if you are not producing much from the control room nowadays.![]()
Steve.......The only thing holding me back from relocating the Revox B77 MkII to the studio system is unbalanced interconnects. I will need four 5 meter cables to place it where I can squeeze it in. Playing with reel to reel tape takes me back in time to my early hi-fi days. The same is true when I handle vinyl. The nostalgia is comforting.
I haven't been using the Revox in the Control Room for some time. My last recording project was a jazz standards CD I recorded with an artist named Matt Lucas. That was recorded in 16Bit/44.1 on a Mackie analog mixer and Roland digital work station. Once completed and mixed to Matt's and my satisfaction I gave him the un-copy protected Master on disc to duplicate and promote himself. That was early last year. My recording studio (QuarterMoon Studio) has seen a few projects I have recorded for myself but not much more than that lately. Recording live music can be time consuming when everything is taken into consideration. I have had other things occupying my time that have taken precedence over the recording studio so it sits idle. I will get back in there when the mood strikes me.