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I've been around some of the audio fora for years, but the 'shark' is new for me. I see a lot of familiar names here. For those who don't know me, I was a long-time NYC copyright lawyer, did decades of stuff in the music industry and on Internet law as outside counsel. Now retired, living in Austin part of the year, but still have residence in NY. My focus in the last few years has been older pressings on vinyl. Though I enjoy gear, I find that it becomes a pursuit for its own end. Only when I had time to start going through the thousands and thousands of records I had accumulated over the decades, did I finally start to appreciate that so much is dependent on on the recording, the particular pressing, etc.
Austin is a great town, and a welcome change from the crush of New York, where I've lived for 34 years.
I teach part-time at UT Law School, and have been involved in some grass-roots efforts to help educate artists. What's interesting about Austin- both a plus and a negative- is that there is a huge artistic community here- recording artists, songwriters, film-makers, writers, etc. but very little "infrastructure"; it makes it much more accessible in some ways- not the corporatized "industry" thing driven by suits; downside is, a huge amount of talent is working for almost nothing- they may get work on a project, or go 'on the road' but despite all the fanfare of events like SXSW, there is little support for the artistic community beyond non-profits and local benefactors who help out of generosity, and a desire to support 'the arts.'
I'm still glad I'm here, though. Just a walk through town puts a smile on my face.
Glad to be here as well.
Bill Hart
Austin is a great town, and a welcome change from the crush of New York, where I've lived for 34 years.
I teach part-time at UT Law School, and have been involved in some grass-roots efforts to help educate artists. What's interesting about Austin- both a plus and a negative- is that there is a huge artistic community here- recording artists, songwriters, film-makers, writers, etc. but very little "infrastructure"; it makes it much more accessible in some ways- not the corporatized "industry" thing driven by suits; downside is, a huge amount of talent is working for almost nothing- they may get work on a project, or go 'on the road' but despite all the fanfare of events like SXSW, there is little support for the artistic community beyond non-profits and local benefactors who help out of generosity, and a desire to support 'the arts.'
I'm still glad I'm here, though. Just a walk through town puts a smile on my face.
Glad to be here as well.
Bill Hart