The Magicos M6 were a star of the show for me. By far. I have spent 90 min in Magico's room. I don't recall spending that much time in a single room EVER on any show I've visited in the past 25+ years. The M6 alone were worth the trip to Munich.
It is also probably the first time I really liked a Soulution based system. The system sounded better when the Kronos TT was in action instead of the Soulution CD - another proof that the less Soulution in a system, the more music.
I have the smaller M3s, so certain qualities like incredible smoothness and resolution, lack of gran and coloration, were sth I was accustomed to. But the effortless bass and macrodynamics, transformed this great speaker into sth rather spectacular.
I liked the M6 much better then the Rockoprt Lyra in another room (although in all fairness - the Rockoports system was based on the cheaper Soulution 500-series components, not the top of the line 700 like Magico's). Somehow I expected the speakers to be much closer in performance. I did not hear that smoothness coupled with infinite resolution of the Magicos and the uncany palpability.
Another pair of Lyras in the Absolare room sounded very 'nice', but way too slow and colored on the Absolare hybrids.
BTW - spending 90min in one room let me notice things that I haven't noticed before: how much the system balance changes depending on how many people were in the room and where are you sitting. The system went from upfront (on bright recordings with less people in the room), to rolled off, warm and beguiling kind of sound when sitting in row 2-3, with the room full of people.
Sth to keep in mind when visiting hi-fi shows.
But certain qualities of the speaker shone through irrespective of music and # of ppl in the room - namely infinite resolution, lack of coloration and effortless of sound.
Thanks for the comparison note. I am interested to know how these two great speakers compare. I wasn't at Munich. Some of my friends who went gave me opposite feedback about M6 vs Lyra. It is interesting that different ears hear different things with different conclusions.I liked the M6 much better then the Rockoprt Lyra in another room (although in all fairness - the Rockoports system was based on the cheaper Soulution 500-series components, not the top of the line 700 like Magico's). Somehow I expected the speakers to be much closer in performance. I did not hear that smoothness coupled with infinite resolution of the Magicos and the uncany palpability.
Another pair of Lyras in the Absolare room sounded very 'nice', but way too slow and colored on the Absolare hybrids.
Thanks for the comparison note. I am interested to know how these two great speakers compare. I wasn't at Munich. Some of my friends who went gave me opposite feedback about M6 vs Lyra. It is interesting that different ears hear different things with different conclusions.
Indeed. I have spent a great deal of time in both rooms. It would be interesting to know, which room they are refereing to, as Lyra / Absolare and Lyra / Soulution, sounded very different.
I was at Munich with a bunch of friends (reviewers and dealers) and all 10 or 15 people I've talked to, were more impressed by the M6.
Maybe I mistook you Blasting Jazz and Orchestral Thunder for loud. I can listening to a bit of just about anything with a few exceptions.
Piazzolla Master Tape in EAR/Yoshino room:
Some more Munich pix...
Our Piazzolla Master Tape in Wilson/Nagra setup:
...
I knew it was just a matter of time until the M3s were leaving your domicile for the M6.
You can say no all you want, but let me be the first to congratulate you on your new purchase!
Adam, I am shocked you have not yet made the trade up to the PACIFIC. RUN, DONT WALK! LOLThat is really a shame, as I love the speaker. IMO this is by far the best and most complete speaker they have made.