Dpod4
New member
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- Apr 5, 2013
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- 1,321
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- #1
My local Maggie dealer came by and we set up new 20.7 speakers. Three "out of the box" comments:
1. These are heavy speakers. Much more so than my previous 3.7s. Once on bases though they are very easy to scoot around.
2. silver trim with white cloth is really nice. Glad I opted for it. My dealer was surprised saying he had never thought to do that color combo before but it was his new favorite and would be the next combo he ordered.
3. Even though wafer thin from the sides, these are ridiculously large speakers when facing them. Expansive. Mainly due to height.
When I first fired them up I was pretty disappointed. Muddy bass and shut in highs. Almost to point I wondered if something was wrong (my ears used to broken in S5 speakers that are ultra refined).
I let a burn in track run for a day and went back in. Better but still a bit jumbled and chaotic as if frequencies were fighting one another and sound stage was collapsed.
So moved them further from front wall (5-6 feet). Bingo things opened up. But still not even good for speakers that need breaking in.
Then I decided to sit in the chair behind my listening seat. 10x better. On all fronts. I was floored at bass depth and punch and dynamics. Instruments separated. Some delicacy and decay reintroduced.
So, this is going to be a project. My dealer assured me my room is plenty big but I have some modes that load the bass that muddles the mids which then buries the highs. My oldest brother noticed this when he visited and listened to my S5s telling me to get bass traps for corners. The 20.7 size exaggerates air moving and the modes. Just moving the speakers and seating position around was revelatory in how much room acoustics play into the equation.
Going to get a couple asc bass traps for the corners. Going to get rid of a HT riser that I think loads the room as well (large hollow carpeted plywood 12" high platform). And will sweat the laborious adventure of minor adjustments of the 20.7. Interestingly right now it sounds best with tweeter ribbons on the inside. On outside they sound disconnected a bit.
The one reason I wanted to buy the Maggies was I remember getting lost in the music more - something about the wall of sound feeling more like a live performance. I definitely heard that, and when I closed my eyes I forgot about the work that lies ahead. The other thing I noticed is the 20.7s have a high end that is more refined and delicious than any Maggie I had heard previously. If I can get room under control and get the 3 ribbons to work together and with the room I think I may have a keeper.
We shall see - the S5s remain tucked away for now. One of these days maybe my obsessive nature will subside and I won't create so much work for myself. For now I enjoy the challenge and the adventure.
Cheers
1. These are heavy speakers. Much more so than my previous 3.7s. Once on bases though they are very easy to scoot around.
2. silver trim with white cloth is really nice. Glad I opted for it. My dealer was surprised saying he had never thought to do that color combo before but it was his new favorite and would be the next combo he ordered.
3. Even though wafer thin from the sides, these are ridiculously large speakers when facing them. Expansive. Mainly due to height.
When I first fired them up I was pretty disappointed. Muddy bass and shut in highs. Almost to point I wondered if something was wrong (my ears used to broken in S5 speakers that are ultra refined).
I let a burn in track run for a day and went back in. Better but still a bit jumbled and chaotic as if frequencies were fighting one another and sound stage was collapsed.
So moved them further from front wall (5-6 feet). Bingo things opened up. But still not even good for speakers that need breaking in.
Then I decided to sit in the chair behind my listening seat. 10x better. On all fronts. I was floored at bass depth and punch and dynamics. Instruments separated. Some delicacy and decay reintroduced.
So, this is going to be a project. My dealer assured me my room is plenty big but I have some modes that load the bass that muddles the mids which then buries the highs. My oldest brother noticed this when he visited and listened to my S5s telling me to get bass traps for corners. The 20.7 size exaggerates air moving and the modes. Just moving the speakers and seating position around was revelatory in how much room acoustics play into the equation.
Going to get a couple asc bass traps for the corners. Going to get rid of a HT riser that I think loads the room as well (large hollow carpeted plywood 12" high platform). And will sweat the laborious adventure of minor adjustments of the 20.7. Interestingly right now it sounds best with tweeter ribbons on the inside. On outside they sound disconnected a bit.
The one reason I wanted to buy the Maggies was I remember getting lost in the music more - something about the wall of sound feeling more like a live performance. I definitely heard that, and when I closed my eyes I forgot about the work that lies ahead. The other thing I noticed is the 20.7s have a high end that is more refined and delicious than any Maggie I had heard previously. If I can get room under control and get the 3 ribbons to work together and with the room I think I may have a keeper.
We shall see - the S5s remain tucked away for now. One of these days maybe my obsessive nature will subside and I won't create so much work for myself. For now I enjoy the challenge and the adventure.
Cheers