L1
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There will also be a P1 phono stage unit, I think also with a X1 PSU input.
Instead of using a phono board inside C1 or L1 a separate analog unit will sound better.
In C1 it must be converted to digital by an ADC chip on the board - not my favorite when listening to analog.
L1 should like C1 be modular, I'm also a little disappointed about that.
Price is unknown.
Instead of using a phono board inside C1 or L1 a separate analog unit will sound better.
In C1 it must be converted to digital by an ADC chip on the board - not my favorite when listening to analog.
L1 should like C1 be modular, I'm also a little disappointed about that.
Price is unknown.
I just demo'd the new L1 pre with X1 power supply and it is killer with the C1. If you think you're happy using the C1 as a pre, just listen to the L1 with it. I thought it would be an improvement going in but did not expect what I heard. The grip and power tempered with finesse is shocking. So much musical information but portrayed so organically! It takes the CH sound to an entirely new level. Only heard it with X1 though....
I always use my C1 with a preamp mainly because I have an analog front end and don't want to digitise my LPs but also because I think it sounds better.
howie
Howie, I think you'd be amazed to hear the L1 with C1 together. I was using the C1 with it's variable output but now that I heard the L1, it's no contest. I did try using the C1 with various high quality tubed and SS pre's but felt that they were introducing artifacts into the system that I did not like. The L1 seems to preserve everything great about the C1 but opens it all up with incredible presence and power. I noticed so much more layering of musical information as well.
Thanks. I am using the C1 with my M8 Audio Note Preamp and I like the sound but I would be intrigued to try the L1 too although I must admit I like my tubed preamps.
howie
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Like all CH Precision products, the L1 is highly versatile: 3 configurations are possible:
Dual Monaural (the L1 holds two channels in a single chassis)
Monaural (two L1s work together, each one processing a single channel, one board in each chassis)
Monaural Extended (two L1s work together, each one processing a single channel, however with two boards in each L1 chassis, allowing twice the amount of inputs).
All these configurations can be further enhanced by adding the X1 External power supply.
Dual Monaural (the L1 holds two channels in a single chassis)
Monaural (two L1s work together, each one processing a single channel, one board in each chassis)
Monaural Extended (two L1s work together, each one processing a single channel, however with two boards in each L1 chassis, allowing twice the amount of inputs).
All these configurations can be further enhanced by adding the X1 External power supply.
After much deliberation, i've made the jump to an L1. Hoping to see it by next week. Can't wait to get it in the system. I adore the Nagra Jazz, though i have really missed having more than one balanced xlr input and stoked about the synergy with the c1/x1 combo.
Any L1 users out there? If so, and you are using the dual monaural config, what power unit do you use? Internal, shared x1, or dedicated x1?
Looking for actual user experiences with any of these power configs.
Any L1 users out there? If so, and you are using the dual monaural config, what power unit do you use? Internal, shared x1, or dedicated x1?
Looking for actual user experiences with any of these power configs.
Thanks Allen.
L1 arrived this week and has been in the system several days. Enough to get a sense of what it brings to the table. I knew it would be good synergy with the C1 on digital playback but wasn't sure how it would do on the analog side of things. Well it is beyond my highest expectations. I have been totally immersed.
Improved spatial realism, better bass def and speed. The system keeps up with the full band tempo of Art Pepper +11 take of Dizzy's "Shawnuff".
Vinyl playback is super quiet. Nice to be able to adjust gain on each input.
Had a few questions related to setup and adjusting settings and Loris at CH and Gideon at Audioarts have both provided top drawer assistance to help me optimize the setup.
Supposed to keep things warming up for a week or so to settle in the fresh electronics but i'm pretty stoked as it is. Fun!
L1 arrived this week and has been in the system several days. Enough to get a sense of what it brings to the table. I knew it would be good synergy with the C1 on digital playback but wasn't sure how it would do on the analog side of things. Well it is beyond my highest expectations. I have been totally immersed.
Improved spatial realism, better bass def and speed. The system keeps up with the full band tempo of Art Pepper +11 take of Dizzy's "Shawnuff".
Vinyl playback is super quiet. Nice to be able to adjust gain on each input.
Had a few questions related to setup and adjusting settings and Loris at CH and Gideon at Audioarts have both provided top drawer assistance to help me optimize the setup.
Supposed to keep things warming up for a week or so to settle in the fresh electronics but i'm pretty stoked as it is. Fun!
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Though I am not directly familiar with Audionet amplifiers, but for CH fans, here's a great new review of the L1.
http://positive-feedback.com/reviews/hardware-reviews/ch-precision-l1-preamp/
http://positive-feedback.com/reviews/hardware-reviews/ch-precision-l1-preamp/
How does it compare to the Nagra Jazz?
I am a true Nagra fan and love the Jazz. It does many many things right for me, and especially when I added the optional balanced input transformer board. In comparison, in my system, the L1 brings more soundstage depth, clarity/resolution and clearly related, a silent noise floor.
The Nagra brings a slightly warmer sound, less resolving but very musical. The CH is more neutral.
They are both exceptionally built, though the CH has more user configurability (gain trim for inputs, fully balanced design, more XLR connections, etc.) The Nagra is a more mechanical aesthetic (modulometer, rotating switches, etc.) on an impressively small footprint.
The Nagra brings a slightly warmer sound, less resolving but very musical. The CH is more neutral.
They are both exceptionally built, though the CH has more user configurability (gain trim for inputs, fully balanced design, more XLR connections, etc.) The Nagra is a more mechanical aesthetic (modulometer, rotating switches, etc.) on an impressively small footprint.