Hi Barry,
We appreciate your response. Sorry for taking our time getting back to you.
In a nutshell, our members primary focus, by far, is on perfecting Two channel reproduction.
So I am not sure if our interests coincide at the moment.
We sense your excitement, passion and ongoing enthusiastic commitment and any time you want to share it by inviting us to have a listen, we will try and arrange small group of 3 or 4.
Please keep in touch. We look forward to meeting you sometime in the future.
This was their reply.
I don't want to make an issue of this so this is the last I will speak of this. Onward and upward
Seems to be strictly a stereo zone, and trying to 'perfect' it. But they omit the essence; stereo is also an enveloping music experience, and certainly doesn't have to be restricted by only two speakers.
In the beginning there was Mono (Monotone), and then Stereo (Stereoscopic) which means
Solid, Three-dimensionality.
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http://answers.yahoo.com/question/index?qid=20110523210127AAEAqHH
Brian, this is a closed-loop circuit (cult), run from conventionality, and like a religious sect they perform their own extraction into doomsday.
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Anyone imposing their own rules, religions, ... upon others is slave to his own demise.
It's not the rulers/dictators who are going to govern, it's the ones who revolt against them.
The true Empire is the People, not this country or that one or this monarchy or that one.
Discrimination comes in all faces, and is no good for humanity.
Way before man was listening to "stereo" music he was listening to the wind and the birds all around him, in surround sound. We got stuck along the way in our
soi-disant evolution, mystical reproduction.
"Perfecting two-channel stereo"; if you don't include reverberations from the room, the sound's propulsion, the tone's bounces, the reflections, the dispersion, the inflections, the surround activity (behind and above and to the sides), then you simply put your head into a type of vise grip, without movement, without freedom, and without life.
Sound is expansion, not compression. ...And like I said before it is not restricted to only two channels like from the grooves of an album spinning on a turntable and tracked by the stylus (shaped diamond) of a cartridge.
I love perfecting my 2-channel stereo listening experience; improving the stability, reducing the noise, etc., and I also love to spread it all around, just like in a great concert hall. ...Be it classical orchestral music, classical chamber music, jazz orchestrations, blues bands, chorales, and all that world music stuff that is so sweet to my ears and vibrating chords of my soul.
Improving stereo music also starts with the recordings themselves; the quality of the people who record the musicians, their sense of getting things right, in and out.
And more often than not, if you improve your own quality choice of music, you are improving your audio hi-fi rig as well. And great great music recordings come in stereo and multichannel as well.
The recording mixers/engineers do their part, we do ours at the listening end. And nothing is going to stop us from experimenting and go beyond conventionality (2-channel stereo restriction).
And for the vast majority of recordings, it's the artists themselves and/or the record label company executives who decide how much and what type of EQ to use on them recordings. The mixing engineer simply applies the directives.
It's up to us to choose wisely the right music recordings done intelligently by the artists we appreciate listening to, the studios were the recordings took place, and the people who made the right recording decisions.
Example: Channel Classics, ECM, Reference Recordings, AudioQuest Music, Analogue Productions Originals (etc.) record labels, and all the artists/musicians/singers under their splendid umbrella.