Tannoy reintroduces it's Legacy speaker series

I would like to introduce my system, I am still working on it, especially the room acoustic but at least now I can show something:
Tannoy Legacy Arden
Cambridge Audio
Pro-Ject
Hofa Acoustic

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I would like to introduce my system, I am still working on it, especially the room acoustic but at least now I can show something:
Tannoy Legacy Arden
Cambridge Audio
Pro-Ject
Hofa Acoustic

Beautiful!


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I would like to introduce my system, I am still working on it, especially the room acoustic but at least now I can show something:
Tannoy Legacy Arden
Cambridge Audio
Pro-Ject
Hofa Acoustic

IMG_6160x_Forum.jpg



IMG_6161x_Forum.jpg



IMG_6162x_Forum.jpg



IMG_6164x_Forum.jpg



IMG_6176x_Forum.jpg

Sweet setup , Jim Smith has big Tannoy's also , you guys should talk .... :)
 
Alberello, your setup and room is a work of art. It must feel very good to come home each day (or thereabouts)! Big fan/owner of big Tannoys myself, here.
What did these Tannoys replace, and do you have any initial sonic impressions?
 
awesome , the scale must be fantastic . and the good thing is the arden is not too expensive so well within the reach of many . it does however need a big room !
 
Alberello, your setup and room is a work of art. It must feel very good to come home each day (or thereabouts)! Big fan/owner of big Tannoys myself, here.
What did these Tannoys replace, and do you have any initial sonic impressions?

Thanks.
I build this room from scratch, unfortunately in this environment that is 45 square meters I didn't have tested other big loudspeakers, just the KEF LS50, but there is no comparison.
With this system you have a lot of low frequency energy, you must have a proper acoustic room treatment.
I strong recommend use Solid State amplification with damping factor at least 150 like mine, big improvement come with bi-amplification too, bringing the right bass control and brighter high frequency.
Regards.
 
funny i am on another thread and the chap who has tannoy speakers is set on low damping amps to make them sound good !!
 
Dual-concentric Tannoys work well with a wide range of amplification. I've used various DC models with both tubes and SS, ranging from 20 Watts (restored Heathkits & Eicos) to 275+. I currently run Rogue Apollo Dark KT120 monoblocks at 275 Watts/ch (maybe a bit more), into Canterbury GR. I gave my girlfriend a set of Tannoy Eyris DC3 with NAD C 368 (class D) - what a gem of a little system. It all sounds wonderful; owners can choose amps based on what they wish to prioritize. With high power amps, you can extract the maximum dynamics and impact out of your Tannoys, especially for loud volume listening. With quality SS amplification (even/especially class D), you can hit a good balance of dynamics, good overall sound, and great value for the money. With sweet low-power tube amps, you can get an even more beautiful liquid midrange, and optimize lower volume listening - at the expense of potentially hitting clipping with louder volumes of rock and orchestral music.
 
I heard the Cheviots at Uncle Kevvy's today. They'll rock with substantial headroom on just 35 tube watts. A little bass happy but rasing them 8-12" or so may ameliorate that. Im leaning more towards the stand mount Eaton.
 
funny i am on another thread and the chap who has tannoy speakers is set on low damping amps to make them sound good !!
The problem is simply that it depends which Tannoys we're talking about. My friend's restored old Tannoy 12ins sound great with a Radford STA 25, and sublime with my Nord Class D amp. But neither of these amps drives my 15ins 5 year old Canterbury SEs well.
 
The problem is simply that it depends which Tannoys we're talking about. My friend's restored old Tannoy 12ins sound great with a Radford STA 25, and sublime with my Nord Class D amp. But neither of these amps drives my 15ins 5 year old Canterbury SEs well.

how is the search for amps going ?
 
Hi Phil,
A Radford STA25 I've just serviced and upgraded sounds great with my Tannoys as does a Radford TT100 I've more or less compeltely restored so there's two that work well. I wrote off the Radford STA 25 before its service and upgrades but now it's really sounding great, so just shows what a difference running correctly and sympathetic upgrades can make!
 
An EAR 890 I've got in does a very decent job of driving them too, despite being Class A but it does have 4 KT90s per channel output valves!
 
And a Radford STA15 does a great job too! It all underlines the story that the Tannoy Canterbury SEs need a degree of feedback, probably Class AB, and low output impedance /reasonable damping factor
 
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