I was actually kidding
The title says it all: Magical Magico S5
It’s the clearest definition of ‘non-sound’ I’ve ever experienced.
The S5 MkII may be said to punch well beyond its weight.
He obviously feels it is a great improvement over the S5 mk1, which were already so good, he bought the review pair.
Having lived with the S5 mk 1 for 3 years, and now owning the S5 mk2, I can only agree with everything Martin had written.
Good pickup a.wayne. According to MC in his Hifi Critic review the S5's x-over points are at about 250Hz and 2.5kHz (my read is 250Hz and about 2.25kHz). Looking at MC's impedance curve for the S5 Mk2, it looks like it crosses over a touch higher at about 260Hz and pretty much bang on 2.5kHz (ie: a bit higher than the S5). Meaning the bass drivers are handling a touch more of the lower mids, and the midrange drivers are handling more of the upper mids in the presence region where human hearing is the sharpest (I suspect due to their improved speed and driver behavior). Feel free to correct me if I got any of that wrong!Look at the impedance graph , xover points are visible there....
True, the S5 Mk2's midrange drivers cover a slightly wider frequency range (than S5 Mk1), but you have to remember that is probably the best midrange cone driver in the world at the moment (same as the M3). The new midrange units are faster, more dynamic, more transparent/detailed & have lower distortion compared to the previous generation. And the driver's breakup point has been moved beyond the bandpass, allowing for more seamless integration with the tweeter, which in turn allowed Magico to simplify the crossover & further improve resolution.That midrange cone is going to be moving a lot trying to go back and forth between a low of 250Hz and a high of 2.5kHz. Moving mass = distortion.
That midrange cone is going to be moving a lot trying to go back and forth between a low of 250Hz and a high of 2.5kHz. Moving mass = distortion.
That midrange cone is going to be moving a lot trying to go back and forth between a low of 250Hz and a high of 2.5kHz. Moving mass = distortion.
True, the S5 Mk2's midrange drivers cover a slightly wider frequency range (than S5 Mk1), but you have to remember that is probably the best midrange cone driver in the world at the moment (same as the M3). The new midrange units are faster, more dynamic, more transparent/detailed & have lower distortion compared to the previous generation. And the driver's breakup point has been moved beyond the bandpass, allowing for more seamless integration with the tweeter, which in turn allowed Magico to simplify the crossover & further improve resolution.
Thanks for your kind words Ken. My system is a work in progress, but the basic mix of components (Vitus, Magico, Jorma) wont change. The S7 & M3/S5 Mk2's midrange drivers are basically fairly similar. The difference being the M3/S5 Mk2's mid is a slightly evolved version of the midrange unit in the M Pro, whilst the S7's midrange unit is essentially the same as the M Pro, only adapted for the S7.Congrats on your new Magico S5 Mk2 and a tremendous system from top to bottom. Magico and Vitus synergy is just off the charts. After having auditioned the S7, I thought its midrange driver was one of the best I ever heard. The M3/S5 Mk2 midrange must be absolutely mellifluous! :thumbsup:
Ken