Lumin S-1 Golden Ear List

I love the L1. I don't understand it but it does sound better than anything else I've tried.

Hi Jock,

As soon as MQA core unfolding becomes available on both the Lumin U1 and the Aurender N10, I plan on auditioning them both with the Berkeley Ref2 DAC and purchasing my favorite. It is not going to be an easy decision. What made you decide on the Lumin U1?

Best,
Ken
 
As soon as MQA core unfolding becomes available on both the Lumin U1 and the Aurender N10, I plan on auditioning them both with the Berkeley Ref2 DAC

Has Aurender said of any plan to add MQA Core decoding to N10?
 
I was using the A1 and S1 and have the music on L1s, and I really love the app. So getting the U1 was an easy decision. I didn't compare the sound directly with others. But it sounded great when I did listen to it so I didn't feel the need to do a big shootout.

Hi Jock,

As soon as MQA core unfolding becomes available on both the Lumin U1 and the Aurender N10, I plan on auditioning them both with the Berkeley Ref2 DAC and purchasing my favorite. It is not going to be an easy decision. What made you decide on the Lumin U1?

Best,
Ken
 
Just received the latest edition of TAS yesterday. The S-1 made the list of Golden Ear Components. Congratulations Lumin!

http://www.theabsolutesound.com/articles/2017-golden-ear-awards-neil-gader/

Lumin S1 network player

The Lumin A1 network player has been my go-to net player since I reviewed it in Issue 248. It did everything I wanted a digital component to do. It pulled audio files from external digital sources like my NAS; it could handle a multitude of formats including 32-bit/384kHz PCM/DXD, as well as standard DSD; and it offered Tidal support. Then Lumin dropped by with its flagship, the S1, and all bets were off. Although the S1 is virtually indistinguishable from the A1 on the outside, pop its hood and the damning evidence presents itself in the form of four ESS Sabre 32 Reference DAC chips (16 DACs per channel in parallel). Every part of the system was tuned to complement the new DACs, including a revised clocking system, an enhanced external dual-toroidal power supply, plus dual Lundahl LL7401 output transformers; the S1 also added DSD128 support. Sonically, it has a warmer, weightier, more open, airy sound (and that’s saying a lot next to the A1). Bass was well nigh pitch-perfect and rich in complex textures. Upper harmonics and decay characteristics were more naturally resolved, and perhaps most telling was the even more richly dimensional soundstage. The S1 draws the listener closer to the recorded event than ever before.
 
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