Fyne 502SP’s arrive

I just found out that a colleague recently bought a pair of 501s without a demo. His only real criteria was UK made. He likes them but can't give a great review since he lives in a tiny flat in a small village in England. No ability to listen loud or for long periods of time. He also said he has always had metal tweeter speakers. He is also driving them with an older mass market receiver. He did say he backed the trebble off some on his but overall likes them a lot.

My room is carpeted with a leather sectional so not too reflective.
 
I just found out that a colleague recently bought a pair of 501s without a demo. His only real criteria was UK made. He likes them but can't give a great review since he lives in a tiny flat in a small village in England. No ability to listen loud or for long periods of time. He also said he has always had metal tweeter speakers. He is also driving them with an older mass market receiver. He did say he backed the trebble off some on his but overall likes them a lot.

My room is carpeted with a leather sectional so not too reflective.

I have no objection to metal dome tweeters - I have two pairs of Focals with their (most recent) beryllium dome tweeter. It can occasionally give a hint of being bright, but overall I find it to be reasonably smooth - not at all like the first generation that could peel paint. Pairing them with Class D amps that have a reputation for for rolling off the top octave slightly might help in our case. Having ears that aren't getting any younger might help too. Regardless, my wife and I are both human brightness detectors, so we're fairly sensitive to inflated or harsh treble and sibilance of any kind. We're pretty sure we could live with the Fynes for casual listening if the situation presented itself. I've just never heard a compression tweeter that I really liked. Possible that I psychologically stacked the deck against the Fynes based on that knowledge, but I went to the audition really wanting to like them (I made a 6 hour each-way drive to get to the audition). Good luck!
 
Keep in mind when listening to Fyne speakers that they need 500 hours of break in according to the engineers I met at RMAF.

The 502sp's are different than the 502's. The sp's are more similar in sound and design to the 702's, using similar crossovers and drivers but just a smaller cabinet. So they don't have the bass and midrange fullness of the 702's. But they sound just a smooth. I would still use a pair of subs with the 502sp's though. By the way, I never detected any harshness with the 502sp's and the 702's. The tweeters were smooth and non fatiguing.

I am probably going to pull the trigger on the sp's but I want to audition the new Monitor Audio 5G 300's sometime next year after I hopefully get a COVID vaccine (being a front line healthcare worker) and feel comfortable flying.
 
Just came across the Tannoy Revolution XT 8F which looks very similar to the 502s aside from driver color. Even the bases look very similar. Is the Fyne 502 a step up from the Tannoy or eerily similar?
 
My understanding is the Fyne guys are the former Tannoy team that went out on their own. It would not surprise me if the Fyne builds on the Tannoy, though I don't have any idea as to which model came out first. Regardless, it's easy to see similar DNA between them.
 
My understanding is the Fyne guys are the former Tannoy team that went out on their own. It would not surprise me if the Fyne builds on the Tannoy, though I don't have any idea as to which model came out first. Regardless, it's easy to see similar DNA between them.

You are 100% correct. I met the guys at RMAF last year and got the story of why they broke away.
 
I finally got my demo setup for next Wednesday, the 11th. I will listen to the SPs and the higher models while there but for now, budget dictates the vanilla 502s. I am taking my wife with me since it's a 2 hour drive each way. Who knows, after she hears the SPs my budget might change :)
 
Brian,

Looking forward to your thoughts. Fyne is on my radar too.
 
So I set out with every intention of liking and deciding on the F502s until I listened to them for an hour. They were too shouty and in your face with vocals and mids while the bass was somewhere in the back. The tweeter was a bit fatigueing as I feared.

My wife had all the same impressions. We had the guy swap in the 502SPs and played all the same tracks again. Holy Crap! Everything the 502s did wrong, the SPs made up for and more. Nice full bass sitting alongside the other instruments. Imaging was also good and vocals came from the middle even when looking.

I have a go with the SPs and have a pending sale of my Clearfields this Saturday so hoping that goes thru.
 
So I set out with every intention of liking and deciding on the F502s until I listened to them for an hour. They were too shouty and in your face with vocals and mids while the bass was somewhere in the back. The tweeter was a bit fatigueing as I feared.

My wife had all the same impressions. We had the guy swap in the 502SPs and played all the same tracks again. Holy Crap! Everything the 502s did wrong, the SPs made up for and more. Nice full bass sitting alongside the other instruments. Imaging was also good and vocals came from the middle even when looking.

I have a go with the SPs and have a pending sale of my Clearfields this Saturday so hoping that goes thru.

Told ya! Ha. 502SP is far better than stock 502.


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Here is a more detailed version of the day

So I finally got to listen to the Fynes today. I drove 2 hours each way in downpouring rain. Oddly, the business was in a private home in a nice new development. By appointment only is how they get away with it. There were several rooms setup with different levels of gear. Of course the larger speakers were on the first floor. Fyne 700 series, Legacy, Joseph and more. We went upstairs to a somewhat treated bedroom with Rogue gear for electronics.

I listened via a Pharaoh with a Bel Canto CDP and a Chord DAC. I originally set out to demo the plain F502s so that was what was setup. Yesterday when I confirmed my appointment, I said I would not mind hearing the F502SPs just for a reference point. He said no problem as they were in the same room.

My wife and I listened to a range of music we brought and had just listened to at home to be familiar with our existing sound. I have had Silk Tweeters or other fabric for 30 years and was concerned about the metal tweeter in the 502. In the end my fears were confirmed. Now that said, for a $2500 speaker, they kicked some serious butt. The room may have been a factor as well as never hearing any Rogue products.

Impressions of the F502 were that they were a little shouty at normal and higher levels. The vocals and some mids were out in the middle of the room while the bass was in the back corner and not as controlled as I had hoped. At low levels they lost all dynamics. Some of my music was recorded better than others and when we got to Keb Mo - More Than One Way Home, we got a little excited but by the end of an hour, we both were not as thrilled as we had hoped.

We all talked about the differences between the plains and the SPs which are the Drivers from the F702s and the Xovers put in the 502 cabinet with only the high gloss finish, black-white-walnut. Also a different plinth. Aluminum plates as opposed to an MDF slab. The SPs also had a set of Isoacoustics Gia 3 footers which the guy was convinced of the improvement, as well as many others that have used them. They add $400 to the List $4995.

We took a break while he swapped out the 2 pairs. We went back in and played the same tracks in reverse order. From the first few notes we smiled under our masks. Everything that was wrong with the 502s was gone plus all those same areas of complaint were improved upon. The tweeter is different, Magnesium vs Titanium. The difference was night and day when it came to fatigue. The Bass was all tightened up, more of it and it was in the right place and mix with other instruments and vocals. The vocals were incredible as were all the mids.

The sound of the SPs is what I was looking for. The Bass I get from my Dyns and the Midrange I get from my Clearfields. By the time we were done, my wife had already decided we were going to get the SPs and agreed we did not like the 502s. She also wants me to get the Isoacoustic footers but we won't splurge for the gorgeous high gloss walnut. We will go with the black.

The guy said he has yet to sell a pair of plain 502s because once anyone listens to the SPs afterwards, they buy them. These may just be the best $5K speaker and starting with the SPs and up, they are made in UK and not China.

The Rogue Pharaoh lists for about what I got my Luxman for. I am thinking my Lux will have more control from the experience I have with it now. The Rogue is a nice hybrid Int, tube in SS out but I don't think in the same class as the Lux.

Before we left we went to another room and listed to the F1.8 Standmount speaker on it's dedicated Fyne stand. Really cool looking speaker. It was detailed and refined but lacked the slam and fullness of the floorstanders, not even the 502SPs a few series down. Electronics were Jeff Rowland Capri S2 and 125 class D amp. Also a higher end Chord dac and some streamer.

I did not get to hear the 704s but they were there in the HG Walnut and were absolutely stunning.

Before driving all the way home, we side tracked to an Iron Hill Brewery and had a flight and lunch. All in all a great day and so glad my wife came along because I would never have been able to explain the 2X price difference and why they sounded so good. It's a plus she loves good audio.

I have a potential sale of my Clearfields on Saturday so as long as that goes thru, I am about ready to say Merry Xmas to myself. It will be bittersweet when the CFs go since they have been my goto speakers for the last 12 years. My Dyns are 20 y/o now but look like they just came out of the box. It's time to mate something more worthy of the Luxman :)
 
Very nice review Brian to bad you didn't get a chance to listen to the 704's since they were there. No reviews on that speaker from Audioshark members. Anyway when will we get a review of the Iron Hill Brewery:). Look forward to hearing more about the 502SP once they are in your home.
 
Would really like to hear some Fynes....after hearing my friend of a friends Westies which were super fun. I subsequently heard Kensingtons which didn't really do it for me. A new, modern Tannoy speaker is very interesting.
 
Brian, I knew that once you heard the 502sp's you would be smitten. It's a good thing that you and your wife did not listen to the 702's because they are really that much better IMHO. I will probably end up with the 502sp's but if things go well this year I will shoot for the 702's.

Give those suckers at least 500 hours of break in and enjoy!
 
I have been working with a pair of 703s, as a possible higher efficiency alternative for clients to the Joseph Perspective 2s for RoomPlay Reference sessions.

The good news - actually there is a lot - is that somewhere around 300 hours, the speakers just seemed to relax and play beautifully. Plus, the tonal balance seemed to correct completely.

IMO, I can't imagine them producing even better sound at 500 hours, but hey, I am open to it... :rolleyes:
 
I have been working with a pair of 703s, as a possible higher efficiency alternative for clients to the Joseph Perspective 2s for RoomPlay Reference sessions.

The good news - actually there is a lot - is that somewhere around 300 hours, the speakers just seemed to relax and play beautifully. Plus, the tonal balance seemed to correct completely.

IMO, I can't imagine them producing even better sound at 500 hours, but hey, I am open to it... :rolleyes:

Congrats! We have the 702’s. What color did you get?


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I have been working with a pair of 703s, as a possible higher efficiency alternative for clients to the Joseph Perspective 2s for RoomPlay Reference sessions.

The good news - actually there is a lot - is that somewhere around 300 hours, the speakers just seemed to relax and play beautifully. Plus, the tonal balance seemed to correct completely.

IMO, I can't imagine them producing even better sound at 500 hours, but hey, I am open to it... :rolleyes:

Great to hear, Jim. Are they more modern sounding than your old Canterburys?
 
I have been working with a pair of 703s, as a possible higher efficiency alternative for clients to the Joseph Perspective 2s for RoomPlay Reference sessions.

The good news - actually there is a lot - is that somewhere around 300 hours, the speakers just seemed to relax and play beautifully. Plus, the tonal balance seemed to correct completely.

IMO, I can't imagine them producing even better sound at 500 hours, but hey, I am open to it... :rolleyes:


The Fyne audio engineers that I met at RMAF said that they really come into their own at 500 hours. I heard the 702's then and they had 5 hours on them and I heard them again the second day when they had 24 hours and they had already began to sound different.
 
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