I think this was the first official recording on a straight strung grand piano from Chris Maene.
It was Barenboim who asked Chris Maene to make him one.
We attended a classical concert with one of these pianos in Brugge earlier this year and liked what we heard.
Different: yes.
Not earth shatteringly so, but the notes are clearer, less smeared. Powerful sound.
Dussek - Concerto for two pianos - Piano Quintet - Notturno Concertant Alexei Lubimov
Olga Pashchenko, fortepiano Finnish Baroque Orchestra
Qobuz 24/96
Entertaining and fresh music, that makes me think of Mozart, but also of Schubert and even Chopin.
Pashchenko plays on a fortepiano also made my Chris Maene, cf. my post above.
Copland - Orchestral Works 4 -Symphonies BBC Philharmonic, Yuri Torchinsky John Wilson
Qobuz 24/96
I'm a big Copland fan.
Call it blasphemy, but I think I might prefer this version of the 3rd symphony over the one I own with Leonard Bernstein. I'll check it later.
A lot of new and remastered versions of these masterpieces are showing up lately.
Fully deserved!
Carmignola is certainly one of the best baroque violin players nowadays.
I like this interpretation.
It is intimate, quiet, wonderfully musical, and the playing is close to technical perfection too.
Antonio Vivaldi Cecilia Bartoli Ensemble Matheus, Jean-Christophe Spinosi
Qobuz 24/96
I'm not the biggest Vivaldi fan, and la Bartoli can sometimes be ear shattering.
But this album is a gem.
We're playing this for the second time today, and it is truly fantastic.
Arianna Savall & Petter Udland Johansen Hirundo Maris - Silent Night - Early Christmas Music and Carols
Qobuz 24/96
Wonderful album.
Arianna is a worthy daughter of her father!
But all musicians deliver here.
This goes into my favourites.
Led by Catalan musician Arianna Savall and Norwegian musician Petter Udland Johansen, the Hirundo Maris ensemble (latin for "sea swallow") invites us on a somewhat mystical journey into the world of winter - particularly the Christmas and Advent period. Most of the songs are traditional (with some excursions into Praetorius’ and Juan García de Zéspedes’ early Baroque), from both Northern and Southern Europe, as the swallow in question metaphorically travels from Norway to Catalonia. The musicians of the ensemble arrange and adapt the music themselves, giving a very original and personal sound. They alternate between medieval classical and modern folk songs, with instruments that seem to come from a distant past…
Sonatas 30-32. Superb playing and sound. I really like this set. Sure, Pollini hits a little harder at times, but she is plenty forceful and has vastly better sound, which adds to the pleasure.