Based on popular demand, another shoot-out of a different kind:
Left corner: Vpi Prime/ Ortofon Cadenza/ Grandinote Celio/ Eagle Engineering PSU motor control.
Right corner: Brinkmann Nyquist.
Conditions: Same material, parallel play via the same system (phono system still with a bit lesser cabling).
Goal: addressing the fact that last time I used a re-master of a 50’s jazz recording. Hence this a 2017 vinyl recording from the ECM label, 180g german engineered, high-quality pressing. For me high a quality vinyl does not equal to a 45 rpm Mo-Fi issue, as I find that to be more of a marketing trick and the 45 rpm LPs with two songs per side in general very annoying. That said, this is also a double LP with two tracks per side, by played at 33 rpm.
Playing the album’s opening track, Opening Day and second piece La Nuit. Reasons for selecting the tracks were that the fine nuances of oud play, piano reproduction, bass lines and cymbal rides allow for characteristic observations.
Vinyl contender today:
PCM 16/44.1 kHz version on Tidal:
MQA 24/96 bit version on Tidal:
Smoothness of sound:
- pretty similar, no glare in either format
Clarity and separation:
- maybe a bit better separation on PCM vs vinyl
- slightly better ambiance and reverberation on vinyl
- best clarity on cymbal ride in MQA, then vinyl, then PCM
- piano definition with similar results compared to cymbal
- testing piano on vinyl vs. MQA on 2nd track confirms the above
Details and resolution:
- very similar on PCM an vinyl
- MQA with slight advantage
Sound coloration
- tonality very similar on PCM, vinyl and MQA
Mids and highs:
- not much difference between PCM, vinyl and MQA
Bass extension:
- a bit better differentiation and depth on vinyl vs. PCM
- still a bit better on MQA
PrAT:
- equal on PCM, vinyl and MQA
In a conclusion, very similar and surprisingly close results. With the Meitner it would not have been anything like this, as its sound signature was much more digital. Also, MQA results could be a result of higher resolution and not MQA encoding as such.
While I preferred vinyl only to PCM, I still think vinyl could easily be on par with or even better than MQA. Let’s keep in mind that while the Nyquist is a top level hi-end DAC, the Vpi is a very good but not top-level vinyl spinner and the Ortofon Cadenza Bronze a very good but not-top level cart.
Therefore it would be interesting to do another shoot-out against a Brinkmann turntable at some point, as those have been used as a reference for voicing the Nyquist. E.g. my secret crush, the Bardo.
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