atmasphere
Active member
WRT the Jobs thing, no, that's not what I'm up to here.I see you've taken the Steve Jobs approach of "you're holding it the wrong way".
Why is the ASR crowd so insistent they know better than our own ears what we like and don't like and they know better than us? So what if we hear things differently.
And to state again, this is NOT about Class D vs the world but the ASR/Class D people have tried to make it into that.
WRT ASR, you'll have to ask them. In case you think I'm only all about the measurements you're incorrect. I'm more in the Daniel Recklinghausen camp of 'if it measures well and sounds bad, its bad. If it measures poorly but sounds good, you measured the wrong thing.'
That is somewhere between the dug in heels of both the subjectivist and objectivist camps.
I'm not trying to say your ears don't work!
The reason I have class D amps in my system is because they sound better and nothing else. Keeping in mind of course that as a manufacturer I've been producing zero feedback class A triode fully differential and balanced OTLs for nearly 50 years. I know that's a mouthful but in a nutshell I did that because they sounded better than anything else I could get my hands on. Better than SETs (although they are not as romantic, being more neutral) better than ARC (not as dry,,,) and so on. Now I'm listening to a class D amp that sounds better than my triode amps and you're trying to make that out as if I'm straight off of ASR for a world tour?
Now here comes the technical bit that you may not like to hear. Carver hinted at this about 25-30 years ago. Its this: that 'sonic signature' you hear in your amp is its distortion signature. You might think that distortion isn't audible and if you do, you're playing right into the hands of the ASR folks despite your remonstrations. Distortion is nearly always audible (if the equipment isn't outright clipping) as a tonality. This is simply because the ear converts all forms of distortion into tonality. That ever-loving tube 'warmth' is caused by the 2nd and 3rd harmonics being able to mask higher orders. The dryness and harshness of solid state is those higher orders not masked.
Some of this stuff is measurable- but the ASR people so far as I've been able to make out haven't been able to sort out how the ear responds to distortion, so they don't realize its responsible for a 'sound'.
You can ignore this if you like. But its pretty obvious from some of the other posts here that you missed something or are intentionally ignoring it, and that thing has nothing to do with ASR.
So where I'm going with this is that if you have a tube amp with a certain distortion spectra, you can get another amp to sound just like it if you can get the same distortion spectra. The ASR people don't want to have any 'sound' at all but in my experience of 50 years or so, distortion is simply never going to go away, and I've come to the opinion that the ear is far more sensitive to it than anyone at ASR gives it credit for. But audiophiles that listen for a 'sound' already know that, they just don't know that the main thing causing that 'sound' is distortion whether the amp is tube or transistor.
So the class D amp I play has a distortion spectra that is very similar to that of our triode OTLs and as a result sounds a lot like them, but is more transparent (that's the big tell BTW) owing to lower overall distortion. I'm not from ASR. Don't shoot me.