Obviously Magico could be on my list too with the S3/S5. However I never ever had a satisfying demo with this brand. Maybe I just don't like the Soulution (or souless ...) electronics.
Hi JackD
A good friend of mine told me excellent feedback regarding the VR speakers.
However, the larger models are certainly not available in France where I live. Maybe in other Eurepean countries ...
Thanks anyway. I will try to experience the VR speakers at the Munich High-End Show next month !
Welcome to the forum Vagabundom :hi:. The S7's paired with A-200 mono's would sound awesome i'm sure. Tell us a bit about your rig? What gear do you own?Ofcourse I say that as an owner of Accuphase/Magico system. Now I just wait for S7 model from Magico and think about pairing A-200 monoblocks with them. (well, unless I will betray Accuphase and go for somethin else like Vitus)
BTW. Hello for everyone. This is my first answer on the forum![]()
You can easily try to Accuphase - Magico match and I am confident that you will be delighted. Magico with Soulution is a pretty good sound and I even understand people who have such a combine BUT that's totally not my cup of tea.
These speakers literally love strong amplifiers which are musical and warm a bit, so A class is the best.
For your great A-70 you can try S3 or S5 (maybe Q3, but you can dont like this kind of hyper neutrality).
Ofcourse I say that as an owner of Accuphase/Magico system. Now I just wait for S7 model from Magico and think about pairing A-200 monoblocks with them. (well, unless I will betray Accuphase and go for somethin else like Vitus)
BTW. Hello for everyone. This is my first answer on the forum![]()
Bodhi +10
I have nothing else to add!
If we talk about the tweeters alone then I think that the best one is in Raidho Speakers. Extremely fast, 3-dimensional, rich and life like. But overall Magico speakers are the best what I have heard.
MBL's tweeters are the most accurate from my perspective.
Since you are going to MUnich, don't miss out on the Zellaton room. Zellaton has a variety of speakers at different price points, and do not need the ultra priced electronics to sound great. I have been using the Zellaton Emotions now for 2 1/2 years and have had great results with inexpensive gear. The Job 225 amp sounds fantastic, I even have a $500 integrated here that sounds wonderful.
My biggest complaint with the amps that I have tried are with the Class D amps. But even that has changed since I now have the $2400 DAC Marashino Class D mono amps hooked up. These amps sounds incredible with these Emotions and are now my favorites.
Zellaton keeps getting many of the top honors at Munich, I am sure this year will be another one of those years.
With your stated priority of “connecting to the music” in an emotive way and with a preference to drive the speaker with a 60 watt Accuphase A-65 amplifier thereby narrowing the search to efficient circa 90 dB / 1M / 2.82 v with high average impedance designs – I encourage you to audition the Nola KO loudspeaker. Don’t be put off by its low price tag, yes, it less than ½ the price of your current Wilson Sasha’s and perhaps not as pleasing to the eye – but I’ve found this loudspeaker to be unfailingly musical. I’ve also had the pleasure of auditioning some of Nola’s grand reference speakers and they are capable of greater incision and visceral impact but do not deliver more satisfaction (IMHO).
There are many great brands, and many great choices. But what I read into your comments is that you are looking for an efficient musical speaker, a speaker with soul, a speaker that can capture the passion of the moment the music was created, as opposed to the "audiophile sounds" type speaker that checks all the audiophile boxes of bass control, separation, using the latest man made materials, etc. If that's correct, I would suggest:
1. Sonus Faber Anniversario. Sounds like Strads, has a wonderful musical presentation and a soul, but with a more conventional look. I believe they have been discontinued, so you will need to find a used pair. They come in the Violin finish or the Graphite.
Here is a video: http://youtu.be/UgKVT8NYZok
2. Focal Scala V2 Utopia III - very efficient to drive and my wife loves it's look! Maybe yours will too. But, requires a good 350-500 hours of break in. This is what I own in my family room.
3. Sonus Faber Stradivari - yes, it is wide, but it is beautiful, and efficient. A masterpiece from the master. That's what I own in my main listening room and the new "Red" finish is jaw dropping gorgeous.
4. Sonus Faber Olympica III - one of the few newer Sonus Fabers to have recaptured some of the magic of the old Sonus Fabers IMO.
5. See what comes out at Axpona and Munich.
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* I want to retain the following positive attributes of the Sasha's ie. High level of transparency, excellent sound stage, bass well controled which is not exciting my 29 m2 room (with 3.5 m, high celling and very solid walls), really great PRAT.
* The point I miss the most with the Sasha's is a lack of 'presence', immediacy and sense of 'freedom' for the Music. The Wilson speakers propose an intellectual way of rendering the musical feeling. It is up to me to make the effort to listen. What I'm looking for is a more immediate connection to the Music, having no effort (even inconscient) to do and being immersed into the musical event. In one word, despite lots of great audiophile qualities, the Sasha's are musically too "introverted" for my new tastes.
*
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Properly matched and setup the Wilson Sasha's can have 'presence', immediacy and sense of 'freedom'. A good friend owned a pair in a beautiful metallic orange hue and it had them in lots (he now owns Sasha2). If your system does not show it the justification should be in the system, small details included, room and/or setup.
I have no experience with your Accuphase amplifier and do not know the details of your system - IMHO even cabling is of great importance in order to get the sense of freedom you are asking for. Again IMHO it is very easy to point great speakers - any of us has a preferred and disliked list- but it is not easy to assemble and setup a complete system in a room. And remember that only by chance you will be able to get all you want just by taking out the old speakers and replacing them with new ones. You must have spent a long time and effort optimizing your current system - it is now tuned for your current speakers.