While the Harbeth come up frequently enough in many places to know those must be amazing, they simply do not pass WAF. Fwiw, when I say WAF I really mean my female SO jointly with me also.
So far what looks interesting (and it's worth stating, I haven't heard any of these, so it's just what I've read and looks):
- Sopra 1
- Raidho C1
- Joseph Audio Pulsar
- TAD Micro
- Magico Q1
In the cases above does cost really determine quality? For instance, Magico and Raidho are significantly more than the Pulsars or Sopra. Are they that much better?
The more time I spend with them the more I'm really pretty happy with my Argons, so this would really be an experiment, just to scratch that itch. If what I try really is better than the Argons, ok great, but if not I will just need to get a good enough deal to be able to move them along at not too much of a loss.
KEF Reference 1 or Vivid V1s no WAF? Pretty modern looking IMO.
I do think that my Reference 3A Reflector monitors can compete with Magico Q1 speakers, at less than half the price ($ 12K). Are they that much better than my previous Reference 3A MM De Capo BE monitors ($ 3K)?
Only if you invest in a very good source and amp (in my case, Simaudio Moon 260 DT transport/MIT SL Matrix Plus digital XLR cable/Schiit Yggdrasil DAC as source and Pass B1/Octave RE 320 as amp combo, and great analog signal cables). Then the Reflector speakers show superior resolution and accuracy that justifies the price. I'd say they are twice as good for 4 x the price, which is a very good ratio. If you go with lesser source and amp, it's just not worth it. In fact, the Reference 3A MM De Capo BE monitors on my source and amp might be comparable to the Reference 3A Reflector monitors on a feed of somewhat lesser signal quality (just a lesser amp alone will degrade the sound sufficiently), even though strengths and weaknesses of the respective combos will not all overlap.
And of course you need high-quality subs to match the high resolution in the rest of the range (I have dual JL Audio Fathom 112v2 subs).
Even the TAD ME1s are hard to justify at US$ 12.5k, not that they wouldn't sound great within their limits, but they're still just some tiny monitors with limited low frequency extension; for 10k you can get a pair of Magico A3 or Dynaudio Contour 60 floorstanders.
The problem of value is highly personal though, only you can decide if a speaker is worth the price to you.
Thanks, that's great advice. Yes, I have some room / furniture challenges for sure. The info that Raidho's need space is critical.
Also for sure, I'd prefer floorstanders, I just don't have the room for them, well at least ideally or not without major changes. Maybe I need to reconsider. The right speaker would have to sit in front of the fixed panel of a large sliding glass door, and the speakers would be off-center from my projector screen by about 3 feet (not sure how big of a deal that would be really). Just not sure.
For me it's definitely not about volume, I rarely listen loud and what I consider loud probably isn't too loud. The Argons are more than loud enough. Solid, well-integrated bass would be nice. The Argons go low (probably "low enough") but my last speakers - Aerial 7b - did so in a more "integrated", natural-sounding way.
Get down next week for a listen. Let’s set up a day and time. I have all three Harbeth’s and Magico A3’s. Also, the gorgeous Gryphon Mojo S standmounts.
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Definitely Mike, look forward to it!
jmusica, looking at your system pic on how you plan to place the speakers, forget about Raidhos, they need a ton of space around them (read on the Raidho's bass issues on this forum); I think they're overpriced too.
Concerning the Magico Q1, no, I don't think their sound is worth US$ 25k or whatever they cost now; yes, they're built to a very high standard but sound wise they're not worth the price IMO. Their sealed enclosure would help you with their placement though.
Even the TAD ME1s are hard to justify at US$ 12.5k, not that they wouldn't sound great within their limits, but they're still just some tiny monitors with limited low frequency extension; for 10k you can get a pair of Magico A3 or Dynaudio Contour 60 floorstanders.
The problem of value is highly personal though, only you can decide if a speaker is worth the price to you.
I have the Magico Q1, and have listened to all the Harbeths, and Sopra 1, driven by Gryphon Antileon so enough power available. They have a different sonic signature, and the precision and punch of Q1 outdid the slight musicality advantage of Harbeths.
I would love to hear the TAD Micros, and most likely will very soon as I am looking to create a new system in a city where I work for a studio apparment.
So far Q1 has outperformed all the monitors I had a chance to hear. I should note that I have not listened to Dynaudio, and hope to do so very soon.
hope this helps, GN