mep
Well-known member
- Joined
- Dec 4, 2013
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- #1
The reason I started this thread is that some of the digital cognoscenti have proclaimed MQA to be the greatest sounding digital ever. MQA was going to lead everyone into the digital promised land. My reaction so far to MQA is quite the opposite which made me wonder are people listening to different MQA files than I am on Tidal. There is something going on with MQA that causes the top end to stick out in the mix and people are constantly talking about how cymbals sound "better" with MQA files. I think making the high end stick out in the mix is coming at the expense of the body of the music which has been put on a keto/vegan friendly diet. It's like drinking diet coke when you were expecting real coke. Margarine instead of butter, Miracle Whip instead of Duke's Mayonnaise. I think you get the point that the files have been manipulated in the MQA process in a way that is not faithful to the actual recording..
I also find there are some jazz titles that are 16/44.1 on Tidal that blow MQA files away with regards to overall sound quality. But then there are some 16/44.1 files that smoke some 24/192 files too. I'm becoming less and less convinced that so called hi-rez files are inherently better than RBCD.
Has anyone purchased MQA discs and compared them against the same title on Tidal?
I also find there are some jazz titles that are 16/44.1 on Tidal that blow MQA files away with regards to overall sound quality. But then there are some 16/44.1 files that smoke some 24/192 files too. I'm becoming less and less convinced that so called hi-rez files are inherently better than RBCD.
Has anyone purchased MQA discs and compared them against the same title on Tidal?