The underlying philosophy of Audio Science Review is that this is a red herring. If subjectivity is given free rein then everything (every component, speaker, etc) is good because one can almost always find someone who likes it at some point in time. Our goal should be to continue to strive for the "best" sound reproduction, i.e. as close to the original source (live music) as possible. ASR's error is in assuming that this goal can be defined and reached solely through measurements, but the opposite of that (that it can only be reached through subjective opinion) is equally or perhaps even more in error. JGH's and JA's approach is more reasonable for reviewers and probably for designers as well, and the acknowledged best in both fields appear to adhere to this (sorry, most TAS reviewers, this is why you should be put out to pasture)One thing is missing from measurements in determining how good a component is - each human’s brain and ears, and how the music subjectively sounds to each of us. Can’t measure that.
The underlying philosophy of Audio Science Review is that this is a red herring. If subjectivity is given free rein then everything (every component, speaker, etc) is good because one can almost always find someone who likes it at some point in time. Our goal should be to continue to strive for the "best" sound reproduction, i.e. as close to the original source (live music) as possible. ASR's error is in assuming that this goal can be defined and reached solely through measurements, but the opposite of that (that it can only be reached through subjective opinion) is equally or perhaps even more in error. JGH's and JA's approach is more reasonable for reviewers and probably for designers as well, and the acknowledged best in both fields appear to adhere to this (sorry, most TAS reviewers, this is why you should be put out to pasture)
Generally agree with this. I stopped paying for TAS a couple of years ago (they still send it to me every month). I definitely prefer the subjective/objective approach employed by Stereophile and will be keeping that subscription. Plus, their writers are more entertaining IMO. I do this for entertainment after all.
Generally agree with this. I stopped paying for TAS a couple of years ago (they still send it to me every month). I definitely prefer the subjective/objective approach employed by Stereophile and will be keeping that subscription. Plus, their writers are more entertaining IMO. I do this for entertainment after all.
That is precisely, by definition, what a controlled/blind listening test is...and why it is the de facto standard of all audio/perceptual science. Ears/brain determine what sounds good via music.One thing is missing from measurements in determining how good a component is - each human’s brain and ears, and how the music subjectively sounds to each of us.
Incorrect. That's what Dr Floyd Toole, Sean Olive, Jorma Salmi, Earl Geddes, et al do, determine what measurements correlate (component/speakers/distortions/etc) to "sounds good" to ears/brain. Unbeknown to audiophiles there is an entire field of science devoted to just that.Can’t measure that.
Speakers yes absolutely. Components, etc, no absolutely not. Those would be easily performed.One problem with DBT's with regard to home audio systems is that it is nearly impossible to perform one in that setting.
If by other influences you mean sight, belief, price, knowledge, etc. then yes.DBT's such as Harmon performs are useful in determining sonic preferences but not so useful in evaluating meaningful differences in components in a home system where there are so many other influences on the eventual sound quality of the system.
ASR does no valid listening tests. The "rankings", etc. are a joke.Out of curiosity I took a look at some of ASR's DAC reviews. I'm not sure why even someone totally engineering (measurement) oriented would think that linearity and low noise and distortion are the only useful measurements for a DAC, much less the only determinants of its audio qualities?
The underlying philosophy of Audio Science Review is that this is a red herring. If subjectivity is given free rein then everything (every component, speaker, etc) is good because one can almost always find someone who likes it at some point in time. Our goal should be to continue to strive for the "best" sound reproduction, i.e. as close to the original source (live music) as possible. ASR's error is in assuming that this goal can be defined and reached solely through measurements, but the opposite of that (that it can only be reached through subjective opinion) is equally or perhaps even more in error. JGH's and JA's approach is more reasonable for reviewers and probably for designers as well, and the acknowledged best in both fields appear to adhere to this (sorry, most TAS reviewers, this is why you should be put out to pasture)
Most is definitely not all, but unfortunately its highest profile writers tend to fall into this category...Thanks, appreciate it.