Intersting first take from TAS, however not much woofer piston area for an almost 700k MSRP speaker ( 12" and 10.5"woofers....isn't that what the 110k MSRP Alexx has?)
Oh I forgot they will be offering two outboard Subwoofer towers....one only wonders what the final MSRP will be for the "Fullrange" WAMM....
CHEERS....
From RH's first take:
"I’ve never heard drums reproduced with such speed, impact, and transient precision."
FYI- RH's current reference speakers Magico Q7 Mk.IIs have 1- 10" and 2- 12" woofers.
Intersting first take from TAS, however not much woofer piston area for an almost 700k MSRP speaker ( 12" and 10.5"woofers....isn't that what the 110k MSRP Alexx has?)
Oh I forgot they will be offering two outboard Subwoofer towers....one only wonders what the final MSRP will be for the "Fullrange" WAMM....
CHEERS....
Those Magico subs hit like a megaton-size warhead! That combination would be like an audiophile version of an AC DC concert!! :exciting:Robert needs the Q-Sub 15 or 18's.
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Still alot of money for a single point source speaker , regardless of the amt of woofers that tweeter gotta keep up ....
https://webcache.googleusercontent....dular-monitor-wamm/+&cd=3&hl=en&ct=clnk&gl=us
As well-rounded and complete a loudspeaker as the WAMM is, I’m reluctant to single out any one aspect of its performance. But there was one area in which the WAMM so far exceeded any other loudspeaker I’ve heard—the clarity of individual instrumental lines, as if the WAMM had “de-homogenized” the music. For example, on the Sheffield direct-to-disc The King James Version, I had never heard the individual timbres of each instrument in the brass and woodwind section with such crystalline clarity. On every other speaker through which I’d heard this record reproduced, the baritone sax blended in with the other instruments while adding tonal warmth to the brass and woodwind section by virtue of its richness in lower-order harmonics. But through the WAMM, the baritone sax was a fully independent instrument rather than just another sound within a continuous sonic fabric. This precision with which the WAMM reproduces music was apparent on every piece of music I heard. Yet despite this massive resolving power, the sound was anything but analytical or clinical. Overall, my brief listen to the WAMM is one that will remain for me a landmark in my life of listening to and evaluating music-reproduction systems.
The WAMM will begin shipping in March. Incidentally, I wouldn’t be surprised if elements of the WAMM become the basis of a new platform for several models of Wilson’s upper-end speakers in the future. Stay tuned .. RH
So, what does a $685,000 speaker look like?
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Intersting first take from TAS, however not much woofer piston area for an almost 700k MSRP speaker ( 12" and 10.5"woofers....isn't that what the 110k MSRP Alexx has?)
Oh I forgot they will be offering two outboard Subwoofer towers....one only wonders what the final MSRP will be for the "Fullrange" WAMM....
CHEERS....
listening distance will be very critical ...
When MauiDan gets his , we can all go and listen .....