Kuoppis
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- Joined
- Jan 19, 2015
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- #1
Well, a long time I thought this level carts are a ‘Mike’ thing. You run a high-end audio shop, then you get to have this kind of phono cartridge. I felt a little bit like, maybe that’s not in the cards for me. But today, brand new from Japan, I added the latest spec Lyra Etna Lambda SL to my system.
While the cart is in general very well made, this time also the cart cover is easy to operate and actually protects the cart. We heard recently from a fellow audiophile, how he broke off his stylus trying to put the stylus protector on (different brand cart).
As you can see, with the Lambda series, the Lyra color scheme has changed. The Etna and Etna SL are now yellow, while the Atlases became purple.
Setup was a breeze. While Lyra gives you a tracking force range, they also say you want to set it to 1.72g. For now I kept cart loading in my pre as it was, as there is just 0.1mV difference between the Benz and the Lyra. I might experiment with that a bit more later. Lyra recommendation is anyway to play it by the ear, set it to whatever sounds good to you.
However, I had to replace the largest tonearm weight ring with two smaller ones to get tracking force right, w/o having to move the weight too close to the arm’s Breuer mechanism. Quite fickle work to adjust tracking force to the tenth of a gram moving the rings around.
So, how does it sound? In a word: heavenly. While the Benz Micro Gullwing SLR is a really great cart, the Lyra brings out subtle details even better. Experienced people having reviewed the cart say it is almost ready out-of-the-box, and does not change its sound than much during burn-in. So far I can’t complain, a very good and highly recommended purchase. Some say, this is currently the cart to compare others to. Tend to agree.
As you see, the wonderful Gerry Mulligan meets Ben Webster in an Analogue Productions pressing got the honors being the first album played. The system does the album justice, and vice versa. Just gorgeous.
Sent from my iPad using Tapatalk

While the cart is in general very well made, this time also the cart cover is easy to operate and actually protects the cart. We heard recently from a fellow audiophile, how he broke off his stylus trying to put the stylus protector on (different brand cart).

As you can see, with the Lambda series, the Lyra color scheme has changed. The Etna and Etna SL are now yellow, while the Atlases became purple.


Setup was a breeze. While Lyra gives you a tracking force range, they also say you want to set it to 1.72g. For now I kept cart loading in my pre as it was, as there is just 0.1mV difference between the Benz and the Lyra. I might experiment with that a bit more later. Lyra recommendation is anyway to play it by the ear, set it to whatever sounds good to you.
However, I had to replace the largest tonearm weight ring with two smaller ones to get tracking force right, w/o having to move the weight too close to the arm’s Breuer mechanism. Quite fickle work to adjust tracking force to the tenth of a gram moving the rings around.

So, how does it sound? In a word: heavenly. While the Benz Micro Gullwing SLR is a really great cart, the Lyra brings out subtle details even better. Experienced people having reviewed the cart say it is almost ready out-of-the-box, and does not change its sound than much during burn-in. So far I can’t complain, a very good and highly recommended purchase. Some say, this is currently the cart to compare others to. Tend to agree.
As you see, the wonderful Gerry Mulligan meets Ben Webster in an Analogue Productions pressing got the honors being the first album played. The system does the album justice, and vice versa. Just gorgeous.

Sent from my iPad using Tapatalk