Subs are just subs like amps are just amps, speakers are just speakers, etc. The truth is that they can all perform at different levels. Even when comparing sealed design subs there are differences in the quality of their reproduction. Whether a particular sub uses a sealed or ported enclosure is just one aspect of its design parameters and does not completely determine its level of sound quality. Sometimes a particular sub is described as being well suited for home theater applications when it can really move a lot of air which can be effective and impressive in such systems. Others may be described as being better suited for music systems when the bass is cleaner and tighter. It's all relative.
a sub is a sub, as long as the time is taken to get positioning right and integrated well with your mains, it should just blend in seamlessly, and bring no attention onto itself.
Biggest issue is most people just plonk them in a corner, turn the loud control up and think thats done.
Assuming it's a quality sub, IME, and many others, a sub's "speed" is more of a frequency response and placement issue. Done correctly, a sub can be crossed as high as 150hz without calling attention to itself, but the actual frequency depends on the mains roll off. Level is also very important too. The room can create peaks which will certainly call attention to the unit. Delay and phase are also very important depending on placement. Unless you have magical ears like a certain SF installer some of us know, the easiest way to integrate the two is to use a measurement mic or SPL meter and software, then fine tune by ear.This is true. I've also heard some of the supposedly better subs paired with 20.7's & after a while they were the culprit for the uneasiness & the return to no sub. The same reason is why i went away from Martin logan Summit X. I think you need to match the speed of the drivers with the subs, as in if a driver can start a noise & stop the same in a fraction of a second, the sub needs to keep pace, if not you'll hear smearing on some levels which normally detracts from the sound unless one is oblivious.
Corner loading is the best way to bring attention to room nodes. Multiple subs carefully placed in the room is the best way for smooth bass response. Or if you have the space, nearfield subs work very well for avoiding room peaks and nulls.
Assuming it's a quality sub, IME, and many others, a sub's "speed" is more of a frequency response and placement issue. Done correctly, a sub can be crossed as high as 150hz without calling attention to itself, but the actual frequency depends on the mains roll off. Level is also very important too. The room can create peaks which will certainly call attention to the unit. Delay and phase are also very important depending on placement. Unless you have magical ears like a certain SF installer some of us know, the easiest way to integrate the two is to use a measurement mic or SPL meter and software, then fine tune by ear.
You've got me totally confused. I thought we were discussing large excursion sub's here^^ Hans, I've got two Infrasonic generators![]()
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