Kev and Paul, I first heard the StillPoints at RMAF 2012 when Roy Gregory did a session on system and listening room setup. His presentation took a system not mounted with any isolation, room treatments, speaker positions etc. then step by step took the audience through the process and showed the sound differences. When he got to the point of using the StillPoints he provided an explanation and said something that really stuck with me! He said The "traditional thinking" about isolation is that you want to keep vibrations and other reverberative effects isolated away from getting into the component. He then said that to the contrary, what should really be happening is the vibrations and reverberations created within the system that aimlessly bounce around inside the component need to be allowed to dissipate out and away from the component itself and this is what the StillPoints do. If understanding what I read, the energy is dissipated and converted to heat energy horizontally through the various levels of bearings instead of filtering up, down or just vertically.
Guys this is just a repeat of what I understood Mr. Gregory said and what I read. I basically think it is all voodoo :amazing: so I am not trying to disagree with anybody (you could tell me it is because there are little men inside them throwing lightning bolts off the unit and I would believe it - especially since how wickedly good it all sounds to me). I'm listening to some tunes now, Lonnie Liston Smith "Song for the Children," and the music is so much more detailed, with very well balanced tonal mid and upper ranges, has much more extended pure bass, headroom galore, and is just plain sweet overall! It is still some of the best money spent on my system. Having said all that I still have to remember it is all cumulative (speaker voicing, power cables, speaker cables, isolation, room acoustics, clean power and ground, and of course component quality. But the StillPoints sure made all the rest come together for me.
Olskool