Puma Cat
Well-known member
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NOTE: Long post follows
I've been familiar with the claims for cable elevators improving the quality of your audio system, but this year I experienced first-hand the impact of Shunyata's Dark Field Suspension System and most recently, the cool little Dark Field Minis in a number of interesting ways.
I had read Caelin's patents on the Shunyata's Dark Field suspension system some years ago, but, at the time, I remained "scientifically skeptical" about their impact, or more accurately, the magnitude of the impact they would have.
And...I didn't know until quite recently that they're also very effective with power cords as well.
The backstory:
Back in 2020, when the Omega XC power cord was sent to me for product photography when their regular photographer wasn't available due to lockdown, a box of three DF-SS cable suspension elevators was included. When I inquired about why these were in the box, I was told the DF-SS elevators also provided a notable improvement when used with power cords, and set of 3 DF-SS are sold included with each Omega-class power cable. That was news to me at the time, as I had not heard about the benefits of using cable elevators for power cables. Speaker cables? Possibly yes, but PCs?
After doing the product photography, I put the Omega XC into the system, and per recommendations, placed it on the DF-SS cable elevators, let it settle, and then listened to it for a couple weeks to provide some feedback on it's performance when powering Everest. I then shipped the Omega XC back to Shunyata.
A week or so later, when I was back behind the main rack, fiddling with connections, I realized that I'd inadvertantly forgotten to also send the DF-SS back when I returned the Omega XC, as they were under the rack, out of sight. Not thinking twice about it, I relocated them under the R channel loudspeaker cable. Here's a picture.
Some days later, when I fired up the stereo again, I noticed that the R speaker had increased clarity, depth, openness compared to the L speaker. Huh? What was going on? I started checking the cable connections, seating of all the tubes in the DAC, preamp, and amp, and couldn't find anything. Then, I saw that the R speaker's cables were sitting on the DF-SS cable elevators.
Well...that was interesting. I had been using some el-cheapo 3-D printed cable elevators from eBay under the speaker cables, but with the R channel speaker cable on the DF-SS, the R speaker sounded very clearly better than the Left speaker. Doing the "orthogonal experiment", I then moved the DF-SS under the L speaker cable. Now, the L channel speaker sounded better than the R channel, and in exactly the same way: increased clarity, depth, and openness. And, the improvement was very clearly audible; it was not one of those, "Am I really hearing some subtle but real improvements? I think so...." kinda things; it was....obvious.
And, I realized that a very good way to determine the impact of these was simply to put a set under just one channel, and then compare the two speakers, on exactly the same content and conditions, listening real-time.
Needless to say, there is set of these now under each speaker cable.
Cotinued in the next post.
I've been familiar with the claims for cable elevators improving the quality of your audio system, but this year I experienced first-hand the impact of Shunyata's Dark Field Suspension System and most recently, the cool little Dark Field Minis in a number of interesting ways.
I had read Caelin's patents on the Shunyata's Dark Field suspension system some years ago, but, at the time, I remained "scientifically skeptical" about their impact, or more accurately, the magnitude of the impact they would have.
And...I didn't know until quite recently that they're also very effective with power cords as well.
The backstory:
Back in 2020, when the Omega XC power cord was sent to me for product photography when their regular photographer wasn't available due to lockdown, a box of three DF-SS cable suspension elevators was included. When I inquired about why these were in the box, I was told the DF-SS elevators also provided a notable improvement when used with power cords, and set of 3 DF-SS are sold included with each Omega-class power cable. That was news to me at the time, as I had not heard about the benefits of using cable elevators for power cables. Speaker cables? Possibly yes, but PCs?

After doing the product photography, I put the Omega XC into the system, and per recommendations, placed it on the DF-SS cable elevators, let it settle, and then listened to it for a couple weeks to provide some feedback on it's performance when powering Everest. I then shipped the Omega XC back to Shunyata.
A week or so later, when I was back behind the main rack, fiddling with connections, I realized that I'd inadvertantly forgotten to also send the DF-SS back when I returned the Omega XC, as they were under the rack, out of sight. Not thinking twice about it, I relocated them under the R channel loudspeaker cable. Here's a picture.

Some days later, when I fired up the stereo again, I noticed that the R speaker had increased clarity, depth, openness compared to the L speaker. Huh? What was going on? I started checking the cable connections, seating of all the tubes in the DAC, preamp, and amp, and couldn't find anything. Then, I saw that the R speaker's cables were sitting on the DF-SS cable elevators.
Well...that was interesting. I had been using some el-cheapo 3-D printed cable elevators from eBay under the speaker cables, but with the R channel speaker cable on the DF-SS, the R speaker sounded very clearly better than the Left speaker. Doing the "orthogonal experiment", I then moved the DF-SS under the L speaker cable. Now, the L channel speaker sounded better than the R channel, and in exactly the same way: increased clarity, depth, and openness. And, the improvement was very clearly audible; it was not one of those, "Am I really hearing some subtle but real improvements? I think so...." kinda things; it was....obvious.
And, I realized that a very good way to determine the impact of these was simply to put a set under just one channel, and then compare the two speakers, on exactly the same content and conditions, listening real-time.
Needless to say, there is set of these now under each speaker cable.
Cotinued in the next post.