Thanks for the responses guys. You know, the more I read your opinions...and then think about them; the more I realize, this is kind of an chicken/egg thing.
I mean, how many times have 'philes argued: 1) no getting around the GIGO principle, and 2) no matter how good the signal; it'll only be reproduced as well, as the speakers at the end of the chain. :wacko:
So...much as I hate to nip this thread/poll in the bud; I think the answer is...both? :S
I'm thinking...you start somewhere (my current Harbeth 30.1s, aren't a bad beginning); then...electronics, that you can count on to be good and consistent...as you audition other, possible speakers. Once you find a pair of speakers that are dynamite...and you can actually afford; they stay put...and then you start upgrading around them.
So, both POVs are valid. I know the 30.1s aren't going anywhere for a while; so I think I'll start scoping-out, some top-flight kit.
However...feel free, to keep the "debate" going.

h, Well if we can continue?, let me add more.
On a similar note, any given speaker is only going to give you as much information from the source as they can receive - back to the olde Linn jargon - Garbage in, Garbage out,
Does in fact still holds true, 30 some odd years later.
But once again, if we're going to talk about matches made in Heaven, as I've heard personally - then your beloved/prized Harbeth 30.1s in tandem with say a Leben CS600 would certainly have you in tears and all the Merry-go-round for good. I'll give Jeff Day his prompts for calling this one as he heard it years ago, in his Music Lover Series on 6 Moons, there's something magical about these two brands that strike a certain..........., how does one put it into words
" Synergy " ( that's it! )
Where they seem to have been designed around one another, and just how many pieces can that be said about - as much as it seems to me you're fond of the ARC stuff, at best you've to ask yourself - will said Leben be a better match?, but only you can know what's best for your senses!, as I like to put it mildly.
It's like when I had a pair of the little Devore Fidelity Gibbon 3s matched with a rather lovely sounding little British integrated called the Sonneteer Campion and loved it for 2 - 3 years, and thought the world of this combination - until a friend of mine whom was working in New York told me about his visit to In Living Stereo where he had heard my speakers connected to a rather shabby looking DIY 6L6 Integrated, and wrote me the same night..........., saying dude, are you sitting down?, as nice as your system sounds..............., you aren't hearing it at its Abso!ute best, until you've heard your speakers with tubes ( glass as you like to put it ), so I sat there thinking to myself - maybe he's onto something!, yet it took me another year to finally find an integrated based upon the use of EL84s which I had read about but never heard before in my life ( but had noticed a sudden thread that was taking place with more then a few reviewers over on 6 Moons, each that had heard/reviewed an amp using EL84s were in fact buying them ), what gives?.............?.
I asked myself, until the integrated arrived, and as soon as I plugged it in, within two tracks, I knew I wasn't ever going back to solid state, in hindsight, we do have to after all take into account what our chosen speakers were designers/voiced around, and then hear them accordingly.
Once again, it's about what suits your ears/taste and music collection that counts!, but myself, I'd never be stuck with a system that doesn't allow me to enjoy any genre of music I throw at it equally as well as next, and neutrality to me means having the ability to hear into any recording and know they were recorded on different labels, studios, and allows me to spot great pressings/mastering processes on either LPs or Digital, good, bad or indifferently, I mean every recording should in fact have its own signature, and something by Art Blakey, shouldn't be mistaken by something from say Buddy Rich, as their styles are totally different to begin with - but then ask yourself........., which then is truer to the Source and/or Original Artist intent?.
As always, it's time to back up and breathe, and give someone else the floor..........., I've spoken my piece for now, until next time then........

scar