Phison Audio PD2 Preamp/DAC

I agree with you 100%. It was through my extensive research with USB interfaces starting back in 2012 with the Amanero that I discovered first hand the limitations of USB. After that I experimented with several more advanced interfaces until I finally hit a brick wall for performance. I couldn't find anything even close to as good as a well implemented SD card transport connected I2S direct to the DAC. I even got banned from Computer Audiophile for my strong objection against USB interfaces, and favoritism's towards Ethernet implementations such as MSB uses. Here's a couple great threads on it here:

http://www.computeraudiophile.com/f...tween-computers-and-electronic-devices-25467/

http://www.computeraudiophile.com/f...s-and-electronic-devices-vs-i2s-direct-25653/

So when I say I approve of this USB implementation, it's for a reason. But I agree with you that Ethernet has an edge. This is why I have been working on a Ravenna based Ethernet interface for quite some time.

Wow Bliz, I am impressed with your honesty. I have seen a dac sales guy try to argue usb is superior to i2s direct on no basis of fact. (Coincidentally, his dac designer can't get his chipless wonder to play dsd with anything but a usb input.) I found it kinda weak but funny.

I will have to take a look at Ravena.
 
Wow Bliz, I am impressed with your honesty. I have seen a dac sales guy try to argue usb is superior to i2s direct on no basis of fact. (Coincidentally, his dac designer can't get his chipless wonder to play dsd with anything but a usb input.) I found it kinda weak but funny.

I will have to take a look at Ravena.

In my experience I've found there's no reason to lie if you're not doing anything wrong :) But Sonny from Phison has made the gap much narrower with the PD2 USB implementation. But let's not give the impression that simply having any old Ethernet interface is superior. What MSB has done is not any old Ethernet interface. But I can assure you it's not a trivial matter to simply implement Ravenna or else Larry in the boys would be using it. It wasn't until Merging came out with their NADAC that it was even introduced to the high end DAC world. However I honed in on it early in the game. :)
 
In my experience I've found there's no reason to lie if you're not doing anything wrong :) But Sonny from Phison has made the gap much narrower with the PD2 USB implementation. But let's not give the impression that simply having any old Ethernet interface is superior. What MSB has done is not any old Ethernet interface. But I can assure you it's not a trivial matter to simply implement Ravenna or else Larry in the boys would be using it. It wasn't until Merging came out with their NADAC that it was even introduced to the high end DAC world. However I honed in on it early in the game. :)

Re bold: Of course not but it starts with a significant inherent advantage.

I am getting close to having my system up. When I do maybe we could have some fun blind testing your stuff with the newest msb gear. Suffice it to say, if it is in the ball park I will be extremely impressed.
 
Re bold: Of course not but it starts with a significant inherent advantage.

I am getting close to having my system up. When I do maybe we could have some fun blind testing your stuff with the newest msb gear. Suffice it to say, if it is in the ball park I will be extremely impressed.

Well I'm not going to claim that the PD2 will beat the MSB diamond DAC with Ethernet renderer and Femto 33 clock. The clock upgrade alone is triple the price of the PD2. And you get a preamp thrown in as well. :) But you may be surprised on how close it comes. When DSD is fed to the MSB, that fancy R2R DAC section isn't even being utilized. There's other diamond owners using HQplayer to upsample PCM to DSD and like it better than the PCM through the R2R. How MSB handles the DSD is very close to how the PD2 does. Only the PD2 has a more direct path as it doesn't have to pass through the SHARC DSP chips. So there's more than 1 way to skin a cat. But I am a believer that clocks make a difference. I found out where MSB sources their uber quality clocks from and I've talked to Sonny about offering clock upgrades like MSB does. But they really are expensive. Many people say they are ripping you off, but clocks that precise are huge money. However if people are willing to pay, why not have the option? I've also got a lead on some new clocks that will be close to the Femto 77 for much cheaper. So we will see how things go.
 
Well I'm not going to claim that the PD2 will beat the MSB diamond DAC with Ethernet renderer and Femto 33 clock. The clock upgrade alone is triple the price of the PD2. And you get a preamp thrown in as well. :) But you may be surprised on how close it comes. When DSD is fed to the MSB, that fancy R2R DAC section isn't even being utilized. There's other diamond owners using HQplayer to upsample PCM to DSD and like it better than the PCM through the R2R. How MSB handles the DSD is very close to how the PD2 does. Only the PD2 has a more direct path as it doesn't have to pass through the SHARC DSP chips. So there's more than 1 way to skin a cat. But I am a believer that clocks make a difference. I found out where MSB sources their uber quality clocks from and I've talked to Sonny about offering clock upgrades like MSB does. But they really are expensive. Many people say they are ripping you off, but clocks that precise are huge money. However if people are willing to pay, why not have the option? I've also got a lead on some new clocks that will be close to the Femto 77 for much cheaper. So we will see how things go.

Oh Bliz there is no doubt about the value proposition of high end audio but that's all a relative thing even more subjective than SQ. One man's ripoff is another man's bargain. I prefer to generally leave the economics off to the side in pursuit of what science and execution is actually best (for me) and then maybe look at the math after the fact. That said, I think a lot of what you are doing is very interesting and at the right point a bench marking of you stuff would be kinda fun.
 
Oh Bliz there is no doubt about the value proposition of high end audio but that's all a relative thing even more subjective than SQ. One man's ripoff is another man's bargain. I prefer to generally leave the economics off to the side in pursuit of what science and execution is actually best (for me) and then maybe look at the math after the fact. That said, I think a lot of what you are doing is very interesting and at the right point a bench marking of you stuff would be kinda fun.

Yes I think your setup would be an incredible benchmark. But the only problem is, if it ends up being better, I won't be able to sleep at night unless I beat it :)
 
Reading over that review a few times I must say that it really is a joke that the DAC wasn't reviewed at all in the way it's designed to shine. With DSD, and PCM upsampling to DSD. If you look at the Lampi GG review on 6 moons, they primarily use DSD for the review. Same with the Merging NADAC In it's reviews. This DAC has far far better DSD performance. The DSD performance is the primary reason I decided to distribute this DAC. Can you imagine that the new T+A DAC 8 DSD was reviewed without testing the DSD?

This is all that's mentioned about DSD. What a joke:

"DSD works as advertised but my library contains less than 10 DSD albums to make that irrelevant"
 
Reading over that review a few times I must say that it really is a joke that the DAC wasn't reviewed at all in the way it's designed to shine. With DSD, and PCM upsampling to DSD. If you look at the Lampi GG review on 6 moons, they primarily use DSD for the review. Same with the Merging NADAC In it's reviews. This DAC has far far better DSD performance. The DSD performance is the primary reason I decided to distribute this DAC. Can you imagine that the new T+A DAC 8 DSD was reviewed without testing the DSD?

This is all that's mentioned about DSD. What a joke:

"DSD works as advertised but my library contains less than 10 DSD albums to make that irrelevant"

Hi Mike, it´s obvious Srajan Ebaen doesn´t really care for DSD, 3 of his four DAC´s don´t even "do" DSD (Metrum Hex, COS DAC & Aqua La Scala) so the joke would have been for him to review the DSD performance when he clearly doesn´t want to go near it. That being said I found the review to be praising of the virtues of the Phison, I would concentrate on that rather than on feeling like an opportunity was lost because there wasn´t an opportunity (DSD) to begin with.
 
Hi Mike, it´s obvious Srajan Ebaen doesn´t really care for DSD, 3 of his four DAC´s don´t even "do" DSD (Metrum Hex, COS DAC & Aqua La Scala) so the joke would have been for him to review the DSD performance when he clearly doesn´t want to go near it. That being said I found the review to be praising of the virtues of the Phison, I would concentrate on that rather than on feeling like an opportunity was lost because there wasn´t an opportunity (DSD) to begin with.

I hear what you're saying but just like the Lampi GG, and the Merging NADAC, if those 2 DAC's were reviewed strictly on PCM performance, they would have not been the same. In all of the reviews of both of those DAC's they mention the PCM performance is weak. I do appreciate the PCM performance of the PD2, and that he praised the PD2 for it's PCM performance, however I also know going from PCM to DSD with the PD2 is the same level of improvement as comparing PCM to DSD on the NADAC and the Lampi golden gate with the original PCM DAC module. So for anyone who reads that review, keep this in mind. The PD2 is like 2 different DACs, and only 1 of them was reviewed, the weaker of the 2.
 
Bliiz can you explain how the PD2 handles DSD and how it differs from MSB? I would greatly appreciate your insights.
 
Bliiz can you explain how the PD2 handles DSD and how it differs from MSB? I would greatly appreciate your insights.

There's actually 2 different paths for the DSD in the PD2. I can use the same block diagram as Srajan used in the review to explain. 1 path is through the AKM chip. If sent through this path it works much like the Merging NADAC as it goes through the SRC/SDM section of the DAC chips so DSP can be applied for things like volume control and additional filtering. The second way is the superior way. It bypasses the processing of the AKM chip, and uses high end discrete components on the output board to filter the DSD. This makes it very similar to the DSD section of the Lampi GG, although the DSD traffic is being directed through the chip. Since this is such a minimalist approach with the purest signal path, using external PCM to DSD upsampling like Hqplayer, and like I will have in my server, transforms the PD2 into super DAC territory. The combination of both makes it more like the Mola Mola, Emm labs, dCS etc DACs, only rather than using low powered FPGA's or DSP chips for the SRC/SDM, (sample rate conversion, and sigma delta modulation) a much more powerful quad core I7 Intel processor is used. This allows far more sophisticated algorithms to be used than are possible on FPGA's or DSP chips. For example the filter I will use in my server for upsampling has 4 million taps!

You can read a bit about taps here and why they matter:

"In order to do this the filters need to have infinite long tap lengths. Currently all reconstruction filters have relatively short tap lengths - the largest commercial device is only about 256 taps. It is due to this short tap length and the filter algorithm employed that generates the transient timing errors. These errors turned out to be very audible. Going from 256 taps to 2048 taps gave a massive improvement in sound quality - much smoother, more focused sound quality, with an incredibly deep and precise sound stage.
The initial experiments used variations on existing filter algorithms. Going from 1024 taps to 2048 taps gave a very big improvement in sound quality, and it was implying that almost infinite tap length filters were needed for the ultimate sound quality. At this stage, a new type of algorithm was developed - the WTA filter. This was designed to minimise transient timing errors from the outset, thereby reducing the need for extremely long tap lengths. The WTA algorithm was a success - a 256 tap WTA filter sounded better than all other conventional filters, even with 2048 taps. WTA filters still benefit from long tap lengths; there is a large difference going from 256 taps to 1024 taps.
The new Chord products using WTA filters all start with 1024 taps. The filters are implemented in FPGAs (Field Programmable Gate Arrays) using a specially designed 64-bit DSP (Digital Signal Processing) core".

http://www.chordelectronics.co.uk/chord-dac-technology.asp



The yellow path is the DSD direct mode. And the other path passes through the chips SRC/SDM section like all DAC's with the Sabre chip.

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How MSB does it, they don't talk about much openly. But it goes through the Sharc DSP chips, and either uses discrete components for filtering, or low pass filters implemented in the DSP chip.
 

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There's actually 2 different paths for the DSD in the PD2. I can use the same block diagram as Srajan used in the review to explain. 1 path is through the AKM chip. If sent through this path it works much like the Merging NADAC as it goes through the SRC/SDM section of the DAC chips so DSP can be applied for things like volume control and additional filtering. The second way is the superior way. It bypasses the processing of the AKM chip, and uses high end discrete components on the output board to filter the DSD. This makes it very similar to the DSD section of the Lampi GG, although the DSD traffic is being directed through the chip. Since this is such a minimalist approach with the purest signal path, using external PCM to DSD upsampling like Hqplayer, and like I will have in my server, transforms the PD2 into super DAC territory. The combination of both makes it more like the Mola Mola, Emm labs, dCS etc DACs, only rather than using low powered FPGA's or DSP chips for the SRC/SDM, (sample rate conversion, and sigma delta modulation) a much more powerful quad core I7 Intel processor is used. This allows far more sophisticated algorithms to be used than are possible on FPGA's or DSP chips. For example the filter I will use in my server for upsampling has 4 million taps!

You can read a bit about taps here and why they matter:

"In order to do this the filters need to have infinite long tap lengths. Currently all reconstruction filters have relatively short tap lengths - the largest commercial device is only about 256 taps. It is due to this short tap length and the filter algorithm employed that generates the transient timing errors. These errors turned out to be very audible. Going from 256 taps to 2048 taps gave a massive improvement in sound quality - much smoother, more focused sound quality, with an incredibly deep and precise sound stage.
The initial experiments used variations on existing filter algorithms. Going from 1024 taps to 2048 taps gave a very big improvement in sound quality, and it was implying that almost infinite tap length filters were needed for the ultimate sound quality. At this stage, a new type of algorithm was developed - the WTA filter. This was designed to minimise transient timing errors from the outset, thereby reducing the need for extremely long tap lengths. The WTA algorithm was a success - a 256 tap WTA filter sounded better than all other conventional filters, even with 2048 taps. WTA filters still benefit from long tap lengths; there is a large difference going from 256 taps to 1024 taps.
The new Chord products using WTA filters all start with 1024 taps. The filters are implemented in FPGAs (Field Programmable Gate Arrays) using a specially designed 64-bit DSP (Digital Signal Processing) core".

http://www.chordelectronics.co.uk/chord-dac-technology.asp



The yellow path is the DSD direct mode. And the other path passes through the chips SRC/SDM section like all DAC's with the Sabre chip.

attachment.php


How MSB does it, they don't talk about much openly. But it goes through the Sharc DSP chips, and either uses discrete components for filtering, or low pass filters implemented in the DSP chip.


Ok so let me put this in more technical terms. The PD2 can do DSD the old fashion way through regular old DAC chips or it can go a new snazy way which is largely chipless (at least no DAC chip like the Lampi). So this way does not use a traditional dac chip but does use a wiz bang chip for filtering with taps approaching infinity which is well beyond what Andreas, Ed, Paul and the other dsd direct boys have done with field arrays. Furthermore infinite taps beat the snot out of those other less powerful topologies.

If this is generally correct, how does it differ from what Lucasz is doing (setting aside his fine output stage which IMO is the biggest reason people are so enamored with his DAC, NOT the dac itself. DHT can of course be mesmerizing but this has nothing to do with the digital process. It provides an exceptionally musical output stage with all the benefits and negatives of DHTs generally, although his execution is quite good.)? How does Lacasz do his filtering and how many of them-there tappy things has he rounded up in his design compared to your pertin-near 4 million?

Lastly, your right about MSB. Its a secret. :(
 
Srajan is a mixed bag. I know a lot of people get irritated by his rambling preambles (like Jack Kerouac or another beat writer on drugs). I find him entertaining:

But if you're in the mood for a dose of magic mushrooms, the mesh plates do a peculiar thing of highlighting unexpected elements of the sonic mix to be the 'trippier' valve of the two.
http://www.6moons.com/audioreviews/EML45/45s.html

I think he often has valuable insights into audio if you are able to wade through his looping, schizophrenic mentation. That being said, his reviews often lack focus and real insight into the gear being reviewed. You are left with a long and entertaining (and sometimes technical) intro and a one or two paragraph analysis of sonics. This review was no exception. To not review the DSD functionality of the PD2 is a big league whiff since that's its raison d'être. Duh.
 
Ok so let me put this in more technical terms. The PD2 can do DSD the old fashion way through regular old DAC chips or it can go a new snazy way which is largely chipless (at least no DAC chip like the Lampi). So this way does not use a traditional dac chip but does use a wiz bang chip for filtering with taps approaching infinity which is well beyond what Andreas, Ed, Paul and the other dsd direct boys have done with field arrays. Furthermore infinite taps beat the snot out of those other less powerful topologies.

If this is generally correct, how does it differ from what Lucasz is doing (setting aside his fine output stage which IMO is the biggest reason people are so enamored with his DAC, NOT the dac itself. DHT can of course be mesmerizing but this has nothing to do with the digital process. It provides an exceptionally musical output stage with all the benefits and negatives of DHTs generally although his execution is quite good.)? How does Lacasz do his filtering and how many of them there taps has he rounded up in his design compared to your pertin-near 4 million?

Lastly, your right about MSB. Its a secret. :(

Yes you pretty much got it figured out. The main difference between the sound of the GG vs the PD2 (besides the DAC section) is the tube output stage vs discrete Jfet folded cascode transistor. So all boils down to personal taste. Like I posted earlier, my 1st PD2 client owned both a GG and MSB DAC and this is how he said they compare:

"The PD2 really allowed me to differentiate between the two amplifiers but with the PD2 and Magico S1MkII it made both very enjoyable to listen to for long listening sessions. Even with the Bryston, at moderate volumes the music sounds so pure with that analog like sound. There seems to be just the slightest hint of warmth giving it a very natural type sound which I really like and it does this without sacrificing details which it seems to excel at (micro details). Although with different speakers at the time, this natural warmth with details reminds me of the MSB Dac but with that DSD liquidity of the Golden Gate Dac using it's DSD mode. To a lesser degree than either one (MSB Dac IV had more micro detail with PCM but was slightly drier, relatively speaking and Lampizator GG definitely sounded more smooth or I would describe as "wet"). The balance the PD2 strikes fits my preferences almost perfectly."
 
I suppose another big difference would be the full preamp section with 4 analog (2 balanced and 2 single ended converted to balanced internally) as well as optional phono stage. This of course saves the cost of adding a preamp and interconnects into the mix among several other sonic advantages.
 
Flexible, are you a stealth dealer or just an enduser with Gucci tastes?

No I am certainly no dealer. I picked this kinda stupid handle a couple of years ago when seeking advice on the best way to do my system for max flexibility. I regret doing so cuz people think I sell stuff but its hard to change once you get going.
 
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