Cucumber_jones
New member
I said the T2 is made for the EMT. I never said it would not work well with other carts. I said it was made specifically for the EMT.
One last thing... Chris can also do matte finishes if that's the main thing making his tables feel bling-y.
If you're ever in the Bay Area and want to hear how his approach sounds in a Shindo system, hit me up.![]()
I most certainly did NOT say that. I said that it "may" be that he is and that only time will tell. I also specifically said that I couldn't comment since I hadn't heard the table and also wouldn't be able to comment on a comparison unless and until I had a chance to live with both tables. Not sure how you could be confused otherwise when my comments were pretty explicit.I said Chris is no Ken and I stand by that. It's nice if it looks good. But sound is what matters. You said he is the new Ken before let you even turned the player on. That makes it a foolish comment to me.
I was referencing the other guy who was chiming in on that. Not you.I said the T2 is made for the EMT. I never said it would not work well with other carts. I said it was made specifically for the EMT.
I dig the look of these as well, especially the bottom. The 401's don't do it for me aesthetically and I haven't had a chance to hear one that's been rebuilt well. Hopefully one day.It's just a lot going on for me. I can imagine other people liking it just fine. My tastes are just for something a tad more muted. Personal preference of course! For reference, my 401.
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And the teres, which looks positively DIY in this setting. But in a way I like. Again, personal choice for sure
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I'm also curious about some of the big boy professional EMT tables that are out there, albeit in limited supply and mostly dubious condition. You know... the ones with motors that look like they could power a small VW Bug.The 401 is currently issued and unloved. Waiting for me to reassemble the phy-hp system.
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I'm also curious about some of the big boy professional EMT tables that are out there, albeit in limited supply and mostly dubious condition. You know... the ones with motors that look like they could power a small VW Bug.
Would be interesting to see someone tackle a modern rebuild of one of those.
http://www.jpvanvliet.nl/index.html
Rebuilt. Not modified. Excellent work. Limited supply.
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Have you had an opportunity to hear any of these types of "Pro" EMT tables?http://www.jpvanvliet.nl/index.html
Rebuilt. Not modified. Excellent work. Limited supply.
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Have you had an opportunity to hear any of these types of "Pro" EMT tables?
I will change what I just said. Looks mean nothing in audio. Sonics are everything.
http://www.jpvanvliet.nl/index.html
Rebuilt. Not modified. Excellent work. Limited supply.
Sent from my iPhone using Tapatalk
The Verdier is a gorgeous table. I haven't had a chance to hear one in person. Maybe one day.I owned an EMT 930 for a while and stupidly sold it. I've stupidly sold many things... I felt when properly set up it easily bested my Garrards and Thorens that I had in the house at the same time. It is kind of like a hybrid of the strengths of the 124 and 301. A bit more resolution, perhaps, but lighter on its feet than the 301.
But I got annoyed because it had a fiddily old ortofon arm and the options for putting my personal touch on it were limited. Typical audiophile. Always thinking I know better.
If I could do it all over, looking over the vast landscape of my prior tables, I would probably keep a stock 301 and 124 around for fun. The 124 is easily the budget champ. It requires the least amount of work to sound great and is so lovely and compact. For the "big rig," to put it in audio guy terms (or the even more self-important "reference table"), I should have either just cut out all of the middlemen and gotten the Shindo 301 OR kept my Verdier.
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Well said.A wise man once wrote this long ago. I think it makes a lot of sense:
To be successful at building an amp or speakers, I maintain you must PICTURE, in your mind, how you will look and how you will feel playing discs. I mean how it will feel to put the disc on/in the player. I mean how you think you will look in the room lighting, standing in front of the player and between the speakers. I mean try to imagine how you will feel putting on the disc and sitting in the chair, dreaming and carrying on, in the new world you have created. This is your time machine, your sanctuary. This is your religion. You are the wizard, the movie director, the conductor, the mad scientist! When you create your own music system, you create you own new music culture. I really like the feel of playing 78s. It takes me somewhere.
If I could be remembered for only one contribution to audio it would be this: How the system looks, how the electronics and speakers interface with your room and lifestyle, how they are placed and how they are lit, is THE most important thing you can consider when planning a home building project. Please don't just build a box full of tubes and stick it on the carpet of your living room.
Create a PLACE to go. Create a personal RITUAL. Integrate the process of soldering with the process of listening. Do not separate the process of building and planning from the process of living. Let the gluing and soldering lead you to notice the birds singing and the wind in the leaves. Create a hi-fi that reminds you to listen to the rain falling.
I can only speak for myself, but nearly thirty years of building audio has forced me to finally reflect on the why more than the how. For me, audio is about becoming a more peaceful, cultured and reflective man. It is simply a process. In my dreams, I see myself as a lone Zen scholar sitting in a little wooden boat, fishing and painting pictures. When I get tired, I take a nap!
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One last thing... Chris can also do matte finishes if that's the main thing making his tables feel bling-y.
If you're ever in the Bay Area and want to hear how his approach sounds in a Shindo system, hit me up.![]()