Julot
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It's been a while in the making, but the new generation ICOS 6 are finally there.
They are no-crossover speakers, designed to be used with ICOS active amplifilters (or any active amplification with similar cut-off frequencies at 130Hz and 10 kHz, or traditional amplifiers with an external crossover) to reproduce medium and treble (a separate subwoofer handles the bass).
The shape is icosahedric and gave its name to the brand twenty years ago. It gives structural rigidity and minimizes stationnary waves. They are made with three layers of different density woods, hand-assembled with tongues and groove, damped inside, and outside thanks to the piano finish.
The ICOS 6 behave in a manner close to the ideal pulsating sphere. The upside of it:
- They're easy to place and give good results even when the acoustics are less than ideal
- They're very transparent and fast, don't sound like boxes
- The "soft spot" for listening is large and the difference between soft and less soft spot isn't great (it gives great results listening from the back for instance)
Since 1973, we had been using the JBL LE-8 as main drive, but it's been discontinued, which prompted the new model. The successor is the DE-8 by Davis Acoustics. From 10kHz up, a FT96H Fostex tweeter takes over. I'm still breaking the Davis in, and am sure its treble and bass are not as good as the JBL (but we don't use them), but so far it seems more transparent and neutral.
I'll be demonstrating in Northern Europe from my Copenhagen base in Jan-Feb, and then they should be back in the Paris showroom. Looking forward to having music lovers and audiophiles from all around.
Obviously I have no credibility when talking about my gear, but I'll say this: I like my job.
They are no-crossover speakers, designed to be used with ICOS active amplifilters (or any active amplification with similar cut-off frequencies at 130Hz and 10 kHz, or traditional amplifiers with an external crossover) to reproduce medium and treble (a separate subwoofer handles the bass).
The shape is icosahedric and gave its name to the brand twenty years ago. It gives structural rigidity and minimizes stationnary waves. They are made with three layers of different density woods, hand-assembled with tongues and groove, damped inside, and outside thanks to the piano finish.
The ICOS 6 behave in a manner close to the ideal pulsating sphere. The upside of it:
- They're easy to place and give good results even when the acoustics are less than ideal
- They're very transparent and fast, don't sound like boxes
- The "soft spot" for listening is large and the difference between soft and less soft spot isn't great (it gives great results listening from the back for instance)
Since 1973, we had been using the JBL LE-8 as main drive, but it's been discontinued, which prompted the new model. The successor is the DE-8 by Davis Acoustics. From 10kHz up, a FT96H Fostex tweeter takes over. I'm still breaking the Davis in, and am sure its treble and bass are not as good as the JBL (but we don't use them), but so far it seems more transparent and neutral.
I'll be demonstrating in Northern Europe from my Copenhagen base in Jan-Feb, and then they should be back in the Paris showroom. Looking forward to having music lovers and audiophiles from all around.
Obviously I have no credibility when talking about my gear, but I'll say this: I like my job.