Robert Harley’s Best of Show:
Best Sound (cost no object)
The Zellaton Statement loudspeaker (see JV’s report for system details) created the most realistic reproduction of the human voice I’ve ever heard from a hi-fi system. The sound was ineffably beautiful, seemingly existing in space independent of the physical means of its reproduction. The focus and coherence was beyond hi-fi.
Absolare always produces a great sound in Munich but this year was its best sound yet, with its new hybrid power amplifiers (tube input, solid-state output) driving Rockport Lyra speakers, with Absolare equipment racks and Echole cables. There was a complete lack of grain and glare; the presentation had utterly natural timbre and tremendous ability to pull me into the music rather than to think about the sound. A terrific system expertly set up.
The Vandersteen Model 7 Mk.II driven by Brinkmann electronics was also very high on my list, as it usually is at every hi-fi show at which the Vandies are demonstrated. The Model 7 is world-class in every way—and a relative bargain compared with mega-priced flagship speakers from other companies. The system was supported by Harmonic Resolution Systems (HRS) equipment racks.
Magico's M6 driven by Soulution 7-Series amplification and HRS racks was terrific in every way, and an interesting contrast with the Q7 Mk.II that I lived with for two years. The M6 wasn't has hard-hitting in the bass, but it had a timbral beauty and ease. A great showing.
One of the best demonstrations of a Wilson speaker was in the Constellation Audio room, where the company’s Centaur II monoblocks, Perseus phonostage and Virgo III linestage, Continuum Obsidian turntable, and Cygnus Media Server drove Wilson Alexia Series 2 speakers. The whole system was supported by Shunyata Research AC conditioning.
Best Sound (for the money)
The Magico A3 at $9800 per pair. Although not budget priced, the A3 establishes a new benchmark at the important $10k price point. A far better speaker than Magico’s $27k V3 of ten years ago.
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