ohbythebay
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You guys will find this interesting...
A good phono stage is a must for anyone running an MC cart right? But what to get. You don't want something that is going to "color" the music, you want it to be a natural and NEUTRAL unit that will do its job - Bring the LOMC up to line level and pass on the signal untouched from its original quality without adding noise or subtraction of frequency. Pretty simple, right?
Not so much. SO many of the phono stages (mid level to low level) make assumptions about cart loading. Like 200 or 220pf fits all...NOT. Only higher end units give you selectable loading. Another drawback is how they have their own flavor, what they use for opamps, etc. Loss of detail may be a symptom. Loss of bass clarity. Mid loss. The list goes on.
Finally, there needs to be a synergy between cart and phono stage. I just witnessed a test on a phono stage where the poster tried various carts on the same stage (maybe 12?). It liked 9 or 10 of the carts and hated the others. Again this may be due to cart loading.
So my journey was in mid-lo fi..up to several hundred dollars on a phono stage. They fit my budget and matched what I had in equipment. I was not going to spend $800-$1000 on a phono stage for a $600 MC cart.
Well, I discovered synergy in the oddest of places that beats out anything I have heard INCLUDING a custom made phono stage made for my setup. I have gone back to this setup and I swear it sounds incredible.
It is an AT630 SUT (made in the 70's I think) that go for about $70 to $100 if you can find them - Into a $49 Art DJ Pre II. Laugh now...but this combo is killer.
First the SUT - It steps up the LOMC signal with zero noise, zero loss. It is the happy sister to any Audio Technica MC cart. Loading is perfect. I could then carry this in to my phono stage on my Marantz, but my table is a bit too far for that (doesn't have to be but it is) . So it goes to the ART DJ Pre II.
People have tried and tried to rag on the little ART but dang it all, it does what it is SUPPOSED to ...passes that signal and does not discolor, lose clarity, add noise, no drawbacks. The specs are incredible (especially for the price). And at least it lets you choose 200pf or 100pf loading. Not a wide range but SOMETHING and my cart prefers 100pf.
I have no doubt an $800 or higher phono stage would beat it (one would hope) but I don't need to spend that. and I spent $39 on mine before they raised the prices to a whopping $49...LOL
So maybe its just synergy of my system, but the noiseless, uncolored clarity and detail I hear is incredible. It also works well with a MM cart (no SUT needed first)...anyway..thanks for listening...
Specs and Pictures of the SUT and the Phono Pre
AT630Audio-Technica AT 630, Transformer for MC phono cartridges
Some technical data:
Manufacturer: AUDIO-TECHNICA, Japan
Input impedance: 20 ohms or less
Output impedance: 47 kohms
Gain: 20 dB
Frequency response: 15 Hz - 100 kHz
THD: 0.05%, 15 - 100000 Hz
ART DJ Pre II - ART Pro Audio
Signal To Noise Ratio > 90dB below clipping
Frequency Bands FILTER TYPE: Switchable, Low Cut, -3dB @22Hz
Maximum Gain 45dB @1KHz
Input Impedance 47k Ohms in parallel with either 100pF or 200pF
Maximum Input Level 40mVrms @1KHz
Maximum Output Level +6dBu (1.4Vrms)
Input Connectors RCA
Output Connectors RCA
Total Harmonic Distortion .01% Typical @1KHz
Frequency Response 10Hz -50KHz, +/-.5dB
A good phono stage is a must for anyone running an MC cart right? But what to get. You don't want something that is going to "color" the music, you want it to be a natural and NEUTRAL unit that will do its job - Bring the LOMC up to line level and pass on the signal untouched from its original quality without adding noise or subtraction of frequency. Pretty simple, right?
Not so much. SO many of the phono stages (mid level to low level) make assumptions about cart loading. Like 200 or 220pf fits all...NOT. Only higher end units give you selectable loading. Another drawback is how they have their own flavor, what they use for opamps, etc. Loss of detail may be a symptom. Loss of bass clarity. Mid loss. The list goes on.
Finally, there needs to be a synergy between cart and phono stage. I just witnessed a test on a phono stage where the poster tried various carts on the same stage (maybe 12?). It liked 9 or 10 of the carts and hated the others. Again this may be due to cart loading.
So my journey was in mid-lo fi..up to several hundred dollars on a phono stage. They fit my budget and matched what I had in equipment. I was not going to spend $800-$1000 on a phono stage for a $600 MC cart.
Well, I discovered synergy in the oddest of places that beats out anything I have heard INCLUDING a custom made phono stage made for my setup. I have gone back to this setup and I swear it sounds incredible.
It is an AT630 SUT (made in the 70's I think) that go for about $70 to $100 if you can find them - Into a $49 Art DJ Pre II. Laugh now...but this combo is killer.
First the SUT - It steps up the LOMC signal with zero noise, zero loss. It is the happy sister to any Audio Technica MC cart. Loading is perfect. I could then carry this in to my phono stage on my Marantz, but my table is a bit too far for that (doesn't have to be but it is) . So it goes to the ART DJ Pre II.
People have tried and tried to rag on the little ART but dang it all, it does what it is SUPPOSED to ...passes that signal and does not discolor, lose clarity, add noise, no drawbacks. The specs are incredible (especially for the price). And at least it lets you choose 200pf or 100pf loading. Not a wide range but SOMETHING and my cart prefers 100pf.
I have no doubt an $800 or higher phono stage would beat it (one would hope) but I don't need to spend that. and I spent $39 on mine before they raised the prices to a whopping $49...LOL
So maybe its just synergy of my system, but the noiseless, uncolored clarity and detail I hear is incredible. It also works well with a MM cart (no SUT needed first)...anyway..thanks for listening...
Specs and Pictures of the SUT and the Phono Pre
AT630Audio-Technica AT 630, Transformer for MC phono cartridges
Some technical data:
Manufacturer: AUDIO-TECHNICA, Japan
Input impedance: 20 ohms or less
Output impedance: 47 kohms
Gain: 20 dB
Frequency response: 15 Hz - 100 kHz
THD: 0.05%, 15 - 100000 Hz
ART DJ Pre II - ART Pro Audio
Signal To Noise Ratio > 90dB below clipping
Frequency Bands FILTER TYPE: Switchable, Low Cut, -3dB @22Hz
Maximum Gain 45dB @1KHz
Input Impedance 47k Ohms in parallel with either 100pF or 200pF
Maximum Input Level 40mVrms @1KHz
Maximum Output Level +6dBu (1.4Vrms)
Input Connectors RCA
Output Connectors RCA
Total Harmonic Distortion .01% Typical @1KHz
Frequency Response 10Hz -50KHz, +/-.5dB