metaphacts
New member
Hey Bill!
Didn't know you were lurking.
IIRC, that Ponce store is where I met the famous Bill Peugh as well!
I was one of those Magnepan trainees you mentioned above Jim. :blush:
Hey Bill!
Didn't know you were lurking.
IIRC, that Ponce store is where I met the famous Bill Peugh as well!
Hey Bill!
Didn't know you were lurking.
IIRC, that Ponce store is where I met the famous Bill Peugh as well!
Place the speakers in the general area you expect to use them.
Find out where in the room to sit without suffering from unpleasant and musical-engagement-killing room-boundary effects at the listening seat.
In this case, its the room, not the speaker.
Quite common, though, in my experience - having successfully voiced many hundreds of systems - it never works.
I've always said that the only time a spread sheet can work in a room is when the only thing in the room is the spread sheet...
Thanks for the response, I'm looking forward to the better sound material arriving next week! The timing is quite good since I just moved (ick) and am having to start over in my listening room. :bonkers:
.....
I really enjoy learning about this process as I find it fascinating. Seeing as the room and placement plays such a critical role, its usually the most overlooked/underestimated.
A hint towards a head start when you receive them -
Of the 202 tips in the GBS book, the most relevant to this discussion are #74-#92.
On the three disc GBS DVD set, it's Disc #2 - where I am at a RoomPlay client's house and address some of the typical issues...
I want to thank Jim for giving us insight to his process!
I also want everyone to know that the end result, in my case at least, was more dramatic than a component upgrade. Considering the investment, it was, as Mike said, the best money I've ever spent in audio.
Jim hasn't mentioned that the best tool on his arsenal are his ears! While he employs tools to guide some of the steps, the actual voicing is done by ear. He knows exactly what each of his test tracks is telling him, and makes changes to speaker position until these things sound correct.
The end result was a system that has more realism,greater depth,and improved clarity.
But the best thing to me is that I feel more engaged in the music, and really isn't that what we're all trying to achieve?
All this for less money than a good pair of cables.
Sorry Dan, but we didn't.
I'll try and get some pics up soon.
OMG... I think I may have heard this system in the mid 80's. Speakers were Magnepan and electronics Spectral. Deepest and most realistic sound stage ever, before or since playing HDCD material he'd recorded.Yep - his Coral Gables store - Sound Components
Thanks Mike!
We always enjoy it when you and Carmen come visit! Music,drinks,food and great company are some of life's greatest pleasures.
Regarding the sound of my system, I will say again that the improvements that Jim brought out are indeed significant! It's better than a component change. In the past when I would buy a new component I would eventually get used to the change in sound. What Jim has given me is a sound that I'm still amazed with. I'm enjoying my system more than ever and I am still not used to the improvements. I find now that the only purchases I'm considering are new music.
It's great place to be :yahoo1:
Question: I guess the voicing would need to be redone if you do change a component? or speakers?
I still think your text was the best money spent in my little music room.IMO - No reason to do so when a component is changed - the system/room voicing is about the acoustic wave-launch into the room.
Sometimes a speaker change might benefit from re-voicing, but the owner learns so much during the session that he or she can usually make the change using what they learned.
However, a different room is a different story...