ohbythebay
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Seems like an odd question, right ? Well, a recent thread talked about revealing vs forgiving and this is somewhat in that vain but a different way to see how we have system preferences.
Black and white
This is the total reveal system, pure sonic sound from media to speaker. Can be somewhat sterile (to some) but there is no coloration introduced by the equipment, right down to the cable capacitance and inductance. Your bass and treble was recorded in a studio, is never even referred to except as lows and highs and a control could not be found anywhere on your equipment. If a sub is employed, its placement is done via a microphone pickup and analysis
Sepia tone
Similar to the above but some coloration is allowed, possibly by tubes, perhaps by room treatments. Room treatments you say ? How is that not black and white ? Because (and now we start to see) one is tailoring the sound. Of course, it could slip back into black and white if it is used to get back to purity of sound and remove any coloration by the room.
Colorized
I think the majority gets their systems developed here. We all have certain sounds we seek. Warm tubes. Forward mids, Crisp bass or boom boom. We love to tube rolls, try different units hoping to get that sound we desire. Not necessarily that BLACK AND WHITE perfection, we seek the perfection we like to hear.
Case in point, my input tube rolling experience. 12AX7's can be so different. I wanted warmth but clarity. Crisp bass. But the hardest to get was all of those things AND forward mids. I achieved the former with several types but only two gave me those and the forward mids.
So is my system colorized ? Heck yes. I love my system. I think it sounds awesome. For some it may not be detailed enough, it may be too warm, too bright, to deep...but its just the right color for me. :scholar:
BTW..Black and white, sepia or colorized, none are wrong because they are right for you.
Black and white
This is the total reveal system, pure sonic sound from media to speaker. Can be somewhat sterile (to some) but there is no coloration introduced by the equipment, right down to the cable capacitance and inductance. Your bass and treble was recorded in a studio, is never even referred to except as lows and highs and a control could not be found anywhere on your equipment. If a sub is employed, its placement is done via a microphone pickup and analysis
Sepia tone
Similar to the above but some coloration is allowed, possibly by tubes, perhaps by room treatments. Room treatments you say ? How is that not black and white ? Because (and now we start to see) one is tailoring the sound. Of course, it could slip back into black and white if it is used to get back to purity of sound and remove any coloration by the room.
Colorized
I think the majority gets their systems developed here. We all have certain sounds we seek. Warm tubes. Forward mids, Crisp bass or boom boom. We love to tube rolls, try different units hoping to get that sound we desire. Not necessarily that BLACK AND WHITE perfection, we seek the perfection we like to hear.
Case in point, my input tube rolling experience. 12AX7's can be so different. I wanted warmth but clarity. Crisp bass. But the hardest to get was all of those things AND forward mids. I achieved the former with several types but only two gave me those and the forward mids.
So is my system colorized ? Heck yes. I love my system. I think it sounds awesome. For some it may not be detailed enough, it may be too warm, too bright, to deep...but its just the right color for me. :scholar:
BTW..Black and white, sepia or colorized, none are wrong because they are right for you.