Looks great Brian. Enjoy and happy listening.
Packaging was decent, heavy double boxed, good plastic wrapped ends and a full cloth bathing cap over the unit. Heavy and solid.
I had to do some rearranging and removed my VAC and Stratos to rebuild my second system. I had to move the APC up a shelf for ventilation and placed the Rega P3 where the Stratos was. Needless to say, I took some Advill when I was done.
Out of the box and still cold it sounded decent. Played Chet Atkins Pickin on the Beatles on Vinyl and the Phono in the lux is a world different than my Rotel receiver. As it warmed up you could hear the subtle changes to the top end as well as s nice grip of the bass. I have to say, my Dyns have never shined in the top like this but still keep all the bass. I played some Bob James, Special EFX, and finally Heather by Jessica Williams Live at Yoshis sounds closer to when I first heard it thru Lampi - Pure Audio Project gear. Both Victor Wooten's Bass and Vocals are crisp and clear on The Message from Bela Fleck.
Oddly and just like with my old Hafler 945 pre, I so far have preferred the Line Direct off, so Tone circuit engaged but flat. I also like the Loudness button for lower volumes. I still have to plug my Grados into the Headphone jack but I am sure it will be nothing less than all the other options. Its really nice to have remote volume after 15 years, let alone 2 volume knobs on the VAC. I figured out the HT Bypass but still have to re-run the setup on the Integra now.
So far Nothing to complain about really. It is a little imposing compared to a Hegel. It would have been cool if they gave you 2 meter light levels as opposed to just on or off, dim would have been perfect. The only other thing I struggled with are the Binding Posts. They are covered with a plastic shroud so I had a hard time making the connection plus my Synergistic cables have a narrower slot at both ends so they dont go over the post all the way. I had to adapt Bananas on the other end for the Dyns but they fit both the Counterpoint and Clearfields which they came with. The post knobs are also flimsy for a unit of this value but once connected it doesn't matter too much.
Other than the looks, Mrs Shadow who has a good ear loves it already. She picked Ian Anderson String Quartets which is recorded in a Cathedral and sounded fantastic. I suppose it will get better in time also.
Here are a few crappy shots in my not so well lit room.
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Congratulations Brian!
You guys are lucky to have a guy like Mike!
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There's no reason to not expect it to sound every bit as good as a 509x. The only difference being the output power. And your ears may not even be able to tell the difference between 100 wpc and 120 wpc. I think you got major bang for the buck, Brian. Can't wait to hear your comments after a couple hundred hours of break in.
Tried out the Headphone section last night. I only listened to one disk, but it was really nice to have this ability back in a main system. Also interesting that plugging in does not auto switch the speakers off, you have to manually do that. Not sure why anyone would want speakers on if they are listening via headphones.
Can anyone tell me the proper setup for HT Bypass? The manual is not written very well and does not mention HT Bypass as a feature although it can be done.
I am reading that I should go from HT Front Out to Luxman Main In, then toggle the Separate Switch but not 100% sure.
"[...Didn't you order the Gryphon?...]"
Changed my mind. I liked how the int 60 sounded so much I decided to go with the int 250. They don't sound exactly alike but the int 250 seems to have the same sweet Pass personality of the int 60 with a few more things added like the extended top and tight bottom end...among some other things.
I remembered how superb the int 60 sounded. Then we plugged in an MSB Discrete DAC/streamer with optional (2nd) power chord.....Ecstasy! I'm taking a bit of a gamble as I've not auditioned the int 250, just the int 60. But after visiting with Mike and Kent English at Pass Labs at length about both the int 60 and int 250 I now feel pretty confident in my choice. I know if by some chance I didn't like the int 250, Mike would bend over backwards to help me have a satisfactory outcome. I really do not anticipate that will be necessary.
If I purchased the D300 I wouldn't be able to afford the MSB. I really think the MSB is worth it. Plus, I remembered how good that Pass sounded. My ears really like that smooth, warm, Pass personality. Add the MSB, decision made.