mep
Well-known member
- Joined
- Dec 4, 2013
- Messages
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Mep, just curious, could you clarify what comment you're referring to? Thanks
It was your comment about your buddy with the $50k table.
Mep, just curious, could you clarify what comment you're referring to? Thanks
I suppose the mere mention of someone preferring their digital playback to their vinyl playback is just too much to bear?
Why don't you elucidate for me the very wrong-edness of my comment? Or...on second thought, spare me your thoughts.
I hadn't been checking out the AS forum much in the last year. I think I'll stay away -- prickly atmosphere here from some, unfortunately.
I suppose the mere mention of someone preferring their digital playback to their vinyl playback is just too much to bear?
Why don't you elucidate for me the very wrong-edness of my comment? Or...on second thought, spare me your thoughts.
I hadn't been checking out the AS forum much in the last year. I think I'll stay away -- prickly atmosphere here from some, unfortunately.
Not even evidence, really, just data......Not proof, but an awful lot of evidence....
"Prickly" is a term I used with restraint. "Toxic" would probably be more accurate. It's not a very fine line between the two.
Taiko Audio, to name one manufacturer I'm familiar with, keeps making substantial technological breakthroughs in digital playback to the point where, on another forum, a user of a $50k turntable has concluded there's no meaningful qualitative difference between his analog and digital setups. This is only after a very recent and significant USB upgrade from Taiko.
I haven't owned a turntable since I was a teenager, so I can't speak from personal experience. But, as far as digital goes, I can say the breakthroughs Taiko has made in just the last year are really something. It seems logical to me that digital is likely to have an accelerated advancement path relative to analog and will likely come to equal analog's best.
Unless you've heard what digital can do - today - you're probably a little behind the curve. I'm particularly curious to hear from M. Lavigne, who has thrown his resources into the best in both analog and digital, after he evaluates the latest from Taiko. I predict he will still find his best analog pressings to be best, but that the delta has shrunk quite a bit. It's all good.
I've no doubt I'm behind the curve. That might be the story of my life...
I'd love to hear the Taiko equipment. But as a FWIW, IME the more digital gets right, the more various bit of playback gear should sound the same. Bits are bits after all. And for this same reason, I'm of the (probably mistaken) opinion that it really shouldn't cost that much. For me Topping is a pretty good example of this; but it seems odd to me that it took this long.
digital recording and mastering have come a long way...I had a Wadia and Muse DAC here from the early '90s and was shocked at how it compared to the Chord Dave on red book. I'm beginning to think much of what we thought was poor digital back in the day was attributable to the dearth of good digital media.
Do you mean new red book recordings Rob?
yes.