mep
Well-known member
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- Dec 4, 2013
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Oversimplified to the point of becoming nonsense.
Maybe he should keep reading this every time he plays a DSD file over his PCM DAC and it will sound better.

Oversimplified to the point of becoming nonsense.
Maybe he should keep reading this every time he plays a DSD file over his PCM DAC and it will sound better.![]()
Or invest in a 30 day trial and obtain a DSD dac and have a listen and a compare.
Maybe he should keep reading this every time he plays a DSD file over his PCM DAC and it will sound better.![]()
If we had heeded "common knowledge", vinyl would have been extinct long ago, just like the 8-Track.
The strongest survive.
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the pablum on Nuforce's site was likely written by Demian Martin, the same Martin that's part of 'audio cognoscenti' of silicon valley which includes prof Keith Johnson of Reference recordings, Rick Fryer of Spectral, the boys from Pacific microsonics née Berkeley Audio. They all seem to have one goal in common and that is marginalizing DSD.
My brush with a dedicated DSD dac was the mytech which I believe you still use. I tend to believe what others in the industry have said and continue to say that DSD is a flash in the pan and in the long run wont have the legs to dethrone hires PCM. then again its all moot to me as I'm 95% vinyl, the vast majority of my digital collection is 16/44. I own many SACDs I haven't listened to in over a year and a handful of DSD files I'll probably never hear again.
...Far be it for me to try and convince someone who loves analog to invest in digital music of any sort...
I like DSD, I've always preferred the dsd layer of the hybrid discs I own, I can toggle between the two. the biggest issue I have is the dearth of native DSD recordings, at some point they've all been through the 'PCM washing machine.' it's like trying to find an all-analog vinyl release today of new music - nearly impossible. the few native DSD files I have are demo pieces I'd only play once in great while.
I like DSD, I've always preferred the dsd layer of the hybrid discs I own, I can toggle between the two. the biggest issue I have is the dearth of native DSD recordings, at some point they've all been through the 'PCM washing machine.' it's like trying to find an all-analog vinyl release today of new music - nearly impossible. the few native DSD files I have are demo pieces I'd only play once in great while.
It all started when some genius remarked that on his friend's system who happens to have "the second best stereo system in the world" you can't tell DSD files from PCM. Duh. Of course you can't because now they are one and the same (almost). All hell broke loose when I explained that when you have DSP/DRC in your system, everything gets run through the PCM blender and changed into 24/96 PCM regardless of what the source files were before they were run through the blender. Have a bunch of 24/176.4 or 24/192 files? Too bad, because now they have been converted to 24/96. Have a bunch of DSD files? Too bad because they too are now 24/96 PCM.
That seems so obvious. Another reason to dislike DSP/DRC.
I do have a question - do you guys feel DoP affects the sound quality of the original DSD file in any way?
I'm having this discussion with Li at Lumin. He said an apple in a box is still an apple. Good analogy.
Thoughts?
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Thinking further about George's point it is true that a minority of DACs actually convert DSD directly to analog, like those from Playback Designs, EMM Labs, PS Audio DirectStream, and some others do. An actual DSD DAC must first convert any PCM signal received to DSD before conversion to analog can occur. When DoP is used as a carrier for DSD data, that PCM data is NOT a standard PCM signal which could be directly converted by a PCM DAC. It has header information contained in the PCM format that identifies it as DoP formatted data, and once that is detected it is then converted back to the original DSD data. How that DSD data is handled for conversion to analog from that point is dependent upon the type of DAC being used.