BobM's System

BobM

New member
Joined
Jun 24, 2013
Messages
386
Location
Long Island, NY
Here's some pic's of the room and system.

Apogee Duetta Signature speakers - I have removed the crossovers from these, upgraded all the caps to Auricaps and Sonicaps and resistors to Mills, potted the inductors and put this all into an outboard box behind the speakers. The frames were stiffened also.

I have recently moved them forward (closer) 4" and the left one was shifted outward about 6". Huge improvement in space and dimentionality. These baby's need room to breathe, but this is about as much as I can do in my 19' x 15' space.

That's a REL Strtata III sub sitting next to the leftmose speaker, flipped upside down with a butcher block cutting board on top. Nipper is there to add a bit of weight and hold my Sennheiser HD600's. I have a self built Peter Millet Mini Max tubed headphone amp to power them.

system.jpg

Those wooden diffusers behind the speakers are a DIY job I copied based on some Shakti designs. They were made during the 5 days our power was out after Sandy. They really do help make that front wall disappear.

Here's the equipment rack. These are also DIY. MDF sand filled boxes (50lbs in each) supported on spiked Birch butcher block (a cut down Ikea butcher block table top actually) with birch cutting boards as the floating plinth in each box.

rack.jpg

Audio Prism Mantissa preamp - Upgraded power supply and V-Cap OIMP and Sonicap Platinum coupling caps inside. NOS tubes too.

McCormack DNA 500 amp - necessary curreent to drive the Apogees

Ayre CX7e-MP CD player

DIY Hydra power conditioner clone feeding the amp and CD player

This is a VPI Aries Clone I had made for me by Hollywood Sound in Florida. I needed something smaller than a true Aries at the time, and the Scout wasn't introduced yet. Sounds so fine that I never felt the need to change it. This has a 1" Corian plinth and the VPI aluminum stand alone motor and VPI Classic ceramic platter and bearing. Using a Moerch DP6 tonearm (red dot) and Transfiguration Temper cartridge. The TT sits on another cutting board supported by a dozen squash balls (aka Ginko Cloud-like).

turntable.jpg

Temper.jpg

The TT feeds into a DIY Hagerman Piccolo step up with upgraded caps and resistors, including a few nude Vishays in key spots. I've tried several step up transformers but I really like what this little head amp does better than them. A bit punchier and just as transparent and natural.

That feeds into a Hagerman Trumpet phono stage. Also with upgraded caps and NOS tubes.

The TT speed is set by a DIY Mark Kelly designed controller. A very nice design that builds to sine wave in the digital domain, then converts 12V DC to AC and boosts it. Individual phase on the AC can be controlled and set exactly, which means the phase inverting apacitor in the motor is unnecessary. I've never seen this done in any other controller (that I know of), but because of it I doubt that it would be commercially viable.

Trumpet & Speed Controller.jpg
 
Here's the seating position with my often used massage cushion.

seat.jpg

Cabling is Analysis Plus Solo Crystal Oval interconnects throughout. Power cables by Triode Wire Labs and Kaplin. Speaker cables are Triode Wire Labs.

And last but not least, my trusty listening companion

nipper.jpg
 
I have also implemented a DIY version of Lloyd Walkers black diamond crystal tweak. He now sells black colored crystals that you stick to your headshell or phono cartridge. He states that it "reduces the EMI/RFI and static electrical noise at your cartridge and record while it is playing." I don't think these are actually diamonds, but rather black quartz.

More info here:

https://walkeraudio.com/shop/crystal/

So I found a clear rounded quartz crystal and glued it to the front of my cartridge with a tiny dab of super glue. Of course I re-balanced the arm to account for the added mass. No overtly obvious change, but things did indeed sound nice. So I decided to put it to the test. I pulled out 88 Basie Street, an album many of us are intimately familiar with for it's great dynamics, soundstaging, space, extension and great music.

(1) Crystal in place - Sounded really nice. spacious, meaty, textured.

(2) I pulled off the crystal and re-balanced the arm. OK, so things definitely seem a bit flatter now. Less nuance. Less space. Absolutely a difference was heard.

(3) Glued the crystal back in place and re-balanced the arm again. Yup, there's that nuance, space and dimensionality.

Conclusion: so I guess this did make a difference to my ears, whether from actual RFI/EMI reduction or from just having added mass at the headshell - I don't know. But I did hear it; subtle but there.

cartridge 2.jpg

catrtidge 1.jpg
 
Bob...super nice system and clearly a lot work and thought and customization/tweaking/upgrades went into it. You are the qyuintessential tweaker audiophile. Very nicely done!
 
I've been DIY'ing and modding equipment for many years now. There was a time when NOTHING was sacred. I feel pretty comfortable with a soldering iron and schematics and have learned a lot about some select "audiophile" grade caps and resistors and their appropriate use.

The best part is ... I can often move the tuning of something closer in the direction of my own personal taste. The problem with that is that I always think, just one more tweak and it will be perfect ...

Mostly, I'm pretty satisfied now. :D
 
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