Maybe Mike can give you an idea about the MX-R after RMAF. I'm sure Ayre will have a room.
I heard them extensively at CES. A friend had asked me repeatedly to listen, go back and listen, listen again, etc. Like my reaction to all Ayre gear....meh. Nice, but so is lots of other stuff. I've yet to hear a product of theirs that gets my attention. At this level, at this price, you want something that stands out. Something that's different. Something that's just not more of the same old, same old AB. Audiophile stuff: Clean, articulate, dynamic, yada, yada, yada, yes, yes, yes. But I never fell into the music. I never became emotionally involved whatsoever. As I mentioned in my show report, the SET amps from Triode, LA audio and other rooms were a relief to the resolution to the extreme rooms. For me, Ayre is another good left brain amp.
In contract (since you specifically asked about the Ayre vs Pass), read this little snip it about designing the XS gear: http://www.renohifi.com/Pass/pass_xs_brochure_2014d.pdf
I bet my Dart 108 would have been good on the Strads.
You know its interesting Joe, I read recently that a forum member thought Pass XA sounded better than Dart as Dart was "clinical" (on Evolution speakers, even!)- you never know what these amps sound like unless you try I guess. I would hardly call Dart clinical, but to each their own. Do you find it as such (per memory) compared to your current Pass gear? Just curious.
Thanks, Joe- that makes sense. I've always thought if there is a Dart weakness, it was ultimate slam in the bass- but the bass detail is out of this world.
Thanks, Joe- that makes sense. I've always thought if there is a Dart weakness, it was ultimate slam in the bass- but the bass detail is out of this world.
I am extremely happy with my MXRs-20s. Have not heard pass though.
When I take a look at the lists of the stuff people own here at Audioshark. I can see that many are not always aware of the properties of the tools they use in their set. The properties of the tools togheter and the acoustics of the room create the overal sound and how the image is projected.
I auditioned the MX-R with Wadia source, Wilson Alexandria 2, Ayre pre amp and the most expensive Transparentcables from 2009. This was also fully 2 dimensional. And instruments and voices were too big in proportion. To be honest I would not even want this for free in my house. In 2009 I compared Ayre amps with Pass Labs amps. The Pass Labs has a wider and deeper stage. I always say: without depth you are out of competion in the world of highend. They have some depth, but even Primare had a wider an deeper stage than Ayre creates. The Ayre is also missing the tembre in the mid freq. Pass Labs gives. This is an essentail part for soundrealism. When you listen to classical music you are aware how much better Pass Labs is able to give you the whole palette of colors in the mid freq.