Yes, and quite innovative technologies utilised too.
Looking at the build quality, one wonders how AVG managed to price their top line products at what other manufacturers would reserve for their entry level products.
Perhaps there is a certain logic in using a 150W amplifier for >104 dB sensitivity speakers after all.
Btw, would you be able to share how the Ongakus, etc sounded with your Duo Mezzos? Besides value for money, are the AVG electronics still the best match?
Its been almost close to 2 years since I last heard the Mezzo G2's with Sougas, Ongaku's and Air Tight 211.
1. The Kondo tube stuff are intoxicating. Tube magic at its best. But so is the pricing.
2. The Air Tight combo of ATE2001 + 211 Mono are about just as good. I could not draw a number, close very close to the Kondo stuff. The difference, if one wanted to nit pick would probably be the pride of ownership of one of the best tube amps in the business.
3. The AV X Pre/Power then came along and the pricing, compared to both the Air Tight combo and Kondo stuff seems more "reasonable" given the build like a tank quality. Sound wise, its musical and I believe AV would not have done this combo without much voicing and thought thru, after all, they did made some amps before this pair, integrated (2 models prior) and one heavily priced and not so great looking Pre/Power.
In the end, given the price difference and the closeness and I think, the best voiced and matched pre/power, I selected the AV. Till today, I can never fault the combination and each time, the music just flows. I no longer nit pick on anything except relaxing and listening to the music - and of course, looking at the monumental fine furniture look of the pilasander wood on both the amps and the speakers.
If not for the one desire to finding out how 70's music on vinyl sounds like on 70's equipment, which prompted me on the search to building one such system, this would have been my retirement system.
So far, for the vintage system, I have narrowed the speakers search to JBL's Paragon or the much cheaper L300, all restored to mint new conditions (from Kendrick). Yet to decide. As for amps, I have managed to obtain a mint McIntosh C22/MC75 Mono, which fits the time span of the 70's. The restored Thorens TD160 Super MKII will play the mono vinyls. The rest, I am still searching. No rush as I am just doing something to quench my "thirst for knowing how 70's would sound in a 70's system". I guess I must be growing old ... to start appreciating "antique hifi".
Cheers!