Anyone had the chance to listen to all three of these? Curious which ones can retain great imaging, smooth treble, and lower midrange presence without many faults....
Or is this Tube City?
I have experience with Pass Labs and Luxman.
The Pass INT-60 is very warm sounding and will mate well with brighter speakers. I personally found it to be too smooth and in my set up lacked emotional involvement. It also lacked some lower mid bass while having very strong low bass output.
The Luxman integrated in my opinion on my systems offers a smooth yet more involving and dynamic listen. It also has more finesse than the Pass.
To my personal tastes there is no comparison on which I preferred as it was not even close (the Luxman by a million miles). BUT many people love the Pass so you need to see if you like it.
I also feel the Luxman feels of better quality than the Pass in terms of things like how the dials feel, remote control feel and responsiveness and such.
But only can decide what you like and what works in your system.
"" I also feel the Luxman feels of better quality than the Pass in terms of things like how the dials feel", my little xa30.5 feels pretty substantial @ 75 lbs, excellent build quality, of course it has no knobs. I guess it depends on which Pass.
Closest I've heard to tubes in a solid state design.
I've been playing a class D amp in my system that sounds just as smooth and relaxed as any tube amp I've heard. I don't miss the tube amps at all!
I've been playing a class D amp in my system that sounds just as smooth and relaxed as any tube amp I've heard. I don't miss the tube amps at all!
I've yet to hear Class D that was natural enough to be more pleasing than a Class A/B.
I myself not heard a Class D amp that sounds as organic/pleasurable as a Class A amp yet.
class d has a bright future, however do currently not belong in a thread as a recommendation about a touch of warmth
Why?
Its the lower ordered harmonics that bring a touch of warmth to any amplifier. SETs have the most 'warmth', having the most prodigious 2nd harmonic generation of any amplifiers made.
In our class D (I can't speak for other designs) the non-linearities that cause distortion tend to make lower ordered harmonics. Overall they seem to sound a lot like our triode OTLs on that account, but owing to less distortion are more transparent (distortion tends to obscure detail). I rather doubt that our class D amps are unique in that regard but I could be wrong... So class D amps probably are on topic if their characteristics are similar.
Or am I missing something?
Ralph, nevermind, I read a post of yours on another thread and it made more sense to me. I am also familiar with the Bob Carver reference you referred to.
Thanks.
All amps have non-linearities! Its important to audiophiles what kind of distortion results. IME distortion is far more audible than most people think- in particular people that only look at measurements. This is simply because the ear converts distortion to tonality and that is the mechanism for how an amplifier has a 'sonic signature'.
I never realized how audible it was until the first time I heard JBL horn speakers and I was stunned by the LACK of distortion / compression I was hearing in that sound. Voices had a purity to them I was not used to.
If horns are properly designed they can be very low in distortion!