Here are some excerpts from the author's visit to Magico, courtesy of Google Translate:
The sound room is very, very, very quiet where you can not hear any noise. Alon first played Pathway on Track 2 of the "Marilyn Mazur - Elixir" by ECM. Marilyn Mazur was born in New York and lived in Denmark at age six. Mainly percussionist (drummer), pianist and composer. At the very beginning of the track, the drum sounds give people a very special sense of atmosphere and space, and can feel the acoustics of this space very well. The entire space of the reverberation is natural and the sound field is complete so that I can clearly understand To M6's voice performance, M6's low frequency can actually be so textured, and there is the extension of the details of the reverberation, M6 really loud speaker technology brought to a new realm, even more surprising is that the real metal percussion Feel like someone in the field is as true as the percussion, I can even easily point out the exact location of the percussion, the positioning is very precise!
Listen to the Canadian singer "Holly Cole - Night", Track 10 If You Go Away, from this song strongly felt Alon M6 adjustment is in place, can be said to be very precise, Aaron Davis piano transparent texture without any barrier, The transparency of the system makes one feel like being in a recording site. The sound of Holly Cole's voice is full of charm and charm. David Piltch's Double Bass has the strum and detail of his life. The three years of tacit agreement have long since become totally natural. I found that the size of the sound field Alon also control the adjustment is very good, the relative proportions of the various musicians and vocals is very clear, M6 complete record of the sound of the perfect reproduction of the signal reproduced, so fax, vivid.
Alon's selections really make a difference, playing two songs that I've seen so enchanted, followed by Four Verses / Continuation of track Avishai Cohen / Duende (with Nitai Hershkovits), Track 3, Avishai Cohen, an Israeli bass player Is performed in concert with the pianist Nitai Hershkovits duo. I think Alon deliberately let me experience the purity of the M6. The two instruments are beautiful and each other's "dialogue" is wonderful. People forget the sound in front of them and are completely intoxicated In such a wonderful performance, who said both acoustics and musicality can not have both?
Then Alon took me to the concert hall to play Charles Dutoit's Orchestre symphonique de Montréal on Shostakovich Symphony No. 15, first movement: Allegretto, I seem to be sitting in front of the concert hall in the best position, whether in the orchestra is tiny details, the strength of the dynamic contrast, M6 are easy to show the orchestra, let me listen to mesmerizing, the beginning of the flute, Bassoon tube gradually brought out the theme of each instrument to join, the continuous development of strings, percussion, and then back to the beginning and the end of the brass band ensemble, is so enjoyable, and this is one of the significance of the existence of the top audio, Take us back to the scene of the time can not participate.