Stereophile
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- Apr 19, 2013
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- #1
<p><img class="story_image" src="http://www.stereophile.com/images/101113-Persson-600.jpg" /></p> One of the joys of audio shows is the unexpected encounter. I wandered into the Positive Feedback Online hospitality room toward the end of the first day, drawn by the rumor that they had some high-end coffee on offer to ear-weary showgoers. And there, sipping on some truly first-rate, hand-roasted java, I bumped into Swedish recording engineer Jan-Eric Persson. Persson, a Blumlein-miking purist, has been responsible for some of the most gloriously natural sounding recordings on his Opus 3 label, first on LP, then on SACD. PFO had a system set-up in their room, courtesy of Jonathan Tinn of Blue Light Audio, comprising <a href="http://www.stereophile.com/content/evolutions-micro-one">Evolution MMMicro One speakers</a> ($4000/pair) and a Playback Electronics IPS-3 D/A amplifier ($13,000). I took a listen to some of Jan-Eric Persson's recordings, transferred to double-DSD from analog tape and was, in a word, gobsmacked by the sheer beauty of what I was hearing.
[Source: http://www.stereophile.com/content/opus-3s-jan-eric-persson]
[Source: http://www.stereophile.com/content/opus-3s-jan-eric-persson]