Stereophile
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- Apr 19, 2013
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<p><img class="story_image" src="http://www.stereophile.com/images/1113listen.promo_.jpg" /></p>
Whenever I'm moved by an artist whose work I've never before heard or seen, my first impulse is to wonder: What <i>else</i> has this person done while I slumbered in ignorance?
<p>
The same applies to those audio designers whose craft has approached the level of art. The products of Ken Shindo, <a href="http://www.stereophile.com/interviews/tim_de_paravicini/index.html">Tim de Paravicini</a>, Jean Constant Verdier, J.C. Morrison, Junji Kimura, <a href="http://www.stereophile.com/content/listening-109">Don Garber</a>, <a href="http://www.stereophile.com/artdudleylistening/404listening/index.html">Denis Morecroft</a>, and a handful of others have all elicited that response
[Source: http://www.stereophile.com/content/listening-131]
Whenever I'm moved by an artist whose work I've never before heard or seen, my first impulse is to wonder: What <i>else</i> has this person done while I slumbered in ignorance?
<p>
The same applies to those audio designers whose craft has approached the level of art. The products of Ken Shindo, <a href="http://www.stereophile.com/interviews/tim_de_paravicini/index.html">Tim de Paravicini</a>, Jean Constant Verdier, J.C. Morrison, Junji Kimura, <a href="http://www.stereophile.com/content/listening-109">Don Garber</a>, <a href="http://www.stereophile.com/artdudleylistening/404listening/index.html">Denis Morecroft</a>, and a handful of others have all elicited that response
[Source: http://www.stereophile.com/content/listening-131]