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I can't speak for all audiophiles that run through a lot of gear, but in my case, a lot of gear has indeed spent short stints in my system. Just wanted to make one quick point about this because I think it's misunderstood. I don't buy gear to keep, I buy gear to audition. After the audition I decide if I should keep the piece. Sometimes I marry a piece after the audition period, but just like most audiophiles don't marry most gear they audition in a B&M store, I don't marry most gear I audition in my home. I just prefer long in home auditions to high pressure short auditions in B&M stores. So I buy gear, try it for a few weeks in my home. Sometimes I know in the first week it's not a keeper and it goes right back on the market. Other times the audition will last 8, 12, or 16 weeks. Sometimes it takes that long to really get to know a component. At least it does for me (contrary to the 10 second rule).
Just like many of you, my wife was bewildered by my gear rotation. UNTIL I explained the previous paragraph to her. Now it's clear, I'm auditioning a piece. Now she get's it and we are both happier for it. It's not like buying a TV. For me auditioning gear is a major part of this hobby and a LOT of fun.
Currenlty auditioning a Devialet 200 (in my home).

Just like many of you, my wife was bewildered by my gear rotation. UNTIL I explained the previous paragraph to her. Now it's clear, I'm auditioning a piece. Now she get's it and we are both happier for it. It's not like buying a TV. For me auditioning gear is a major part of this hobby and a LOT of fun.
Currenlty auditioning a Devialet 200 (in my home).
