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  1. #51
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    Re: Sonus Faber Stradivari ....

    Thanks Allen.

    I am not sure I can define a list (short or long about what I want). I do wholeheartedly agree with you Allen about "vocals". Get that right and I almost don't care about the rest. Despite having had tons of gear, both high end and somewhat lower end, it's really not the gear that I listen to at night. Sure I enjoy the hunt but when the room is dark, I can't see what I am listening to. Take the Job for example, I've given up a lot of gear and prefer the Job because there is something in it that gives me "more" of what I like. Is it the last word in a grain-less presentation? No, but I actually prefer it to some of the recent amps I just sold.



    Quote Originally Posted by socfan12 View Post
    Great post, Kev! My short list is very similar to yours. Just add amazing vocals, you know, round and palpable, the type that you can almost feel their breath on you, and that's my list!


    I don't think Joe is searching or looking to define that shortlist for himself per se. Joe has a broad appreciation for all good things audio. His tastes run from SF to TADs, from Job to Dartz to CJ. I think he's just having fun exploring all that good stuff, and I'm enjoying and learning vicariously myself!

    Keep up the good work, Joe! Never would have learned about the Job if it weren't for you my friend!
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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  2. #52

    Re: Sonus Faber Stradivari ....

    For me, the 'list' has been: 1) midrange magic/purity of tonality, propulsive & deep bass. 2) clarity and detail/decay. 3) Midrange scale...something I found mainly comes thru great floorstanders (generally still enhanced with subs) More recently as I have made some good headway in 1, 2 & 3, I have learned further ways to deliver these better than I had imagined...lowering noise floor, integrity of signal, isolation...all leading to extremely clarity without etching but rather thru removal of grunge..all of this has led to a purity of signal I had not fully appreciated before. Howver, having discovered these...along the way, now what I am after is all-out scale and effortlessness. I have heard Genesis 1.1 and the Rockport Arrakis...and they have opened my eyes to what a 4-man rock band (Nirvana Unplugged) can sound like in a room 17x35.
    Speaker: Wilson Audio XLF + Velodyne DD18+
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  3. #53

    Re: Sonus Faber Stradivari ....

    At the risk of hijacking Joe's thread, great list, Lloyd. I think a number of SOTA or near SOTA speakers can give you some measure of 1-3. But outside of the MBLs, I have yet to hear many speakers provide #4: all out scale and effortlessness. This is where I know I'm listening to a reproduction. Of course, I haven't heard everything, but I think this is one of high end's most difficult technical challenge.


    Allen



  4. #54
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    Re: Sonus Faber Stradivari ....

    Hijack away!

    No problem.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

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  5. #55
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    Re: Sonus Faber Stradivari ....

    Can anyone comment on how they think the Vitus SIA-025 would match up with the Strads?
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

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  6. #56
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    Re: Sonus Faber Stradivari ....

    Joe,
    I heard them a while back at Audio Salon with MC2301 and Nordost Valhalla and I can't rememeber if the Odin was in place, the sound was inviting, warming, seductive a 180 from the Tad's. Again at least has to be wire with Valhalla, maybe Valhalla 2 to get the best out of them. Why not the beautiful Futura's, I get all that.
    Angel

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  7. #57
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    Re: Sonus Faber Stradivari ....

    Hi Angel,

    Thank you for your thoughts. I think the Futura may be a more difficult to place in my room. The two times I heard the Strads, I absolutely loved them. I need to hear the Futura to compare. I have not heard them yet.

    Quote Originally Posted by iamhifi View Post
    Joe,
    I heard them a while back at Audio Salon with MC2301 and Nordost Valhalla and I can't rememeber if the Odin was in place, the sound was inviting, warming, seductive a 180 from the Tad's. Again at least has to be wire with Valhalla, maybe Valhalla 2 to get the best out of them. Why not the beautiful Futura's, I get all that.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  8. #58
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    Re: Sonus Faber Stradivari ....

    go with your dream
    Angel

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  9. #59
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by iamhifi View Post
    go with your dream
    We'll see what the future holds.
    Last edited by joeinid; November 26, 2013 at 02:41 PM.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  10. #60
    I've never really warmed up to the futuras after listening to them on 3 or 4 occasions. Strads OTOH, i have adored. If i had a larger room, they are still my top pick for many of the reasons outlined by Joe and Mike. ARC and Pass are excellent matches. I imagine the CJ would be as well.

  11. #61
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by tunes View Post
    I've never really warmed up to the futuras after listening to them on 3 or 4 occasions. Strads OTOH, i have adored. If i had a larger room, they are still my top pick for many of the reasons outlined by Joe and Mike. ARC and Pass are excellent matches. I imagine the CJ would be as well.
    +1
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  12. #62
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by tunes View Post
    I've never really warmed up to the futuras after listening to them on 3 or 4 occasions. Strads OTOH, i have adored. If i had a larger room, they are still my top pick for many of the reasons outlined by Joe and Mike. ARC and Pass are excellent matches. I imagine the CJ would be as well.
    Thank you. I think any amp that I have now will be wonderful. The Strads are easy to drive.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

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  13. #63

    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by joeinid View Post
    Hi Angel,

    Thank you for your thoughts. I think the Futura may be a more difficult to place in my room. The two times I heard the Strads, I absolutely loved them. I need to hear the Futura to compare. I have not heard them yet.
    Both good speakers...Futura could almost be described as the SF that TAD designed. Much straight up linear. SF Strad bears the softer nuances and flow that Franco Serblin breathed into each of his creations. Maybe its linear but probably not...but then again for those who love it...do they really care? And by the way, with a very very high current, organic amplifier, you will provide this with the energy to drive the bass with power, control and always the organic tune that again was part of every Serblin design.
    Speaker: Wilson Audio XLF + Velodyne DD18+
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  14. #64
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    Re: Sonus Faber Stradivari ....

    Joe, you know I've heard them all, other than (one pair of) Mike's former speakers, and the Strad remains my favorite SF speaker. They'll need to go downstairs though, and I would recommend a SS amp if you're going to build a system around them. If not, your CJ should be just fine.

  15. #65
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by iamhifi View Post
    go with your dream
    Not only go with your dream but live it too in the now, and every single day.
    ~ Bob ~
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  16. #66
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by LL21 View Post
    Both good speakers...Futura could almost be described as the SF that TAD designed. Much straight up linear. SF Strad bears the softer nuances and flow that Franco Serblin breathed into each of his creations. Maybe its linear but probably not...but then again for those who love it...do they really care? And by the way, with a very very high current, organic amplifier, you will provide this with the energy to drive the bass with power, control and always the organic tune that again was part of every Serblin design.
    Thanks Lloyd.

    Quote Originally Posted by VT Skier View Post
    Joe, you know I've heard them all, other than (one pair of) Mike's former speakers, and the Strad remains my favorite SF speaker. They'll need to go downstairs though, and I would recommend a SS amp if you're going to build a system around them. If not, your CJ should be just fine.
    I appreciate your input Jon. I have time (and a little more experience) to make up my mind this time. More searching and listening is in order. The Strads are more emotional for me, but that is not the say the S3/S5 can't be. I need to hear them again. Mike was moved by the Alexia. I like them too, but need to focus on what I want to hear long term. Believe it or not, the next (major) speaker purchase should be keepers.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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  17. #67
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    Re: Sonus Faber Stradivari ....

    My opinion is that the Strads need a wide room. My 15 feet was barely enough and in the opinion of many, not quite enough. 20 feet would be ideal.
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  18. #68
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by joeinid View Post
    Believe it or not, the next (major) speaker purchase should be keepers.
    I Believe you Joe. Good luck 2 you In your research.
    Paul

  19. #69
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by Mike View Post
    My opinion is that the Strads need a wide room. My 15 feet was barely enough and in the opinion of many, not quite enough. 20 feet would be ideal.
    In my room, I have a 20-22' wall that they would go in front of but the part of the room they would fire into is 15' wide. Think of an L-shaped room.
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  20. #70
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by BlueMcIntosh View Post
    I Believe you Joe. Good luck 2 you In your research.
    Ha!

    I get it. Very smart Paul.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    NAD C 658 streamer.

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    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  21. #71

    Re: Sonus Faber Stradivari ....

    Raised...

    M
    ayBe Joe you need 2 find a pair of Strads to live with for awhile to see if they are indeed the 1!

  22. #72
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    Re: Sonus Faber Stradivari ....

    Ha!

    You guys are too much. Hmmm. All good choices.
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    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

  23. #73

    Re: Sonus Faber Stradivari ....

    Joe,
    I have the same situation with the Futuras
    I really love them but they need at least 4" of back wall and I don't have it ,
    They sound for me like a dream, maybe is my taste ? and don't want to start with the delicacy of the curves and quality of craftsmanship.

    Hope you can make your dreams come true, Joe.

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  24. #74
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    Re: Sonus Faber Stradivari ....

    My first choice/love are the Strads. Where there is a will there is a way. Thanks! I just want to be sure.
    Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.

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    NAD C 658 streamer.

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    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  25. #75
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    Re: Sonus Faber Stradivari ....

    Joe I know that you think placement is an issue with Futura’s, I find they work fine anywhere if you can have them away from the back wall about a meter, where I have them now is way open in front and man they still perform well. Keep in mind the Tweeter and the Mid is the same as the Stradivari, maybe someone with knowledge can shine on this. I also find the bass to be deeper than the Stradivari and have the same mid and highs and as polite and very real. Have a listen.
    Angel

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  26. #76
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    Re: Sonus Faber Stradivari ....

    I plan on hearing as much as I can before purchase.
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    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

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  27. #77
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    Re: Sonus Faber Stradivari ....

    Wise plan.
    ~ Bob ~
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  28. #78
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    Re: Sonus Faber Stradivari ....

    Quote Originally Posted by NorthStar View Post
    Wise plan.
    Let's see how long I can hold out

    Last edited by joeinid; November 27, 2013 at 03:16 AM.
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    Job INTegrated. Luxman L-595aSE

    NAD C 658 streamer.

    First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)

    Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.

    Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.

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