Sonus faber Il Cremonese

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Sonus faber Il Cremonese: a loudspeaker paying homage to both history and innovation.
At the end of a busy year full of new products and exciting news, Sonus faber proudly introduces Il Cremonese, the latest creation from the fabled Italian manufacturer: a no-compromise, high end loudspeaker to join the most iconic family in the Sonus faber catalogue, the Homage Collection.

As the newest member of the Homage Collection, Il Cremonese shares many features of both form and function. A three-and-a-half way, floorstanding loudspeaker, Il Cremonese is the result of evolutionary product design, and the adaptation of technologies from the Lilium and other Sonus faber speaker projects. The name Il Cremonese is an homage to Antonio Stradivari, and one of his most famous violins, celebrating its 300th anniversary in 2015.

First named after the original owner, and known since the 18th century as Joachim, Stradivari’s violin was renamed “Il Cremonese” in 1961 when it was selected as the first Stradivari to return to the city of Cremona as part of the permanent collection in the Museo del Violino. This is one of the most important instruments in the history of Italian violin making, thanks to its innovative design and proportions, the quality and the depth of sound, and the beautiful materials and finishes used to create it.

Technological innovation.

Many Sonus faber patents and technologies, originally initiated with “the Sonus faber” and later models, are implemented in Il Cremonese:

Stealth Reflex System – allowing for a reduction in the dimensions of the internal acoustic volume while providing distortion control, it utilizes two orthogonal ports: one on the back for the midwoofer, and the other on the base, facing the floor, for the woofers and infra woofers;

Z.V.T. (Zero Vibration Transmission) system – used for decoupling the speaker’s cabinet from the floor and the rest of the listening environment, this is implemented in a revolutionary way inside the floor spikes. This new system continues to use new, modern elastomers, and guarantees a further simplification in the construction and aesthetic lightness;

Upper and lower “Dampshelves” – two massive slabs of black brushed Avional, operating as mechanical energy dampers generated by Il Cremonese’s powerful drivers; “Staggered Low Frequencies Emission Technology” system – used for the first time since “the Sonus faber” project, it optimizes the performance of the integrated infrawoofers.

The driver cones are a continuing expression of Sonus faber’s ingenuity. Designed entirely in-house, these drivers serve sound reproduction at the highest level: the tweeter is the Sonus faber Arrow Point DAD (Damped Apex Dome), the midrange is a Sonus faber M18 XTR-04, the woofers are the Sonus faber W18XTR-12 (a scaled-down version of the Lilium woofers), and the W22XTR-16 infrawoofers are a new project from the Arcugnano factory.

The crossover network utilizes the innovative “Paracross topology” for superior results.

Concept.

Il Cremonese is characterized by an innovative cabinet with five sides, a “Rhomboidal diamond design” which optimizes the structural solidity of the wooden cabinets with a unique diamond shape that is immediately recognizable.

Inspired by the shape of Lilium, Il Cremonese introduces clean lines and an elegant, minimal, and sharp design. This new and atypical Sonus faber form represents an evolution towards technological and visual innovation, simultaneously maintaining the historic milestones that marked the history of violin making, as well as the history of the Sonus faber brand itself.

Il Cremonese pays homage to Antonio Stradivari, a luthier and artist who revolutionized traditional violin craftsmanship, and continued the work of Andrea Amati to create new concepts of form and finishing that are still appreciated and cherished today the world over.

Design.

As in Lilium, Il Cremonese combines contrasting design elements within a reduced cabinet volume: excellent capability for low frequency reproduction as well as the entire audio spectrum and the expression of power and absolute silence and resolution thanks to its floor decoupling system.

The aesthetic design of Il Cremonese was created to achieve the objective of natural sound reproduction while simultaneously communicating new visual elements.

Materials.

Lacquered walnut wood, tempered glass, leather and brushed black aluminum - the same materials of Aida and Lilium, and also the new Homage Collection.

Il Cremonese is available in the classical Sonus faber finishes of RED and WALNUT.

FREQUENCY RESPONSE 25 Hz – 35.000 Hz, Stealth reflex included.SENSITIVITY 92 db SPL (2.83V/1 m).
NOMINAL IMPEDANCE 4 ohm.
SUGGESTED AMPLIFIER POWER OUTPUT 100W – 800W, without clipping.
LONG-TERM MAX INPUT VOLTAGE (IEC 268-5) 30 V rms
DIMENSIONS (HxWxD)
1449.6mm x 398.23mm x 621.8mm 57.07’’ x 15.68’’ x 24.5’’
WEIGHT
84 Kg / 184.8 lbs each – net weight.


Retail price and availability.

Il Cremonese will be available to non-US Sonus faber dealers and distributors in November 2015, and to US and Canadian dealers in early 2016.

The suggested retail price is € 31.250,00 pair (VAT not included).

Official launch.

Il Cremonese’s world premier will be in Paris on October 17th and 18th during the Festival SON & IMAGE 2015.
http://www.sonusfaber.com/en-us/products/il-cremonese
 

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At Festival Son & Image 2015 with ARC and Viard cables.

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Thx for the picture. Looks like the new Ref 6 with the Ref 250 SEs driving the Il Cremonese.
 
They look gorgeous and did sound good. HUGE too.

Heard them for a brief moment at the Warsaw show this weekend past.
 
My dealer is currently running these in. Looking forward to a demo. I've had a close look at them and heard good good feedback so far. Indications are that these will be better received than Lilium.
 
Does any one have a view on how the ARC GS gear sounds?


Sent from my iPad using Tapatalk
 
They sounded great at Axpona with ARC gear and they were brand new and not broken in at all. Jonathan Valin rated this room as one of the best of show.
 
My dealer is currently running these in. Looking forward to a demo. I've had a close look at them and heard good good feedback so far. Indications are that these will be better received than Lilium.

I imagine the Lillium's high price hasn't helped. The speaker and it's price may have been to close to the Aida I suppose. It would be interesting to read feedback of impressions of the Il Cremonese vs the Amati Futura as the Futura is well established and has been around for quite a while now.

I really wish I had a Sonus Faber dealer. I just love the looks of the Aida, Lillium and Il Cremonese and it would be great to see and hear them in person.
 
Rod - I heard the Il Cremonese at Axpona. The Lillium is good too, but I really liked the Il Cremonese better. Seems like a more realistic size for most rooms too. I would like to learn more about it's side firing woofers.
 
How big is it compared to the Futura? I know the dimensions of it and based on that it is larger but knowing and seeing to a known speaker are 2 different things. I've never seen a pic of the 2 side by side. The Lillium is clearly quite a big, well at least tall speaker but from the pics I've been seeing it's been harder to get a perspective of size of the Il Cremonese.

To bad Sonus Faber wouldn't introduce a 2nd large center, larger than the Homage Vox, one meant more for usage and mating in a Il Cremonse, Lillium or Aida system, sort of like Wilson does. The Wilson Mezzo is quite a big centre as is the Vox but the Polaris is a clear step up meant more for larger speakers like the Maxx, now, Alexx or Alexandria system than a Alexia, Sasha, Sophia or Sabrina. I guess the balance is size vs sales. B&W used to make a very large center the HTM1-D but was discontinued apparently due to very poor sales but Wilson has managed to pull it off for some time.
 
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