Results 1 to 50 of 86
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April 19, 2013, 04:32 AM #1
SF Amati Futura .... So beautiful ....
Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 04:35 AM #2Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 04:38 AM #3Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 07:05 AM #4
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April 19, 2013, 08:25 AM #5
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From Ultra Audio's Jeff Fritz comparing a $15,000 speaker to a $36,000 speaker:
"In April of this year I reviewed the Sonus Faber Amati Futura loudspeaker ($36,000/pair), which costs well more than twice the price of the Dynaudio Confidence C2 Signature. I compare them here because, of all the speakers that have visited the Music Vault this year, these most closely resemble each other in terms of sound. The Sonus Faber is more luxuriously built and more seductively styled. It’s also a four-driver, three-way design. The Amati Futura sounds slightly bigger than the C2 Signature, with bass that goes just a smidge deeper. The soundstage thrown by the Sonus Fabers is a bit more wall-meltingly expansive, which conveys slightly more of the original acoustic environment captured in live recordings. That extra $21,000 definitely buys you more.
However -- and this is a big however -- the Confidence C2 Signature more than held its own in a number of areas. First, the C2 Sig was just as neutral and clear in the midrange as the Sonus Fabers. If you listen to tons of vocal music, I don’t know that you’ll hear that much of a difference between the two models. The Dynaudio could reproduce the textures in male voices just as well as the Amatis. In terms of midbass punch, there was no doubt that the Danish speaker was easily a match for the Italian. In fact, this is one area where the C2 Sig, with some music, pulled ahead of the Amati. The Dynaudio’s propulsive midbass fit Bon Jovi and Rage Against the Machine better than what I remember from my evaluation of the Sonus Faber.
But the Confidence C2 Signature really shone in the highs. I can say with, um, confidence that the C2 Sig seemed to have more energy in the highs than the Amati Futura, but not at the cost of harshness, grain, or long-term listening fatigue. Whereas the Sonus Faber leans toward the softer side of the ledger, the Dynaudio was more neutral up top, which gave it a more exciting sound, especially with rock.
This comparison makes the Confidence C2 Signature seem somewhat of a bargain in comparison with the Sonus Faber Amati Futura. It is."
I believe Jeff also liked the Raidho C2.1 more than the Futura.
This is not meant to imply that the Futura is not a good speaker, because it is. It may be the most beautiful speaker I've ever seen. And its bottom end crushes the C2's. But I didn't find its treble performance to be commensurate with its price or its performance in the mid-range or the lower octaves.Last edited by VT Skier; April 19, 2013 at 08:36 AM.
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April 19, 2013, 09:15 AM #6
Thanks Jon for posting that. I do remember when I owned the C1 signature Dynaudios that I was a little disappointed in their low level listening characteristics. It took a little juice to get to a certain volume but once there, they sounded great. I suspect that the C2 would be similar in that way.
Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 09:40 AM #7
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April 19, 2013, 10:03 AM #8Mark
Kharma DB9 Signature
Pass Labs XP32......incoming
Pass Labs X350.8
Esoteric N-05XD
VPI Avenger with Magnetic Drive
Manley Chinook Phono Pre
Ortofon Cadenza Black cartridge
Kharma Elegance speaker cables
Kharma Elegance interconnects
REL Subs
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April 19, 2013, 10:37 AM #9
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April 19, 2013, 10:43 AM #10Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 10:59 AM #11
Beautiful speakers for sure but what I find interesting is that both set-ups use ARC gear. I'm sure there may be a few of reasons for this but I think that speaks volumes for ARC.
Doug
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April 19, 2013, 11:06 AM #12
Joe...looking at your set up you are already on the top level. Why not SF Aida's?
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April 19, 2013, 11:32 AM #13Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 11:34 AM #14Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 12:18 PM #15Mark
Kharma DB9 Signature
Pass Labs XP32......incoming
Pass Labs X350.8
Esoteric N-05XD
VPI Avenger with Magnetic Drive
Manley Chinook Phono Pre
Ortofon Cadenza Black cartridge
Kharma Elegance speaker cables
Kharma Elegance interconnects
REL Subs
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April 19, 2013, 12:25 PM #16Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 01:00 PM #17
Joe
They are indeed beautiful as are all Sonus Faber speakers.
I looked into my crystal ball and saw a pair of the Futura's in your futureBob
Heroes don't wear capes, they wear dogtags.
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April 19, 2013, 01:08 PM #18Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 02:33 PM #19
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April 19, 2013, 02:39 PM #20
I think that dealer may use Dagostino. Hmmmmm.
Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 02:46 PM #21
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April 19, 2013, 03:02 PM #22Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 19, 2013, 03:19 PM #23
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April 19, 2013, 03:34 PM #24Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 22, 2013, 10:11 PM #25
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April 23, 2013, 07:02 AM #26
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I listened to the Futuras with ARC in one demo and with Boulder in another demo. I wanted to like that speaker because it's so beautiful, but I agreed with Jeff's conclusions. I've heard the C2 with Simaudio and with Boulder.
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April 23, 2013, 11:11 AM #27
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What ARC gear, and cables were used, were the speakers broken in. The Futuras are great speakers but if are not set up correctly you might up come up with your conclusion.
Angel
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April 23, 2013, 11:27 AM #28
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You may disagree with my opinion, and that's fine. I am simply making the point that I, and a reviewer many people respect, reached the same conclusion about the Futura.
I believe Stereophile's test of the Futura also showed a rolled-off tweeter, but I could be wrong.
If you own them and love them, good for you. They're beautiful speakers from a well-respected company.
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April 23, 2013, 01:37 PM #29Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 23, 2013, 01:45 PM #30
Don't understand what is all this about !!
The SF Futuras are one the best speakers on the Market, and trying to say something different
is inappropriate. I tried them with ARC REF10/ Ref150 / RefPH2SE and was mind blowing.
Just my 2cCaribbean Distributor of
ARC / Sonus Faber / Wadia / Wilson / VAC / Soulution / Nordost / Shunyata / Stillpoints
Kuzma / Focal / Resonessence Labs / ARIA / KRELL / Pro-Ject...
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April 23, 2013, 02:06 PM #31
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April 23, 2013, 02:44 PM #32
Which music was playing at the time of the listening session? ...Serial number of the medium(s).
~ Bob ~
"And it Stoned me to my Soul" • Van Morrison
Click ♪ Audiophile Audition
Snoopy as the Red Baron attack
Avatar = The Alan Parsons Project - Eye in the Sky (1982 - orbiting)
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April 23, 2013, 03:22 PM #33
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On further reflection, I believe it was the phase of the moon that kept me, Jeff Fritz and John Atkinson from properly concluding that the SF Futura is one of the best speakers available today, whether measured objectively or considered subjectively.
Or perhaps it was our biorhythms.
Maybe sunspots
Whatever caused the error, we were all clearly wrong.
And for anyone who owns any speaker other than the Futura, I am quite sure that you also own one of the best speakers in the world today. No need to argue against me or anyone else who may have concluded otherwise.Last edited by VT Skier; April 23, 2013 at 03:25 PM.
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April 23, 2013, 04:35 PM #34Jim
D'Agostino Momentum M-400's MxV’s & HD Pre-amp
Wilson Alexandria X2 Series 2 speakers
Digital: dCS Vivaldi APEX DAC, Clock & Upsampler
Analog: SME 20/3 with Esoteric E-03 Phono
Transparent Opus Speaker Cable & Interconnects & Opus Power Cords
Power Cords on Digital: Shunyata
Power Conditioner - Shunyata Everest
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April 23, 2013, 05:11 PM #35
Not in anyway bashing Mc product(I've owned and loved for a while), but when I had the Futura paired up with MC601's, C50, and C500T it was good but was never thought it worth the $36,000 price. Now I have it paired up with the Bryston 28's, it really took the Futura to a whole new level.. My point is equipments has a lot to do with what type of sound you get out of any speakers in any price range, and would be best to play around with different gear & cables to find what would work best for you..
Just my opinion..Dewey,
"If everybody is thinking alike, then somebody isn't thinking." - George S. Patton
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April 23, 2013, 06:18 PM #36
Thats it, I'm selling the Strads now if they're not good enough....
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April 23, 2013, 06:36 PM #37
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April 23, 2013, 07:14 PM #38
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April 23, 2013, 07:44 PM #39
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This is exactly why I wanted to know what specific gear was used, cables, room, etc. The room and placement is super important for the Futura and true to any other speakers, and setting speakers next to each other for comparison is a no. I assume that you have great gear, but the miss is always cables as many consider is not important or not matched. I read the Stereophile review and nowhere said the tweeter is roll off, a little mellow yes, also look at the reviewer's equipment. Anyway a review is a guide that gives you interest in the product, the reviewer taste might or might not be the same as yours. Don’t sell your Futura is an awesome speaker.
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April 23, 2013, 08:30 PM #40
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April 23, 2013, 09:41 PM #41Mark
Kharma DB9 Signature
Pass Labs XP32......incoming
Pass Labs X350.8
Esoteric N-05XD
VPI Avenger with Magnetic Drive
Manley Chinook Phono Pre
Ortofon Cadenza Black cartridge
Kharma Elegance speaker cables
Kharma Elegance interconnects
REL Subs
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April 23, 2013, 10:39 PM #42
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April 23, 2013, 10:42 PM #43Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 23, 2013, 10:54 PM #44
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April 23, 2013, 11:26 PM #45Fleetwood Deville by Oswald Mills Audio, Vienna Acoustics Haydn Jubilee, Wharfedale Linton w/ stands, Klipsch RB-75, Klipsch RP-160M.
Job INTegrated. Luxman L-595aSE
NAD C 658 streamer.
First Watt SIT-3, Job 250 Monos, NuForce STA200, AkitikA GT-102 amp, ASL Wave monos, Dennis Had 45 monos. Absolute Audio Labs PCF 25 amp (improved First Watt F7 super clone)
Topping D90, RME Audio ADI-2 DAC FS, ModWright Ultimate Sony XA-5400ES.
Burmester 948, McIntosh MCLK12, Kimber Kable, Siltech, Cardas, Avanti Audio cables.
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April 24, 2013, 02:54 AM #46
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April 24, 2013, 02:05 PM #47
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April 24, 2013, 02:22 PM #48
Ok...This is the one.
Sonus Faber Amati Homage anniversario loudspeaker | Stereophile.com
Sonus Faber Amati Homage anniversario loudspeaker ( This is one of last speakers on border OLD and NEW generation seats )
Paul
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April 24, 2013, 02:56 PM #49
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April 24, 2013, 03:17 PM #50
AudioShark - The Best High End Audio Discussion forum.
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Audioshark is a community of like minded individuals. Audioshark welcomes participation from all manufacturers and owners of all brands and products. It is our belief that online forums provide a community of like minded audiophiles and music lovers to encourage the growth of this wonderful hobby.
Sincerely,
The Audioshark.org Team
AudioShark forum is a leading forum site for High End Audio Discussion, Stereo System Discussion, Home Theater System Discussion, Best Home Stereo System Discussion, Home Theater Installation Discussion etc.
The AudioShark forum was created for sharing the passion of high-end Audio. We have Audiophiles from all over the world participating and sharing their knowledge. From novice to experts, you will find a friendly environment for discussing about High End Audio, Stereo System, Home Theater System, Home Stereo System, Home Theater Installation, Amplifiers, Speakers, Subwoofers, Integrated System, Acoustic treatments & Digital Room Corrections and many more.
At AudioShark, we also have incorporated an exciting Marketplace where members can peruse terrific buys on used gear, as well as meet dealers and discuss the purchase of new gear.
We are as crazy about this hobby as you are! So come on in and join us! Audioshark.org the Friendliest Audio Forum!
Industry Participation Disclosure : The owner and administrator of Audioshark is the owner of Suncoast Audio LLC in Sarasota Florida. Suncoast Audio has a full brick and mortar presence in Sarasota with several great show rooms with many world class brands. More information can be found at http://www.suncoastaudio.com
Audioshark is a community of like minded individuals. Audioshark welcomes participation from all manufacturers and owners of all brands and products. It is our belief that online forums provide a community of like minded audiophiles and music lovers to encourage the growth of this wonderful hobby.
Sincerely,
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Well, I want to share an experience about possible break-in... I have my k03-xd for about 1 year now and recently got into playing a lot of CDs (incl. SACD) which I might have done about 50 times...
My experience with the K-03XD