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  1. #251
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    Re: Why no turntable?

    Once the table is set up, what are you fiddling with? You’re done. Just clean and play the record.

    You certainly spend more time “fiddling” with your digital with all the efforts around switches, Ethernet cables, filters, optimizing the digital transport and more.


    Sent from my iPhone using Tapatalk
    My Systems: http://www.audioshark.org/showthread...481#post158481

    "We can hear everything we measure, but we can't measure everything we hear. Let your ears be your guide."

    Dealer for: Aqua Hi-Fi, Aurender, AudioQuest Cables & Power Products, Berkeley Audio, Block Audio (distributor), Boulder Amplifiers, Bowers & Wilkins (B&W), Bryston, Clarisys Audio Loudspeakers (distributor), Classe’ Audio, Degritter Record Cleaning Machines, Esoteric, Finite Elemente, FirstWatt, Focal Loudspeakers and Headphones, GigaFoil, Harbeth Loudspeakers, Hegel, HiFi Man, Innuos, ISO Acoustics, Keces Power Supplies, Kharma Loudspeakers and Electronics, Kuzma Turntables, Lumin, Luxman, Magico Loudspeakers, MBL Speakers & Electronics, MSB Technologies, MySonicLabs Phono Cartridges, Nordost Cables, Ortofon, Pass Labs, Quadraspire, Rega Turntables and Electronics, Shunyata Research, STAX, Stein Music Products, Stillpoints, Soulution, VAC, Vicoustics, Viva Audio, VPI Industries, WireWorld Cables.

    https://suncoastaudio.com/
    Phone: 941-932-0282
    Facebook: https://www.facebook.com/Suncoast-Au...1105178279194/

  2. #252
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    Re: Why no turntable?

    This is what I mean about personal preferences.

    Cleaning an album, cleaning your stylus, record weight/clamps, short listening times between the next "fiddling", changing speeds, carefully handling the album, storage, etc. is all part of fiddling. Doing fine tuning like Rex described and re-doing if it does not work out exactly right since there is no easy go back. In some ways it is fun, others not so much.

    Some find this stuff enjoyable, I don't.

    To me digital is pretty much setup and you are done. Play what you want. You could literally listen to the entire new Woodstock release without getting out of your chair if you are so inclined.

    It shows me there is no right or wrong. I can respect vinyl fans, probably even more now. I will enjoy both, but digital will remain my primary source. For now my new vinyl is making me feel nostalgic, and I am enjoying it.
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

    “One of the great challenges in life is knowing enough to think you're right but not enough to know you're wrong”
    "You can't use reason to convince anyone out of an argument that they didn't use reason to get into"
    ― Neil deGrasse Tyson

  3. #253
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    Re: Why no turntable?

    Brand new quality records aren't cheap today. But yesterday's records we have plenty of those, plus second hand music record stores are in effervescence (unraveling). Analog and digital rigs go hand-in-hand today in an audiophile life; one doesn't compete but completes the other in a unique magic way.
    Living with one without the other is like living in an incomplete audio world.

    ~ Bob ~
    "And it Stoned me to my Soul" Van Morrison
    ClickAudiophile Audition
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  4. #254
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    Re: Why no turntable?

    This evening I bought a few more albums. One was Pink Floyd The Wall - remastered from original analog tapes by Bernie and crew, pressed on 180g vinyl. I got to say, this is the best sounding that I have ever heard The Wall. Impressed the hell out of me!

    Talked with my buddy a bit about cleaning, etc. I decided to order a Record Doctor machine to give good first archival cleanings of each and every record. He thought that this was a very good choice if I was not going into crazy level machines. My wife actually encouraged me to buy a solid cleaner, but I could not bring myself to buying an expensive machine at this point. Especially when considering the level of the table ... She is so amazing I got to say.
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

    “One of the great challenges in life is knowing enough to think you're right but not enough to know you're wrong”
    "You can't use reason to convince anyone out of an argument that they didn't use reason to get into"
    ― Neil deGrasse Tyson

  5. #255
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    Re: Why no turntable?

    Quote Originally Posted by Randy Myers View Post
    This evening I bought a few more albums. One was Pink Floyd The Wall - remastered from original analog tapes by Bernie and crew, pressed on 180g vinyl. I got to say, this is the best sounding that I have ever heard The Wall. Impressed the hell out of me!

    Talked with my buddy a bit about cleaning, etc. I decided to order a Record Doctor machine to give good first archival cleanings of each and every record. He thought that this was a very good choice if I was not going into crazy level machines. My wife actually encouraged me to buy a solid cleaner, but I could not bring myself to buying an expensive machine at this point. Especially when considering the level of the table ... She is so amazing I got to say.
    The ladies love vinyl.


    Sent from my iPhone using Tapatalk
    My Systems: http://www.audioshark.org/showthread...481#post158481

    "We can hear everything we measure, but we can't measure everything we hear. Let your ears be your guide."

    Dealer for: Aqua Hi-Fi, Aurender, AudioQuest Cables & Power Products, Berkeley Audio, Block Audio (distributor), Boulder Amplifiers, Bowers & Wilkins (B&W), Bryston, Clarisys Audio Loudspeakers (distributor), Classe’ Audio, Degritter Record Cleaning Machines, Esoteric, Finite Elemente, FirstWatt, Focal Loudspeakers and Headphones, GigaFoil, Harbeth Loudspeakers, Hegel, HiFi Man, Innuos, ISO Acoustics, Keces Power Supplies, Kharma Loudspeakers and Electronics, Kuzma Turntables, Lumin, Luxman, Magico Loudspeakers, MBL Speakers & Electronics, MSB Technologies, MySonicLabs Phono Cartridges, Nordost Cables, Ortofon, Pass Labs, Quadraspire, Rega Turntables and Electronics, Shunyata Research, STAX, Stein Music Products, Stillpoints, Soulution, VAC, Vicoustics, Viva Audio, VPI Industries, WireWorld Cables.

    https://suncoastaudio.com/
    Phone: 941-932-0282
    Facebook: https://www.facebook.com/Suncoast-Au...1105178279194/

  6. #256
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    Re: Why no turntable?

    Hehe Mike, I only care about one lady and she really likes the look of the U-Turn .
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

    “One of the great challenges in life is knowing enough to think you're right but not enough to know you're wrong”
    "You can't use reason to convince anyone out of an argument that they didn't use reason to get into"
    ― Neil deGrasse Tyson

  7. #257
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    Why no turntable?

    Quote Originally Posted by Randy Myers View Post
    This evening I bought a few more albums. One was Pink Floyd The Wall - remastered from original analog tapes by Bernie and crew, pressed on 180g vinyl. I got to say, this is the best sounding that I have ever heard The Wall. Impressed the hell out of me!

    Talked with my buddy a bit about cleaning, etc. I decided to order a Record Doctor machine to give good first archival cleanings of each and every record. He thought that this was a very good choice if I was not going into crazy level machines. My wife actually encouraged me to buy a solid cleaner, but I could not bring myself to buying an expensive machine at this point. Especially when considering the level of the table ... She is so amazing I got to say.
    The Wall is now on my list.

    The way I’m seeing it there is a good amount of music out there to source on record, more than you can possibly playback on some type of regular basis - not in it for one time playback.

    After this weekend my Wife said she wants to get into music now seeing my new fascination with albums and offered us to go into the music room, of course all my thoughts leaned on the naughty side, but she’s being honest, but I don’t think she’ll understand the RCM just yet unlike Randy’s wife Why no turntable?


    Sent from my iPhone using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
    Source Digital: Aurender N10 | Brinkmann Nyquist MK II
    Amplification: Dan D’Agostino Momentum HD and M400’s | Boulder 508
    Speakers: Wilson Alexias
    Cabling: Nordost Leif, Norse, V2 and Odin
    Power and Isolation: Audio-Ultra Home & Room Power Foundation Performance Package with StromTank S1000 | HRS









  8. #258
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    Re: Why no turntable?

    Try to find a Japanese pressing of DSOTM. Incredible.

    https://www.discogs.com/sell/release...n=Mint+%28M%29

    My Systems: http://www.audioshark.org/showthread...481#post158481

    "We can hear everything we measure, but we can't measure everything we hear. Let your ears be your guide."

    Dealer for: Aqua Hi-Fi, Aurender, AudioQuest Cables & Power Products, Berkeley Audio, Block Audio (distributor), Boulder Amplifiers, Bowers & Wilkins (B&W), Bryston, Clarisys Audio Loudspeakers (distributor), Classe’ Audio, Degritter Record Cleaning Machines, Esoteric, Finite Elemente, FirstWatt, Focal Loudspeakers and Headphones, GigaFoil, Harbeth Loudspeakers, Hegel, HiFi Man, Innuos, ISO Acoustics, Keces Power Supplies, Kharma Loudspeakers and Electronics, Kuzma Turntables, Lumin, Luxman, Magico Loudspeakers, MBL Speakers & Electronics, MSB Technologies, MySonicLabs Phono Cartridges, Nordost Cables, Ortofon, Pass Labs, Quadraspire, Rega Turntables and Electronics, Shunyata Research, STAX, Stein Music Products, Stillpoints, Soulution, VAC, Vicoustics, Viva Audio, VPI Industries, WireWorld Cables.

    https://suncoastaudio.com/
    Phone: 941-932-0282
    Facebook: https://www.facebook.com/Suncoast-Au...1105178279194/

  9. #259
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    Re: Why no turntable?

    Another must have (not related to PF):


    https://store.acousticsounds.com/d/1...m_Vinyl_Record
    My Systems: http://www.audioshark.org/showthread...481#post158481

    "We can hear everything we measure, but we can't measure everything we hear. Let your ears be your guide."

    Dealer for: Aqua Hi-Fi, Aurender, AudioQuest Cables & Power Products, Berkeley Audio, Block Audio (distributor), Boulder Amplifiers, Bowers & Wilkins (B&W), Bryston, Clarisys Audio Loudspeakers (distributor), Classe’ Audio, Degritter Record Cleaning Machines, Esoteric, Finite Elemente, FirstWatt, Focal Loudspeakers and Headphones, GigaFoil, Harbeth Loudspeakers, Hegel, HiFi Man, Innuos, ISO Acoustics, Keces Power Supplies, Kharma Loudspeakers and Electronics, Kuzma Turntables, Lumin, Luxman, Magico Loudspeakers, MBL Speakers & Electronics, MSB Technologies, MySonicLabs Phono Cartridges, Nordost Cables, Ortofon, Pass Labs, Quadraspire, Rega Turntables and Electronics, Shunyata Research, STAX, Stein Music Products, Stillpoints, Soulution, VAC, Vicoustics, Viva Audio, VPI Industries, WireWorld Cables.

    https://suncoastaudio.com/
    Phone: 941-932-0282
    Facebook: https://www.facebook.com/Suncoast-Au...1105178279194/

  10. #260
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    Re: Why no turntable?

    I changed my VTA a few times yesterday. Finally got it to where I feel it sounds best. So far. Probably needs more adjusting. Also going to demo a Sensitive Sound cartridge.

    I keep fiddling Mike because I don't know where best is. When you play at a level we are all at,it's the little adjustmets that find the ahhhh. Or so I think. I'm impressed with what my vinyle has done in the past. I have never gotten it past what my digital can do, yet everyone says it should. So now I'm trying the little tweeks to find that last it. Yesterday it was doing darn good. I did not bother going back and forth between my baseline vinyl and digital files. I was just enjoying.

    My server also goes in for a software update in a couple weeks. I need my vinyl working well. Sonething has tontie me over.
    First Sound Mark3SI preamp. Audion Black Shadow 845 SET Monoblocks. Mojo Audio Deja Vu Server. Mojo Audio Mystic 3 DAC. Linear Solution Ethernet Switch. Gigafoil with LPS. STST Motus II TT with Vertere SG1 arm, Hana ML Cartridge, Allnic H1201 phono pre. Pure Audio Project Trio 15 Horn speakers with Mundord Supreme oil caps. Power via 10 awg Oyaide cable from panel to custom distribution strip feeding front end. Oyaide dedicated10 AWG branch circuits from panel to each amp. Inakustik speaker and interconnect cables, Genesis Interconnect.
    Kingrexelectric.com Lyncole certified grounding specialist.

  11. #261
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    Re: Why no turntable?

    What I am finding is that for the most part my digital is better (obviously they are at completely different levels), but I have found a couple of situations where I would say the vinyl (even on my cheepy table) sounds better. Two albums in particular are mind blowing. One my buddy gave me for all the work I have done for him, Fleetwood Mac, which is a remastered from original master tapes and pressed on 180g 45 RPM vinyl. The other is the Pink Floyd The Wall, remastered from original master tapes and and pressed on 180g vinyl. Both are startling and better then any other copy I have heard.

    I have a Clearaudio record clamp arriving today and a cleaning machine arriving tomorrow. Not a high level like other's here have (yes Ed, I am looking at you ), but should help doing a deep cleaning on the vinyl.

    I will probably add a Blue Stylus and I should be solid for a while. I may take my buddy up on his offer to borrow an external phono stage just to see the difference. He has three so he will definitely have one available. Any of my records that my new machine cannot get perfect he will give his "special treatment" on, which he says will 100% take care of any issues .
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

    “One of the great challenges in life is knowing enough to think you're right but not enough to know you're wrong”
    "You can't use reason to convince anyone out of an argument that they didn't use reason to get into"
    ― Neil deGrasse Tyson

  12. #262
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    Re: Why no turntable?

    Quote Originally Posted by Kingrex View Post
    I changed my VTA a few times yesterday. Finally got it to where I feel it sounds best. So far. Probably needs more adjusting. Also going to demo a Sensitive Sound cartridge.

    I keep fiddling Mike because I don't know where best is. When you play at a level we are all at,it's the little adjustmets that find the ahhhh. Or so I think. I'm impressed with what my vinyle has done in the past. I have never gotten it past what my digital can do, yet everyone says it should. So now I'm trying the little tweeks to find that last it. Yesterday it was doing darn good. I did not bother going back and forth between my baseline vinyl and digital files. I was just enjoying.

    My server also goes in for a software update in a couple weeks. I need my vinyl working well. Sonething has tontie me over.
    I’m glad your jumping over and putting additional effort into to the T/T - if you have it, then get the most out of it!

    Even for me this is hard to say, but get it to a point then stop!

    Listen and appreciate what you have!

    You can fiddle F’ until your blue in the face!


    Sent from my iPhone using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
    Source Digital: Aurender N10 | Brinkmann Nyquist MK II
    Amplification: Dan D’Agostino Momentum HD and M400’s | Boulder 508
    Speakers: Wilson Alexias
    Cabling: Nordost Leif, Norse, V2 and Odin
    Power and Isolation: Audio-Ultra Home & Room Power Foundation Performance Package with StromTank S1000 | HRS









  13. #263
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    Re: Why no turntable?

    Quote Originally Posted by Randy Myers View Post
    What I am finding is that for the most part my digital is better (obviously they are at completely different levels), but I have found a couple of situations where I would say the vinyl (even on my cheepy table) sounds better. Two albums in particular are mind blowing. One my buddy gave me for all the work I have done for him, Fleetwood Mac, which is a remastered from original master tapes and pressed on 180g 45 RPM vinyl. The other is the Pink Floyd The Wall, remastered from original master tapes and and pressed on 180g vinyl. Both are startling and better then any other copy I have heard.

    I have a Clearaudio record clamp arriving today and a cleaning machine arriving tomorrow. Not a high level like other's here have (yes Ed, I am looking at you ), but should help doing a deep cleaning on the vinyl.

    I will probably add a Blue Stylus and I should be solid for a while. I may take my buddy up on his offer to borrow an external phono stage just to see the difference. He has three so he will definitely have one available. Any of my records that my new machine cannot get perfect he will give his "special treatment" on, which he says will 100% take care of any issues .
    Honestly last night, I was going back and forth between the inputs DAC and Phono listening to songs from the Doors Soft Parade, and the Analog was more dynamic on a better sound stage than the downloaded version but digital was quieter - both are the new remasters from analog tape and IMO good. Streaming was not far behind the downloaded version.

    The records seem to be a key factor, and it’s an effort to know and find the right ones.



    Sent from my iPhone using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
    Source Digital: Aurender N10 | Brinkmann Nyquist MK II
    Amplification: Dan D’Agostino Momentum HD and M400’s | Boulder 508
    Speakers: Wilson Alexias
    Cabling: Nordost Leif, Norse, V2 and Odin
    Power and Isolation: Audio-Ultra Home & Room Power Foundation Performance Package with StromTank S1000 | HRS









  14. #264
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    Re: Why no turntable?

    I have been on and off with it. I had an RP6 before I had the server. Only for a few weeks. I just never got the TT dialed in. Well actually it was pretty darn good. Then my house cleaner ripped the stylus off the cartridge. I got a new Exact cartridge from Rega. It never sounded the same. During a cleaning session I noticed the cantilever would flex way to the right, but not move at all to the left. I was also told the diamond was worn out after 50 of so records. I though I was given a bad replacement. I sent it back to Rega but they told me to pound sand. I don't know I like Rega or not. I got a new motor last week and it was warbling some. The dealer actually had an engineer on the phone from Rega. Told me to let it run for a few days to heat up and move the fluids around. It seems to run fine now. That was nice they took the time to talk to a nobody.

    Its actually surprising me how good my vinyl sounds now. For a homemade plinth I'm impressed. But I think what I did is solid and similar to what Vertere builds. They use Acrylic so I did to match the arm. I bonded the acrylic to Corian for additional strength and dampening. So far it seems to work. Still thinking of a Direct Drive. Maybe an SP10 or the STST Motus.


    Quote Originally Posted by UltraFast69 View Post
    I’m glad your jumping over and putting additional effort into to the T/T - if you have it, then get the most out of it!

    Even for me this is hard to say, but get it to a point then stop!

    Listen and appreciate what you have!

    You can fiddle F’ until your blue in the face!


    Sent from my iPhone using Tapatalk Pro
    First Sound Mark3SI preamp. Audion Black Shadow 845 SET Monoblocks. Mojo Audio Deja Vu Server. Mojo Audio Mystic 3 DAC. Linear Solution Ethernet Switch. Gigafoil with LPS. STST Motus II TT with Vertere SG1 arm, Hana ML Cartridge, Allnic H1201 phono pre. Pure Audio Project Trio 15 Horn speakers with Mundord Supreme oil caps. Power via 10 awg Oyaide cable from panel to custom distribution strip feeding front end. Oyaide dedicated10 AWG branch circuits from panel to each amp. Inakustik speaker and interconnect cables, Genesis Interconnect.
    Kingrexelectric.com Lyncole certified grounding specialist.

  15. #265
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    Re: Why no turntable?

    I still have to acknowledge, my entire system transformed when I put the Add-Power Symphony and Electraclear on my power strip. It has stepped up all components in my system. It's just nicer to listen too all around.
    First Sound Mark3SI preamp. Audion Black Shadow 845 SET Monoblocks. Mojo Audio Deja Vu Server. Mojo Audio Mystic 3 DAC. Linear Solution Ethernet Switch. Gigafoil with LPS. STST Motus II TT with Vertere SG1 arm, Hana ML Cartridge, Allnic H1201 phono pre. Pure Audio Project Trio 15 Horn speakers with Mundord Supreme oil caps. Power via 10 awg Oyaide cable from panel to custom distribution strip feeding front end. Oyaide dedicated10 AWG branch circuits from panel to each amp. Inakustik speaker and interconnect cables, Genesis Interconnect.
    Kingrexelectric.com Lyncole certified grounding specialist.

  16. #266

    Why no turntable?

    Sold my AMG Viella on Saturday!


    Sent from my iPad using Tapatalk
    “Life’s too short to listen to bad audio.”

    Big rig: Brinkmann Taurus DD TT + 12.1 arm + Lyra Etna Lambda SL MC + HRS M3X2/ Cardas Clear Beyond phono/ Stillpoints LPI/ Brinkmann Edison mk2 phono + RöNT II Tube PS/ Synology NAS with Roon + HD Plex linear PSU + Shunyata HD/ AQ Vodka RJ45 + Aqvox Network Switch SE + AQ Diamond RJ45 into DAC/ Brinkmann Nyquist mk2/ Audionet Humboldt/ Cardas Clear Beyond ICs/ Kharma DB9-S 1.1 LS/ Inakustik Reference LS 4004 AIR/ Audioquest Niagara 5000/ Shunyata Alpha power (HC, Analogue, Digital)/ Finite Elemente Pagode Rack/ Stillpoints Ultra SS/ Vicoustic panels + Stillpoints Aperture II.

    Small rig: Naim UnitiServe/ Curious USB/ Tidal/ Linn Klimax DS3/ Shunyata Power cable/ Pass Labs INT-60/ Acoustic Zen Silver Reference II/ HiD Diamond 8/ Harbeth 30.2 40th Anniversary/ Shunyata Venom EU7 & Venom 3 HD.

    HP rig: MacBookAir/ Tidal/ Auralic Gemini 2000/ Sbooster LPSU/ Audeze LCD-2 Classic + WyWires Red/ Shunyata HD/ Shunyata Hydra 2/ Shunyata Venom.

  17. #267
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    Re: Why no turntable?

    Quote Originally Posted by Mike View Post
    The ladies love vinyl.


    Sent from my iPhone using Tapatalk
    All I can say is that my wife loves vinyl! We listen together frequently and she almost always insists on vinyl.
    Morgan

    NEW SYSTEM UNDER CONSTRUCTION

  18. #268
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    Re: Why no turntable?

    Quote Originally Posted by Kuoppis View Post
    Sold my AMG Viella on Saturday!


    Sent from my iPad using Tapatalk
    What? I thought you just got that?

    Plans?


    Sent from my iPhone using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
    Source Digital: Aurender N10 | Brinkmann Nyquist MK II
    Amplification: Dan D’Agostino Momentum HD and M400’s | Boulder 508
    Speakers: Wilson Alexias
    Cabling: Nordost Leif, Norse, V2 and Odin
    Power and Isolation: Audio-Ultra Home & Room Power Foundation Performance Package with StromTank S1000 | HRS









  19. #269
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    Re: Why no turntable?

    Quote Originally Posted by Kingrex View Post
    I still have to acknowledge, my entire system transformed when I put the Add-Power Symphony and Electraclear on my power strip. It has stepped up all components in my system. It's just nicer to listen too all around.
    To me Add-POWR adds to the foundation, and if the foundation is not strong with electrical, grounding and isolation then you are not getting the most out of your system, and for they guys that don’t get this, they start chasing speakers and components and that has to be expensive!


    Sent from my iPhone using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
    Source Digital: Aurender N10 | Brinkmann Nyquist MK II
    Amplification: Dan D’Agostino Momentum HD and M400’s | Boulder 508
    Speakers: Wilson Alexias
    Cabling: Nordost Leif, Norse, V2 and Odin
    Power and Isolation: Audio-Ultra Home & Room Power Foundation Performance Package with StromTank S1000 | HRS









  20. #270
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    Re: Why no turntable?

    Randy, upgrading to the Blue stylus will make a nice difference. Personally I do not like the Ortofon Red. I think it is way overhyped. It find it bright, grainy, noisy and irritating. It is dynamic and punchy. The Blue is a little smoother but similar.

    If you decide to upgrade to a better phono preamp, consider the Lounge Audio LCR III. It got an excellent write up in Stereophile. I had a friend loan me his LCR III Silver addition which was phenomenal. Detailed, very wide and deep sound stage. Very musical with good texture and punch. It performs well above its price point.
    My Gear- Mains System-Pass X250 amp, BAT VK-51se preamp, Luxman DA-06 DAC, Magnepan 1.6's, Thorens TD-145 TT, Dual Martin Logan Subs, Vintage Luxman T-110 Tuner, Cables-WW Platinum 7 USB, Cardas Parsec XLR, AQ Columbia DBS 72v XLR, Belden 8402 XLR.

  21. #271
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    Re: Why no turntable?

    Agree with Larry about the Red and another great option for a reasonably priced phono stage is the Vista Audio Phono II which is built in NY and unless something has changed since I bought mine Boris will let you try it out first. Fully flexible gain and loading options for if at some time in the future you want to try a MC cartridge.
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  22. #272
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    Re: Why no turntable?

    That pre looks pretty good, and in the range I would be considering.

    Looks like another good choice Jack. It is nice to know when/if I decide to go that route that there are some solid choices!

    Record clamp came in today, Record Doctor tomorrow. I am always fairly particular in taking care of albums. Not opposed to doing a little work. It sound like it is a solid vacuum cleaner for reasonable price.
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  23. #273
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    Re: Why no turntable?

    Got home from work. Spun some vinyl and played some Qobuz. I just like the Qubuz so much more. Maybe my open baffle and tubes asks for something more clean. Just speculating. I just enjoy the digital so much more. It works very well in my setup.
    First Sound Mark3SI preamp. Audion Black Shadow 845 SET Monoblocks. Mojo Audio Deja Vu Server. Mojo Audio Mystic 3 DAC. Linear Solution Ethernet Switch. Gigafoil with LPS. STST Motus II TT with Vertere SG1 arm, Hana ML Cartridge, Allnic H1201 phono pre. Pure Audio Project Trio 15 Horn speakers with Mundord Supreme oil caps. Power via 10 awg Oyaide cable from panel to custom distribution strip feeding front end. Oyaide dedicated10 AWG branch circuits from panel to each amp. Inakustik speaker and interconnect cables, Genesis Interconnect.
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  24. #274
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    Re: Why no turntable?

    Randy

    The Vista sounds great and has been completely reliable for over two years plus it is small enough to hide it out of sight if room dictates it. I use to swap cartridges fairly frequently and with the change of a few dip switches on the bottom I could adapt the loading and gain in a few seconds. Still $399.

    http://www.vista-audio.com/products/phono-2/index.htm
    Main - JVC QL-Y7/Denon DL-301 Mk II, Gold Note PH-10, Jays CDT3 Mk3 , Auralic Aries G2.2, Holo May KTE, Supratek Cabernet, Kinki Studio EX-B7 monoblocks, Verity Audio Otello, (2) Rythmik F12SE, Audio Envy IC, SC & PC's, Triode Wire Lab PC's, Inakustik USB and I2S, (2) Puritan Audio Labs PSM-156 with Groundmaster City, Timbernation rack

    Family Room - Oppo UDP-203, Auralic Aries, Aqua La Voce S3, Kinki Studio EX-M1+, Nola KO, (2) Rythmik F-12G, Wireworld SC & IC's, Neotech PC's, SurgeX SA-1810

    Greenville, SC- Jays CDT2 Mk 3, Auralic Aries G1, Holo Spring 3 KTE, Supratek Chardonnay, Odyssey Audio Kismet Reference, Rosso Fiorentino Volterra 2, (2) RSL Speedwoofers, iFi Audio Power Station, Wireworld IC's, Inakustik USB and I2s, Triode Wire Lab SC, Triode Wire Lab PC's, Furutech NCF Clear Line, Timbernation rack.

  25. #275
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    Re: Why no turntable?

    That definitely makes total sense. I got to get all my vinyl deep cleaned and then next step will be the Blue stylus. Hoping to check out one of Dan's phone stages, and will probably look to go that way.

    I still love and prefer digital, but having fun playing with vinyl.
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

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  26. #276
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    Re: Why no turntable?

    Quote Originally Posted by Kingrex View Post
    Got home from work. Spun some vinyl and played some Qobuz. I just like the Qubuz so much more. Maybe my open baffle and tubes asks for something more clean. Just speculating. I just enjoy the digital so much more. It works very well in my setup.
    Vinyl is like a fine wine with a fine meal. It takes time, but it’s so worth it.


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  27. #277
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    Re: Why no turntable?

    Quote Originally Posted by Mike View Post
    Vinyl is like a fine wine with a fine meal. It takes time, but it’s so worth it.


    Sent from my iPhone using Tapatalk
    Agree with you Mike. I’ve been in my music room this evening spinning vinyl; no digital tonight. I like and enjoy both but there’s “special sauce” to vinyl.
    _______________

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  28. #278
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    Re: Why no turntable?

    Quote Originally Posted by Randy Myers View Post
    That definitely makes total sense. I got to get all my vinyl deep cleaned and then next step will be the Blue stylus. Hoping to check out one of Dan's phone stages, and will probably look to go that way.

    I still love and prefer digital, but having fun playing with vinyl.
    Can’t stress enough, the Blue takes it to a nice level, I think mine just settled in to its sweet spot. Only buy the Stylus and not the whole cartridge - super easy to change out!


    Sent from my iPad using Tapatalk Pro
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  29. #279
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    Re: Why no turntable?

    Quote Originally Posted by Ritmo View Post
    Agree with you Mike. I’ve been in my music room this evening spinning vinyl; no digital tonight. I like and enjoy both but there’s “special sauce” to vinyl.
    Mike, I agree with you and Mike!

    I am really happy what’s running here and would have been a few year back if I had done Analog at the onset following the plan, but no regrets, it’s full steam ahead!


    Sent from my iPad using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
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  30. #280

    Re: Why no turntable?

    Quote Originally Posted by Ritmo View Post
    Agree with you Mike. I’ve been in my music room this evening spinning vinyl; no digital tonight. I like and enjoy both but there’s “special sauce” to vinyl.
    That "special sauce" might be definable. A very interesting read from a Caltech educated biophysicist and neuroscientist...

    https://www.fairobserver.com/more/sc...-softky-39078/
    Analog System: TechDAS Air Force Two Premium; SAT 9" Tonearm; Air Tight Opus 1; Constellation Audio Virgo III; Constellation Audio Perseus; Constellation Audio Performance DC Filter; Constellation Audio Centaur II 500 Stereo; Magico M3 w/MPODs; Kubala Sosna Sensation; Shunyata Hydra Triton v3/Typhon QR, Sigma NR power cords; TedhDAS Disc Stabilizer Ultimate Tungsten; Artesania Exoteryc 3+3 Rack w/TechDAS Platform; Artesania Aire Floor Platform; Klaudio KD-CLN-LP200 RCM; Clearaudio Double Matrix Professional Sonic RCM; DS Audio ION-001 Vinyl Ionizer

    Digital System: Aurender N10; MSB Premier DAC; Woo Audio WA33 (Takatsuki TA274B, Psvane ACME 2A3, Western Electric 417A); Hifiman Susvara; Danacables Lazuli Nirvana; Triode Wire Lab RJ45, Cardas Clear/Clear Beyond; Shunyata Denali 6000/S v2; Box Furniture Co. rack

  31. #281
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    Re: Why no turntable?

    given the performance being seen of the u-turn TT + arm in quite nice systems, i does at least beg the question of wether it makes sense to allocate proportionally more of the total analog expenditure towards the cartridge and phono-pre? in other words, buy a high quality "entry level" TT and then up the game for a higher end cartridge and phono-pre.

    more generically: given the performance being seen in "entry level" TTs in great systems, what percentage of the total analog expenditure would you allocate to the TT, cartridge and phono-pre?

    just wondering
    viking acoustics berlin r mk2 | almarro a318b + air tight atc-5 (phono) | clearaudio concept + virtuoso v2 MM | t+a dac8 dsd + diy transport + roon rock
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  32. #282
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    Re: Why no turntable?

    Quote Originally Posted by aKnyght View Post
    given the performance being seen of the u-turn TT + arm in quite nice systems, i does at least beg the question of wether it makes sense to allocate proportionally more of the total analog expenditure towards the cartridge and phono-pre? in other words, buy a high quality "entry level" TT and then up the game for a higher end cartridge and phono-pre.

    more generically: given the performance being seen in "entry level" TTs in great systems, what percentage of the total analog expenditure would you allocate to the TT, cartridge and phono-pre?

    just wondering
    $15K or less.

    VPI Prime Signature ($6500)
    Ortofon Cadenza Black ($2800)
    Mid Priced Phonostage ($3000-$6000). Luxman Phono.
    Nice Phono Cable ($1000)
    You could add a VPI ADS, but frankly, I think the speed stability of the VPI motor is excellent (we tested it). It does make switching from 33 to 45 a little easier.
    A nice ISOAcoustics Turntable Platform.
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  33. #283
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    Re: Why no turntable?

    Same as others are saying, my digital will remain my primary source, but I am enjoying playing around with vinyl. Very nostalgic for me.

    A few upgrades are warranted with the U-Turn because they make it so the table can appreciate these. To me it has been better cables (I already had them so why not), a record clam (seems to work and easy on the motor), record cleaning machine (no matter what level of table the vinyl needs to be cared for), Blue stylus (same cartridge but supposed to be a nice improvement that is easily appreciated on the U-Turn), phono pre (the one that come with it is fine but I can experiment).

    The bottom line is the table does the basics very well. It is in our nature to improve where we can, however I doubt I will go any higher for a good long while, if ever. This table is a true audio bargain! Not the same level but similar to how I feel about my pre-amplifier, music server, speakers, and DAC.
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

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  34. #284
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    Re: Why no turntable?

    With us it simply came down to storage and room. We live in a small house and were storing our vinyl records in our only walk in closet. We really needed that room for clothes storage. There was just nowhere else to put the boxes of vinyl albums.

    I checked the internet and the vinyl albums weren't worth much at the time (20 or so years ago). Plus, they were so heavy that any profit would have been spent for shipping. I knew I would regret it but I gave them away to a friend. Yes, gave them away! I still regret it to this day. But I don't have to hear complaints about how much room the 16 boxes of albums were taking up. Also, at that time vinyl records and turntables were going the way of the Dodo bird.

    CDs were rapidly taking over, with vinyl records and turntables just as rapidly disappearing. I wouldn't mind having a TT now and some vinyl records but I'm just not sure I want to go down that path again. The expense alone is a deterrent. A high quality TT is pricey these days and the cost of good quality cartridges, IMHO, is obscene. So, I'll probably just stick with streaming. I also have about 2000 CDs (ripped to iTunes, WAV) stored in a chest of drawers and on a couple racks. They might be the next to go, I'm not sure yet. I'll wait and see where streaming and my ripped CDs take me. I'll also be getting Roon with my new system and I eventually might not have any need for CD storage (my wife would love that). Like I said, I'll just wait and see. The changes in streaming are coming fast and furious.

  35. #285
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    Re: Why no turntable?

    Mike, i think the question is, would a uturn owner see a real benefit adding a $1500 cartridge and $4000 phono pre. Ultrafast told me Fremmer said don't get a better cartridge than the table.
    First Sound Mark3SI preamp. Audion Black Shadow 845 SET Monoblocks. Mojo Audio Deja Vu Server. Mojo Audio Mystic 3 DAC. Linear Solution Ethernet Switch. Gigafoil with LPS. STST Motus II TT with Vertere SG1 arm, Hana ML Cartridge, Allnic H1201 phono pre. Pure Audio Project Trio 15 Horn speakers with Mundord Supreme oil caps. Power via 10 awg Oyaide cable from panel to custom distribution strip feeding front end. Oyaide dedicated10 AWG branch circuits from panel to each amp. Inakustik speaker and interconnect cables, Genesis Interconnect.
    Kingrexelectric.com Lyncole certified grounding specialist.

  36. #286
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    Re: Why no turntable?

    Quote Originally Posted by Kingrex View Post
    Mike, i think the question is, would a uturn owner see a real benefit adding a $1500 cartridge and $4000 phono pre. Ultrafast told me Fremmer said don't get a better cartridge than the table.
    Start with the table first. In the store, we have three Avid turntables (good, better, best) with the same arm, same cart, going to the same Phonostage (Luxman EQ500) on the same platforms (Critical Mass Maxxum), so we can show people the sonic benefits of the table alone. Many new to analog think “the table doesn’t matter, it’s all about the cartridge”. Linn dispelled that myth in the 80’s.


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  37. #287
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    Re: Why no turntable?

    Quote Originally Posted by aKnyght View Post
    given the performance being seen of the u-turn TT + arm in quite nice systems, i does at least beg the question of wether it makes sense to allocate proportionally more of the total analog expenditure towards the cartridge and phono-pre? in other words, buy a high quality "entry level" TT and then up the game for a higher end cartridge and phono-pre.

    more generically: given the performance being seen in "entry level" TTs in great systems, what percentage of the total analog expenditure would you allocate to the TT, cartridge and phono-pre?

    just wondering
    Budget percentages are tricky.

    You don’t want to exceed your system unless your committed for other changes, like speakers that should IMO command the highest allocation.

    Anyone that is considering Analog with little to no experience and a budget should seriously consider an entry level turn table and then play with it as you’ll learn what cartridges do, a good process on how to care for and play records and then move up the line to cables and maybe a separate phono in time.

    There’s a lot of neat stuff out there that won’t break the bank and get you spinning records starting from $179.00 with improvements up to approx $2000.00.

    If your “all in” out the gate, or upgrading, I think an overall budget of 15% - 20% retail in a reference system is a safe position.


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  38. #288
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    Re: Why no turntable?

    Quote Originally Posted by Mike View Post
    $15K or less.

    VPI Prime Signature ($6500)
    Ortofon Cadenza Black ($2800)
    Mid Priced Phonostage ($3000-$6000). Luxman Phono.
    Nice Phono Cable ($1000)
    You could add a VPI ADS, but frankly, I think the speed stability of the VPI motor is excellent (we tested it). It does make switching from 33 to 45 a little easier.
    A nice ISOAcoustics Turntable Platform.
    Mike, can you also tell what is a comparable digital setup to this ? If one has a budget of $5k, what are the options ?

  39. #289

    Re: Why no turntable?

    Quote Originally Posted by thase13 View Post
    That "special sauce" might be definable. A very interesting read from a Caltech educated biophysicist and neuroscientist...

    https://www.fairobserver.com/more/sc...-softky-39078/
    Thanks for the link. The article is badly written in terms of scientific accuracy. The author obfuscates well into, or even beyond, the middle of the article uncompressed with compressed digital. Even right before discussing Shannon and Nyquist that ambiguity exists, subtly suggesting that these theorems have something to do with compression. Either the author is incompetent or manipulative. Neither of these options is appealing. Only in the last part of the article he draws a clear distinction between compressed and uncompressed.

    Neil Young by the way views also CD digital as being compressed, which demonstrates his lack of technical understanding.

    As for the microsecond thing, if location where an issue with digital, then the soundstage would be inferior. I simply don't hear that. I also question if in real world terms the resolution of a vinyl groove is sufficiently accurate to make the theoretical difference that the author claims.

    In terms of emotion, and subtlety thereof, I get exactly the same experience from great Redbook CD digital as from great analog.

    As for the general audio quality of digital vs analog, even just four years ago I would have agreed with the digital critics, even though I have been a digital only guy for three decades now. Yet with current CD playback quality, digital has bridged the divide to analog to my ears. And I am regularly exposed to top level vinyl playback in three friends' systems. I find my current CD playback to be sensational -- and highly satisfying, to the extent that I can stay glued to my system for hours on end. It's just addictive.

    There is no "special sauce" to vinyl.
    Simaudio Moon Neo 260 DT CD Transport / MIT SL-Matrix Plus AES/EBU digital cable / Schiit Yggdrasil Analog 2 DAC / Octave HP 700 preamp / Octave RE 320 stereo amp with Super Black Box / Reference 3A Reflector monitors on Sound Anchors Signature Stands / dual JL Audio Fathom 112 v2 subwoofers on ASC SubTraps / ZenWave Audio D4 and SMSG cables / Acoustic treatment: tube traps, Tri-panels, window plugs, ceiling diffusers (all ASC), large absorbing panels (Acoustics First), diverse carpets chosen for acoustic properties: wool, polypropylene basket-weave

  40. #290
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    Why no turntable?

    Quote Originally Posted by Devg View Post
    Mike, can you also tell what is a comparable digital setup to this ? If one has a budget of $5k, what are the options ?
    $5k analog budget:

    VPI Scout Prime - $2500
    Ortofon 2M Bronze - $400
    SimAudio 110LPV2 - $400
    AudioQuest phono cable - $300

    Spend the rest on records or get the nice ISOACOUSTICS TT platform.

    Digital?

    Aqua La Voce S3 - $4300 or Lumin T2 - $4500


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  41. #291
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    Re: Why no turntable?

    Quote Originally Posted by Mike View Post
    $5k analog budget:

    VPI Scout Prime - $2500
    Ortofon 2M Bronze - $400
    SimAudio 110LPV2 - $400
    AudioQuest phono cable - $300

    Spend the rest on records or get the nice ISOACOUSTICS TT platform.

    Digital?

    Aqua La Voce S3 - $4300 or Lumin T2 - $4500


    Sent from my iPhone using Tapatalk
    Thanks Mike, that was helpful. What I meant earlier is the $15k turntable setup you listed earlier is comparable to what digital system ?

  42. #292
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    Re: Why no turntable?

    Quote Originally Posted by Devg View Post
    Thanks Mike, that was helpful. What I meant earlier is the $15k turntable setup you listed earlier is comparable to what digital system ?
    I don’t spend a lot of time thinking about comparing a DAC to a turntable. To me, that’s like comparing a great motorcycle to a great car. But for $15k, I would do a MSB Discrete with Roon Renderer v2 module and the two PSU’s.


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    "We can hear everything we measure, but we can't measure everything we hear. Let your ears be your guide."

    Dealer for: Aqua Hi-Fi, Aurender, AudioQuest Cables & Power Products, Berkeley Audio, Block Audio (distributor), Boulder Amplifiers, Bowers & Wilkins (B&W), Bryston, Clarisys Audio Loudspeakers (distributor), Classe’ Audio, Degritter Record Cleaning Machines, Esoteric, Finite Elemente, FirstWatt, Focal Loudspeakers and Headphones, GigaFoil, Harbeth Loudspeakers, Hegel, HiFi Man, Innuos, ISO Acoustics, Keces Power Supplies, Kharma Loudspeakers and Electronics, Kuzma Turntables, Lumin, Luxman, Magico Loudspeakers, MBL Speakers & Electronics, MSB Technologies, MySonicLabs Phono Cartridges, Nordost Cables, Ortofon, Pass Labs, Quadraspire, Rega Turntables and Electronics, Shunyata Research, STAX, Stein Music Products, Stillpoints, Soulution, VAC, Vicoustics, Viva Audio, VPI Industries, WireWorld Cables.

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  43. #293

    QRe: Why no turntable?

    Quote Originally Posted by Al M. View Post
    Thanks for the link. The article is badly written in terms of scientific accuracy. The author obfuscates well into, or even beyond, the middle of the article uncompressed with compressed digital. Even right before discussing Shannon and Nyquist that ambiguity exists, subtly suggesting that these theorems have something to do with compression. Either the author is incompetent or manipulative. Neither of these options is appealing. Only in the last part of the article he draws a clear distinction between compressed and uncompressed.
    Interesting interpretation. Rather than infer malicious motives, I read it as two distinct arguments, but I certainly see your point. He certainly seems to create an implied inequity in the positions of the musicians and the technologists with the musicians occupying the moral (but rhetorically indefensible) high ground and the technologists seemingly constrained by their dogma.


    Quote Originally Posted by Al M. View Post
    Neil Young by the way views also CD digital as being compressed, which demonstrates his lack of technical understanding.

    This seems to support the author's argument. Despite Mr. Young's lack of technical understanding, he feels that there is something missing in the digital reproduction of his music. His inability to intellectually support this position shouldn't be an a priori negation of his intuition. Many artists see a reality that cannot be supported by empirical fact. Certainly, the Rouen Cathedral looks nothing like how Claude Monet depicted it, but the absence (or presence) of additional technical information doesn't diminish the effect on our senses.


    Quote Originally Posted by Al M. View Post
    As for the microsecond thing, if location where an issue with digital, then the soundstage would be inferior. I simply don't hear that. I also question if in real world terms the resolution of a vinyl groove is sufficiently accurate to make the theoretical difference that the author claims.
    I don't think there necessarily has to be either a tangible or perceptible auditory response, but I am intrigued by the suggestion that the brain invokes deeper distinctions created by the biological differences of clusters of neurons simultaneously firing as receptors of a sound event vs. the (mis)/perceptions of the cognitive analysis of discrete changes in amplitudes.


    Quote Originally Posted by Al M. View Post
    In terms of emotion, and subtlety thereof, I get exactly the same experience from great Redbook CD digital as from great analog.

    As for the general audio quality of digital vs analog, even just four years ago I would have agreed with the digital critics, even though I have been a digital only guy for three decades now. Yet with current CD playback quality, digital has bridged the divide to analog to my ears. And I am regularly exposed to top level vinyl playback in three friends' systems. I find my current CD playback to be sensational -- and highly satisfying, to the extent that I can stay glued to my system for hours on end. It's just addictive.
    This is really all that matters, that you derive pleasure from the wonderful system that you've assembled. In this sense, the article is just a conversation piece.


    Quote Originally Posted by Al M. View Post
    There is no "special sauce" to vinyl.
    And yet there are still those who feel that there is and therein lies the crux of the article. The dissonance seem to occur when we simply dismiss people who adopt this point of view because our own predispositions won't allow us to entertain the possibility that we might be missing something.

    Great response. Thanks Al!
    Analog System: TechDAS Air Force Two Premium; SAT 9" Tonearm; Air Tight Opus 1; Constellation Audio Virgo III; Constellation Audio Perseus; Constellation Audio Performance DC Filter; Constellation Audio Centaur II 500 Stereo; Magico M3 w/MPODs; Kubala Sosna Sensation; Shunyata Hydra Triton v3/Typhon QR, Sigma NR power cords; TedhDAS Disc Stabilizer Ultimate Tungsten; Artesania Exoteryc 3+3 Rack w/TechDAS Platform; Artesania Aire Floor Platform; Klaudio KD-CLN-LP200 RCM; Clearaudio Double Matrix Professional Sonic RCM; DS Audio ION-001 Vinyl Ionizer

    Digital System: Aurender N10; MSB Premier DAC; Woo Audio WA33 (Takatsuki TA274B, Psvane ACME 2A3, Western Electric 417A); Hifiman Susvara; Danacables Lazuli Nirvana; Triode Wire Lab RJ45, Cardas Clear/Clear Beyond; Shunyata Denali 6000/S v2; Box Furniture Co. rack

  44. #294
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    Re: QRe: Why no turntable?

    Quote Originally Posted by thase13 View Post
    The dissonance seem to occur when we simply dismiss people who adopt this point of view because our own predispositions won't allow us to entertain the possibility that we might be missing something.
    Bingo!



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  45. #295

    Re: QRe: Why no turntable?

    Quote Originally Posted by thase13 View Post
    This is really all that matters, that you derive pleasure from the wonderful system that you've assembled. In this sense, the article is just a conversation piece.
    Thank you. Your systems look wonderful too! I am a big Magico fan.

    And yet there are still those who feel that there is and therein lies the crux of the article. The dissonance seem to occur when we simply dismiss people who adopt this point of view because our own predispositions won't allow us to entertain the possibility that we might be missing something.
    In the end I think it is about the mastering of the recording, which mostly has little to do with the medium itself. There are many recordings that just sound better on vinyl, especially in pop/rock (while at the same time there are mediocre LP masterings and pressings as well). There are also a few jazz and classical recordings that I prefer on vinyl.

    For example, Gidon Kremer's interpretation of Bach violin sonatas and partitas on Philips (1980, I think) sounds so much better on vinyl than on the 1990 CD release on that label. On the other hand, the also 1990 CD release on the same Philips label of Tchaikovsky first piano concerto and the violin concerto (Arrau, Accardo soloists/ Colin Davis cond.) sounds excellent to my ears. Maybe they didn't adjust the tape head correctly for the analog replay for the former release. Some of the early pop/rock CD releases also are rumoured to have lacked correction for Dolby A, which would explain some brightness. And then of course you have the loudness wars, a misuse of the capabilities of digital.

    If I would spend more time with rock on my system I might be more inclined towards vinyl than l am now; with my diet of mainly classical and jazz, as well as more recent classical avantgarde and jazz avantgarde releases I am perfectly happy with digital.
    Simaudio Moon Neo 260 DT CD Transport / MIT SL-Matrix Plus AES/EBU digital cable / Schiit Yggdrasil Analog 2 DAC / Octave HP 700 preamp / Octave RE 320 stereo amp with Super Black Box / Reference 3A Reflector monitors on Sound Anchors Signature Stands / dual JL Audio Fathom 112 v2 subwoofers on ASC SubTraps / ZenWave Audio D4 and SMSG cables / Acoustic treatment: tube traps, Tri-panels, window plugs, ceiling diffusers (all ASC), large absorbing panels (Acoustics First), diverse carpets chosen for acoustic properties: wool, polypropylene basket-weave

  46. #296

    Re: Why no turntable?

    Quote Originally Posted by UltraFast69 View Post
    What? I thought you just got that?

    Plans?


    Sent from my iPhone using Tapatalk Pro
    Yes! Already on order.

    The Viella is great, I had it for about two years. There’s now a new AMG version, but that one is not my cup of tea. So I went for something else.

    I seem to be upgrading my vinyl more often than my digital.


    Sent from my iPad using Tapatalk
    “Life’s too short to listen to bad audio.”

    Big rig: Brinkmann Taurus DD TT + 12.1 arm + Lyra Etna Lambda SL MC + HRS M3X2/ Cardas Clear Beyond phono/ Stillpoints LPI/ Brinkmann Edison mk2 phono + RöNT II Tube PS/ Synology NAS with Roon + HD Plex linear PSU + Shunyata HD/ AQ Vodka RJ45 + Aqvox Network Switch SE + AQ Diamond RJ45 into DAC/ Brinkmann Nyquist mk2/ Audionet Humboldt/ Cardas Clear Beyond ICs/ Kharma DB9-S 1.1 LS/ Inakustik Reference LS 4004 AIR/ Audioquest Niagara 5000/ Shunyata Alpha power (HC, Analogue, Digital)/ Finite Elemente Pagode Rack/ Stillpoints Ultra SS/ Vicoustic panels + Stillpoints Aperture II.

    Small rig: Naim UnitiServe/ Curious USB/ Tidal/ Linn Klimax DS3/ Shunyata Power cable/ Pass Labs INT-60/ Acoustic Zen Silver Reference II/ HiD Diamond 8/ Harbeth 30.2 40th Anniversary/ Shunyata Venom EU7 & Venom 3 HD.

    HP rig: MacBookAir/ Tidal/ Auralic Gemini 2000/ Sbooster LPSU/ Audeze LCD-2 Classic + WyWires Red/ Shunyata HD/ Shunyata Hydra 2/ Shunyata Venom.

  47. #297
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    Re: Why no turntable?

    I received the Record Doctor V yesterday. I have done about 10 albums so far. It does a fairly amazing job. It is not the most convenient to use in that it is manual to both spread the liquid and spin the album when it is being vacuumed. Using a bit of patience and it does a great job. Since I am not going to ever get into any type of cleaning to resell or any other such thing, for my use it is all I need. Some albums that had a ton of noise, including one used one that had ALOT of noise now play great with very little noise!

    It will only get better with the MoFi brush that will be arriving today to replace the crappy one that comes with the cleaner!

    I also ordered a Blue stylus. This should hold me for now ....
    McIntosh C49, MC152, MR85, R778 | T+A DAC 8 DSD | KEF LS50 Meta w/S2, KC62 (x2) | Rega RP8, Ania Pro, NEO PSU | Technics SL-1500C | Audio Technica VM750ML | Hexmat Eclipse, Yellow Bird, Molekula, Molekula Mini | Pro-Ject VC-E | Falcon NW PC Server (Roon Core & HQPlayer) | Microsoft Surface Pro 6 (Roon Controller) | Wyred 4 Sound ISO Recovery, DC Recovery | Abyss Diana Phi | Schiit Jotunheim 2 | Astell&Kern SE200 | Oppo BDP105

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  48. #298
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    Re: Why no turntable?

    -----------------
    Brian

    Main System -
    Rotel RCD-1572 / Rega P3 > Luxman 505UX Mark II > Fyne Audio F502SPs > Synergistic Cables

    Secondary - OPPO 93 > VAC CLA 1 MKII Pre > Odyssey Stratos > Dynaudio Audience 82s > Tara Labs Cables


  49. #299
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    Re: Why no turntable?

    Quote Originally Posted by Randy Myers View Post
    I received the Record Doctor V yesterday. I have done about 10 albums so far. It does a fairly amazing job. It is not the most convenient to use in that it is manual to both spread the liquid and spin the album when it is being vacuumed. Using a bit of patience and it does a great job. Since I am not going to ever get into any type of cleaning to resell or any other such thing, for my use it is all I need. Some albums that had a ton of noise, including one used one that had ALOT of noise now play great with very little noise!

    It will only get better with the MoFi brush that will be arriving today to replace the crappy one that comes with the cleaner!

    I also ordered a Blue stylus. This should hold me for now ....
    Perfect!


    Sent from my iPhone using Tapatalk Pro
    Source Analog: Kuzma Stabi R w/4point 11 arm | Kuzma 50 Cartridge
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  50. #300
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    Why no turntable?

    Hey Randy, I had one of these too! Next step is the VPI cleaner. Then save your pennies for a AudioDesk or ClearAudio Double Matrix and you’ll never look back.


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    "We can hear everything we measure, but we can't measure everything we hear. Let your ears be your guide."

    Dealer for: Aqua Hi-Fi, Aurender, AudioQuest Cables & Power Products, Berkeley Audio, Block Audio (distributor), Boulder Amplifiers, Bowers & Wilkins (B&W), Bryston, Clarisys Audio Loudspeakers (distributor), Classe’ Audio, Degritter Record Cleaning Machines, Esoteric, Finite Elemente, FirstWatt, Focal Loudspeakers and Headphones, GigaFoil, Harbeth Loudspeakers, Hegel, HiFi Man, Innuos, ISO Acoustics, Keces Power Supplies, Kharma Loudspeakers and Electronics, Kuzma Turntables, Lumin, Luxman, Magico Loudspeakers, MBL Speakers & Electronics, MSB Technologies, MySonicLabs Phono Cartridges, Nordost Cables, Ortofon, Pass Labs, Quadraspire, Rega Turntables and Electronics, Shunyata Research, STAX, Stein Music Products, Stillpoints, Soulution, VAC, Vicoustics, Viva Audio, VPI Industries, WireWorld Cables.

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Why no turntable?

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